SKU: 98678488232

VELUX GPL SK08 3070 Pine Top Hung Window - 114x140m

Sale price$290.91 Regular price$323.23
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Description

VELUX GPL SK08 3070 Pine Top Hung Window - 114x140mThe Velux pine top hung roof window offers great energy efficiency as well as fantastic cosmetic appeal. The Velux GPL SK08 3070 has a laminated inner window pane, giving you that extra safety benefit. The Velux GPL SK08 3070 is easy to install with click on covers as well improved insulation features. These maintenance free windows are a must have for any home. Product features: Comfortable top control bar. The window swivels 45 in its frame, this

The Velux pine top hung roof window offers great energy efficiency as well as fantastic cosmetic appeal. The Velux GPL SK08 3070 has a laminated inner window pane, giving you that extra safety benefit.

The Velux GPL SK08 3070 is easy to install with click on covers as well improved insulation features.

These maintenance free windows are a must have for any home.

Product features:

  • Comfortable top control bar.
  • The window swivels 45° in its frame, this makes cleaning easy.
  • Stylish white finish with smooth rounded corners for that modern look.
  • Waterproof and maintenance-free.
  • Obscure glazing available, ideal for bathrooms.

Technical Information

Use of the ventilation flap

To enjoy fresh air even when the window is fully closed, pull the control bar lightly downwards to open the ventilation flap. The window will remain locked, but air can enter the room through a built-in air filter that keeps out dust, insects and driving snow.

Opening and closing the window

Pull the control bar once more to open the window. Friction springs in the hinges allow the sash to be parked in partially open positions. The window is closed by pushing upwards firmly on the control bar to lock the sash and close the ventilation flap.

Ventilation position

The built-in barrel bolt allows you to fix the window in an open position. The barrel bolt is placed in the top right part of the window, and slides into the bushing at the top of the side frame.

Cleaning the pane

To clean the outer pane, rotate the sash 180 degrees. The sash must be secured in position by sliding the barrel bolt into the bushing at the bottom of the side frame. This safety feature leaves both hands free for cleaning.

Clean the pane with a soft, clean, lint-free cloth/chamois leather/nonabrasive sponge or a clean, non-metal window squeegee. Clean water will normally be sufficient for cleaning the pane. Ordinary, non-abrasive household cleaners can also be used. Soft water is best for cleaning panes. Therefore, in hard-water areas add a small amount of detergent to soften the water or wipe off all excess water after cleaning.

Warning

  • Avoid contact from silicone with the pane.
  • Do not use any cleaning products containing abrasive particles.
  • Do not use highly acidic or (highly) alkaline household cleaners for cleaning the pane.
  • Avoid contact with the pane from all sharp or abrasive objects including jewellery.
  • Never attempt to clean off dirt on the pane without first applying water.
  • If any works are taking place in the vicinity of the pane, protect the pane with a clean plastic sheet to prevent any splashes or staining from aggressive and abrasive compounds.


Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 98678488232

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4.3 ★★★★★
Based on 17 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Port Orchard, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Port Orchard, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
New York, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lexington, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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