SKU: 98042959859

Taschen : Masterpieces of Fantasy Art

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Taschen : Masterpieces of Fantasy ArtThis monster tome has it all, with works by over 100 fantasy artists. Julie Bell, Philippe Druillet, Frank Frazetta, H. R. GIGER, The Brothers Hildebrandt, Jeffrey Catherine Jones, Moebius, Rowena Morrill, Boris Vallejo, and Michael Whelan are here, along with first sketches and other materials for a deep dive into this dynamic genre. Myth, Muscle and Sexy Maidens A giant sized survey of fantasy art Fantasy art, that colorful blend of myth, muscle and

This monster tome has it all, with works by over 100 fantasy artists. Julie Bell, Philippe Druillet, Frank Frazetta, H.R. GIGER, The Brothers Hildebrandt, Jeffrey Catherine Jones, MoebiusRowena MorrillBoris Vallejo, and Michael Whelan are here, along with first sketches and other materials for a deep dive into this dynamic genre.

Myth, Muscle and Sexy Maidens

A giant-sized survey of fantasy art
Fantasy art, that colorful blend of myth, muscle and sexy maidens, took off in 1923 with the launch of Weird Tales magazine, was reinvigorated in the 1960s with The Lord of the Rings, Conan the Barbarian paperbacks with Frank Frazetta covers, and the late ’60s emergence of fantasy psychedelia. It went big in the ’70s with the role-playing game Dungeons & Dragons, the brilliant French magazine Métal Hurlant, and the first Star Wars film. The number of active artists peaked in that decade, but a new generation of fans discovered the genre through fantasy trading card games in the ’90s, leading to a massive interest in the art form today. Frank Frazetta’s oil paintings—when they infrequently come to market—have sold for more than $ 5 million in recent years. Fans line up at Comic-Cons to meet Boris Vallejo, Rodney Matthews, Greg Hildebrandt, Michael Whelan, and Philippe Druillet, and memorialize dead icons HR Giger, Jeffrey Catherine Jones, and Frazetta. Imagine how eagerly they’ll welcome TASCHEN’s History of Fantasy Art, including all the artists listed above and more.

This monster-sized tome features original paintings, contextualized by preparatory sketches, sculptures, calendars, magazines, and paperback books for an immersive dive into this dynamic, fanciful genre. Insightful bios go beyond Wikipedia to give a more accurate and eye-opening look into the life of each artist. Complete with tipped-in chapter openers, this collection will reign as the most exquisite and informative guide to this popular subject for years to come.

Hardcover, clothbound with jacket, 11.4 x 15.6 in., 14.23 lb, 532 pages
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SKU: 98042959859

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Amazon Customer
Alexandria, US
★★★★★ 5
Shampoo conditioner.
Style: Shampoo & Conditioner Set
Works like it should.
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Reviewed in the United States on June 1, 2026
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Suzanne D.
Charlottesville, US
★★★★★ 3
I can't get the shampoo to lather
Style: Shampoo & Conditioner Set
I've put a quarter-size dollop of the shampoo on my hair and it just vanishes. It's not because we have hard water, because we don't. I get tons of lather from small amounts of other products. When I increase the amount of shampoo to about a fifty cent piece size, it just smears around. Almost like I'm trying to shampoo with hand lotion. I actually get a pretty good amount of lather from the conditioner. Much more than the shampoo. Maybe they put the wrong product in the wrong bottles? Either that or something must be wrong with my batch of shampoo?
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Reviewed in the United States on May 22, 2024
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stefanocima
Belleville, US
★★★★★ 5
A real masterpiece
Format: Paperback
A real masterpiece of Poetry
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Reviewed in the United States on February 19, 2026
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Mario morales
Dallas, US
★★★★★ 5
El libro es muy completo y esclarecedor.
Format: Paperback
Adrienne Rich es una autora cuyo discurso no te deja indiferente. Cuando la lees por primera vez te suceden cosas.
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Reviewed in the United States on November 22, 2022
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Jennifer L Pearson
Natrona Heights, US
★★★★★ 3
A few I loved but the rest didn't excite me
Format: Paperback
I got this book because I wasn’t sure that I wanted a book of her complete poems. This one selects from each of her volumes of poetry (she was deceased at the time of its publication). I found that I almost exclusively liked poems from her book Diving into the Wreck, which won the National Book Award. So in the end, I came away from this volume not wanting to read her complete work but wanting to read Diving into the Wreck in its entirety. This pains me somewhat. I think of Adrienne Rich as a feminist ground-breaker and icon. I came away from this realizing I probably like her essays and books tackling how women are treated more than I like her poetry. I sensed in her reserve in her poetry, that she was not wanting to bring us entirely into the impetus of the poem, holding us at a bit of a distance and not being specific. While that isn’t true of all of her poetry, that’s the feel I was getting from much of it. One thing that struck me is that in this volume, there was little evidence of her voice as an activist. I don’t know if that’s true of her poetry in general or if it’s a result of the editorial choices in this volume. Most of the poetry was very much about relationship, about how people treat each other, whether individuals or groups. Not a lot of the poetry in this volume stuck with me. I would read it and then it was gone. Out of 400 pages of poetry, I marked only 12 poems. So I was disappointed that I didn’t connect more with Adrienne Rich’s poetry, especially since her poem “Diving into the Wreck” (from the book by the same name) is one of my favorite poems. I guess more evidence that I’m a fan of specific poems more than I’m a fan of poets.
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Reviewed in the United States on April 17, 2025

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