SKU: 12520503650

ViewSonic Mounting Tray for Notebook, Keyboard, Collaboration Display, Display Cart

$88.49 $98.32
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Description

ViewSonic Mounting Tray for Notebook, Keyboard, Collaboration Display, Display CartThe ViewSonic Mounting Tray is purpose built for the BalanceBox Mobile Stand Mix, turning any collaborative space into a streamlined, ergonomic workstation. This notebook and keyboard tray provides a safe, solid base for laptops and keyboards, enabling smooth transitions between individual work and group collaboration. Designed to be mounted at the front or back of the mobile stand, it delivers flexible configurations for classrooms, training rooms,

The ViewSonic Mounting Tray is purpose-built for the BalanceBox Mobile Stand Mix®, turning any collaborative space into a streamlined, ergonomic workstation. This notebook and keyboard tray provides a safe, solid base for laptops and keyboards, enabling smooth transitions between individual work and group collaboration. Designed to be mounted at the front or back of the mobile stand, it delivers flexible configurations for classrooms, training rooms, huddle spaces, and corporate environments. With compatibility for most laptops up to 17" and a robust load capacity of 13.2 lbs, this mounting tray helps teams stay organized, productive, and focused on collaboration rather than cable clutter or setup friction.

Whether you’re equipping a modern classroom, a sales floor, or a conference room, the ViewSonic Mounting Tray supports a wide range of devices while preserving a clean, professional aesthetic. Its thoughtful design accommodates everyday use in busy spaces, offering quick adjustments, secure positioning, and a compact footprint that leaves room for essential peripherals. By integrating directly with BalanceBox Mobile Stand Mix, the tray enables easy repositioning as needs shift—from individual note-taking to collaborative demonstrations—without sacrificing stability or safety for your equipment.

Durability and reliability are built into every detail. The tray is engineered to withstand daily use in high-traffic environments, with a focus on dependable support for laptops and keyboards. It keeps devices stable during movement, reduces the risk of accidental slips, and helps protect both devices and users during enthusiastic brainstorming sessions. When you need to reorganize layouts or move between rooms, the mounting tray integrates seamlessly with existing BalanceBox configurations, preserving the ergonomics and efficiency that modern spaces demand.

From education to enterprise, the ViewSonic Mounting Tray supports a variety of workflows. It’s ideal for demonstrations, demos, remote teaching, training sessions, or client-facing presentations where laptops and keyboards must be quickly deployed and stowed. The front-or-back mounting capability gives you the flexibility to tailor the setup to sightlines, audience reach, and room geometry, so every presenter can engage with confidence and clarity. With an emphasis on simplicity, installation and maintenance are straightforward, allowing you to focus on collaboration rather than equipment management.

In addition to its functional benefits, the mounting tray contributes to a tidy, professional appearance in any space. The compact tray design minimizes bulk while delivering dependable support for essential devices. When paired with compatible display carts or collaboration displays, it helps create a cohesive, integrated environment that resonates with students, colleagues, and clients alike. The result is a more engaging, productive experience where technology supports collaboration rather than complicates it.

  • Flexible mounting options: front or back attachment to the BalanceBox Mobile Stand Mix for versatile configurations.
  • Laptop and keyboard compatibility: supports most laptops up to 17" with a load capacity of 13.2 lbs (6 kg) for secure, stable use.
  • Safe, solid base: designed to provide a reliable platform for notebooks and keyboards, reducing movement during use.
  • Enhanced collaboration: optimized to support teaching, training, and group sessions with easy access to devices during demonstrations.
  • Simple integration: built to work seamlessly with BalanceBox systems, ensuring quick setup and straightforward reconfiguration.

Technical Details of ViewSonic Mounting Tray for Notebook, Keyboard, Collaboration Display, Display Cart

  • Load capacity: 13.2 lbs (6 kg)
  • Laptop compatibility: accommodates most laptops up to 17"
  • Mounting compatibility: designed for front or back mounting on BalanceBox Mobile Stand Mix
  • Primary use: notebook and keyboard tray for collaboration displays, display carts, and related mobile setups

How to install ViewSonic Mounting Tray for Notebook, Keyboard, Collaboration Display, Display Cart

1) Prepare your BalanceBox Mobile Stand Mix and ensure it is stable on a flat surface.
2) Choose the mounting orientation—front or back—based on your room layout, sightlines, and interaction needs.
3) Align the mounting holes on the tray with the corresponding points on the BalanceBox stand.
4) Secure the tray using the appropriate fasteners provided for your BalanceBox system. Ensure all screws are tightened firmly to prevent any movement during use.
5) Place your notebook or keyboard on the tray and adjust its position for optimal ergonomics. Route cables as needed to maintain a tidy workspace.
6) Verify stability by gently moving the tray and confirming that it remains securely attached to the stand. If necessary, re-tighten fasteners and recheck alignment.

Frequently asked questions

  • Q: What laptops are compatible with the mounting tray? A: The tray is designed to accommodate most laptops up to 17 inches in size, with a load capacity of up to 13.2 lbs (6 kg).
  • Q: Can the tray be mounted on both the front and the back of the BalanceBox Mobile Stand Mix? A: Yes. The tray is designed for front or back mounting, providing flexible configuration options to suit your space and workflow.
  • Q: Is installation difficult or time-consuming? A: No. The tray is engineered for straightforward installation with standard hardware for BalanceBox systems, enabling quick setup and easy reconfiguration.
  • Q: What spaces is this tray best suited for? A: The tray is ideal for classrooms, training rooms, meeting spaces, and collaborative areas where laptops and keyboards are frequently shared or demonstrated.
  • Q: Does the tray affect cable management or device accessibility? A: The tray is designed to integrate with BalanceBox setups in a way that supports organized cable management and accessible device placement during inputs and demonstrations.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 12520503650

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4.1 ★★★★★
Based on 21 reviews
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***moviemaker***
Battle Creek, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
Louisville, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
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Basket Case
Pawtucket, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
Alexandria, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Verified Purchase
Todd7
Grantham, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2025

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