SKU: 13725228096

CEILING BAFFLE - Gold & Red Mahogany

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Description

CEILING BAFFLE - Gold & Red MahoganyOPTIMIZE YOUR ROOM'S ACOUSTICS & AESTHETICS WITH NGA ACOUSTIC CEILING BAFFLES. Our premium acoustic ceiling cloud panels are the PERFECT solution for reducing reverberation, echoes WHILE IMPROVING audio clarity in recording studios, practice rooms, restaurants, retail spaces, home theaters, churches, conference rooms, etc. Ceiling Baffle Hanging Kit Included FREE with your order! ADVANTAGES OF NGA CEILING BAFFLES Accurate broadband absorption Eco

OPTIMIZE YOUR ROOM'S ACOUSTICS & AESTHETICS WITH NGA ACOUSTIC CEILING BAFFLES. 

Our premium acoustic ceiling cloud panels are the PERFECT solution for reducing reverberation, echoes WHILE IMPROVING audio clarity in recording studios, practice rooms, restaurants, retail spaces, home theaters, churches, conference rooms, etc.

Ceiling Baffle Hanging Kit Included FREE with your order!

ADVANTAGES OF NGA CEILING BAFFLES

  • Accurate broadband absorption
  • Eco-friendly materials
  • Class-A fire rated fabric 
  • Made in America 
  • Cost-effective 
  • Easy to mount
  • Visually appealing 
  • More effective than acoustical foam

Each one of Next Generation's Panels is hand crafted, with love in North Carolina, the furniture capitol of the world. Our team believes in quality. We design all of our acoustic panels to be highly functional and visually appealing. They are easy to mount on walls or other surfaces and work great anywhere sound control is needed!

No seams/cuts/staples are visible anywhere on our acoustic panels. Every panel is meticulously upholstered - with care. Our acoustic panels are wrapped with our signature series 100% spun polyester Class-A fire rated fabric. Our special fabric is acoustically transparent and especially durable.

Each panel consist of Class-A fire rated, non-corrosive, compressed fiberboard core. The backing is a silver faced FSK to protect from any exposure to the core and to keep the integrity of your panel from being compromised.


Doing Our Part. 

We strive to create minimum waste in all of our production processes. We only use sustainably/responsibly sourced lumber - not from deforested/imported species. Our Broadband Panel cores are comprised of 30% post recycled material. All of our Acoustic Panels, Fabrics and Insulations are Class-A fire rated, non corrosive and mold & mildew resistant. Our impact on the planet and client's long term satisfaction are very important to us at NGA!  

IS A CEILING BAFFLE RIGHT FOR ME?

The list below explains 3 of the most common scenarios where an acoustic ceiling baffle is needed:

1. WALL PANELS DON'T LOOK GOOD IN YOUR ROOM 

Often times, because of the architecture of a room, installing acoustic panels on the wall space may not be practical or aesthetically pleasing. Some rooms have custom wood work on walls that needs to be showcased, a brand new paint job that drilling holes into is unfathomable or high traffic areas where you don't want your panels to be touched or knocked into by people etc. Adding acoustic ceiling baffles is an ideal solution for any space where acoustic treatment is needed, but installing them on a wall is not practical. 

2. MORE ABSORPTION IS REQUIRED THAN WHAT CAN BE INSTALLED ONTO WALLS

Sometimes, installing acoustical panels to the wall surfaces only doesn't provide adequate absorption to reach a desired acoustic environment. Some reasons for this include not having enough available wall space for acoustic treatments, hardwood or concrete floors that create standing reflections or high ceilings causing excess reverberation. Installing ceiling cloud panels is an ideal solution to make up for this. If a room is very large and/or has very high ceilingthis can be a recipe for echoes and long sound decay times. Sometimes this is desired, think When The Levee Breaks - Led Zeppelin. Often times, a cleaner "dryer" recording room is sought instead. This will allow the mixing/mastering engineer to then add & control reverberations & effects simulated in a DAW or recording software.    

3. SPOT ISOLATION IS DESIRED FOR MIXING OR RECORDING

Placing acoustic cloud panels over a mixing area or tracking area in a recording room/recording studio is common place in the recording industry. And with good reason... There is not other environment where the demands of room acoustics are as important as a recording studio or mixing room. Often times, adding acoustical treatments to the ceiling in a room can be extremely beneficial in helping achieve a balanced frequency response within the room. Since sound reacts to every and all surfaces in a room - it is imperative that the ceiling is taken into consideration when installing and planning the acoustical treatments for your mixing/studio space. In live rooms, spot isolation can be achieved wherever an acoustic cloud panel is placed. This helps in large live rooms scenerioes by allowing increased isolation where the ceiling baffle is placed. In small studios spaces these can be beneficial by absorbing & controlling first order reflections caused by the ceiling. These reflections can create "muddiness" and/or "slap back" delays (also known as the dreaded "flutter echo") in your recordings. Ceiling cloud panels can be used over drummers to help control reflections from the cymbals and hi-hats, they can be used over vocalists to help with achieving cleaner more isolated sounding vocal recordings or placed over acoustic instruments (ex. brass, strings, guitars) to help achieve a more balanced clear recording organically. In conclusion, this can be tremendously helpful in the mixing process as not as much subtractive EQ will be needed since your room now already has more balanced frequency response to begin with!

If you have any questions about how our Ceiling Baffles can help you achieve the best acoustical environment for your room - or if you are interested in a customization inquiry please feel free to contact us.

 [email protected] 

 

Still Not Sure? Here's Some Other Helpful Resources We Provide:

Free Room Analysis

Comprehensive Room Design Service $199.00

Custom Product and/or Custom Size Request

6 month interest free financing on any order over $99 

Local/Regional Installation Service (North Carolina)

 

Shipping Notes
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SKU: 13725228096

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4.4 ★★★★★
Based on 20 reviews
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Product Reviews
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Gsorme
Port Orchard, US
★★★★★ 4
Very impressive
Format: Paperback
I approached this one with caution and came away impressed, glad to have read it, and looking forward to the sequel. It's a fascinating and occasionally breathtaking novel. Hancock has a knack for writing compelling fiction. It's funny: often when people write reviews of his non-fiction books they'll say they read like good thrillers. This one is compelling as fiction but also had enough historical detail to keep me interested beyond the plot and to make me think about the Spanish conquest of Mexico in a different light. I was very grateful for the endnote by Hancock giving an overview of the types of "fictional" elements he introduced into the book (such as combining a couple of historical events into a single event in order to keep the appropriate pace for a novel) because this clarified things and allowed me to come away from the book with a deeper overall understanding of that period in history--which Hancock really does bring alive. Granted, this is Hancock's take on it--even non-fiction historical books have an author's "take" on events--but it seems to be a very well-informed take. Mixed in are supernatural elements and hints of the non-orthodox elements of history that Hancock is known for investigating in his non-fiction. For me, the blend was good. It's not a perfect novel. For example, the style of switching perspective from character to character from short chapter to short chapter was a bit jarring at first; I found it unnecessary and it ended up taking me out of the narrative for a few short moments. (Perhaps this was done to "hit the ground running" and introduce the large cast of characters and plot threads quickly; still, for me it was too much at first.) However, this stylistic approach shifts as the book goes on; the sequences become longer and occasionally blend together. Ultimately this worked, especially given the large cast and numerous plots the book juggles. If it hadn't worked, I would've put the book down; as it was, I did end up turning pages (on my Kindle) rather quickly and not getting bored. There is an immense amount of blood and gore. Very graphic. I won't pass judgment on it. It did give a pretty visceral impression of the whole human sacrifice element of the Mexica and other peoples, and of what battle was probably like at the time. Character-wise the book is diverse and interesting. There are a few semi-saccharine moments and lightly-drawn characters, but in general all are developed to help drive the story forward and to offer possible insights into their historical counterparts. Ultimately I guess we could call this a "sprawling epic," one that wraps up the first part of its story at the end but leaves a huge section to be developed in the next installment. I hope we don't have to wait too long. As I said at the beginning of this review, I didn't really know what to expect from this book but it really was quite fluid, exciting, surprising, and enlightening. Very impressive.
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Reviewed in the United States on August 3, 2013
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Jason M.
Pawtucket, US
★★★★★ 5
Graham Hancock has woven a compelling tale of historical fiction that does not feel like history or fiction
Format: Kindle
This has been a relentless and compelling read from page one and comes from one of the most innovative thinkers of our time. Graham Hancock has woven a compelling tale of historical fiction that does not feel like history or fiction. Its characters are real and relatable for their humanity, their virtues, their vices, and their corruption. I especially enjoy his characterization of Montezuma and Cortes, two iconic characters from the pages of history who become living, breathing, understandable humans for the readers. The supernatural elements of the story are undeniably present, but they are handled in a way that blends into the tapestry of the story rather than as silly plot devices. Also, those same supernatural elements help throw into sharper relief the unimaginable brutality and horror of which both of these great civilizations on a collision course were capable. The violence is brutal and horrific, no doubt, but for me the gentleness and humanity of the author in describing it softens its impact. Also, even though the book ventures into some very dark, cruel times in human history, the goodness and humanity of many of the characters prevents the story from becoming a tale of despair or hopelessness. I am a fan of Graham Hancock's non-fiction work, and this book firmly cements him as a fiction author I will be revisiting. Superb!
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Reviewed in the United States on April 28, 2015
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Amazon Customer
Bozeman, US
★★★★★ 5
Cortes sails out of Cuba with a few hundred men under bad circumstances. He brings a priest along who rapes ...
Format: Paperback
Graham Hancock's War God is a novel about Cortes, the Spanish conquistador, taking over Central America in the 16th century. Although fiction, the author tells most of the story through the eyes of the Mexicas, Aztecs, Mayans, and Tlascans in the 1520s. The book begins with Montezuma tripping out on mushrooms, praying to the god Hummingbird, and sacrificing thousands of people on his pyramid. He is preparing for the return of Quetzalcoatl and wants to be ready. Two of the main characters, Malinal and Tozi, escape to influence history. Cortes sails out of Cuba with a few hundred men under bad circumstances. He brings a priest along who rapes and murders children. Other generals and captains help him first take over Ponchantan by using cannons and guns which the Mayans believe are supernatural powers. They defeat tens of thousands of people with advanced weaponry. Disappointed the city doesn't have much gold, they loot nearby towns and come up with almost nothing. They find their way to Tenochtitlan and take over instantly. Montezuma believes Cortes is Quetzalcoatl, the plumed serpent god, and doesn't even put up a fight. My Review: I bought this book because I like Graham Hancock's work on aliens and Ancient Aliens. I thought the story would have more of a supernatural twist. Tozi, one of the supporting characters, could turn invisible, but that was the extent of magic. The book fits in better with historical fiction. The story was an amazing epic. Hancock researched every angle possible, and put it into a highly entertaining story while teaching the reader about Central American history. I really loved the character of Malinal, a young woman forced into being a sex slave. Tozi the teenage witch was also interesting as she escaped from the sacrifice of Montezuma. Cortes was portrayed as a thoughtful leader who sought new lands and gold. I really enjoyed the book, but I do have one criticism. Hancock can get very wordy per my reading tastes, especially in battle scenes. Otherwise, this was a terrific read for anyone who loves history. 4.5/5 Stars http://dinaraeswritestuff.blogspot.com/
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Reviewed in the United States on October 11, 2015
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Alexander P. Simack
Pawtucket, US
★★★★★ 5
Hancock continues his exploration of good and evil -- Spoiler alert!
Format: Paperback
In this his second historical novel Graham Hancock continues his epic saga of good and evil, ancient civilizations, religions, the paranormal, and more. His recounting here of the warfare and perversity in the time of Cortes and Moctezuma is unflinching. One wonders at times what holds him in balance against the madness and carnage he depicts. There are romantic elements in the story, and a great innocence presented in the points of view of several young people of the time, and even in the personality of Cortes there are winsome elements presented, of which he must have held several in order to have become the inspired leader he became. One fascination I found is the possibility that the evil demon god of the Mexicas (popularly but inaccurately known by most as the Aztecs), Hummingbird (I won't attempt the Mexica spelling here!) may simply have been another face of the Christian god Peter, not the Peter of the New Testament but the later Peter of the Inquisition and the New World conquest. And what is this demon god up to today? I have been unable to find an update as to when Part Two of this story may be published. It does seem that GH, from a perusal of his fascinating Facebook page (see Author.GrahamHancock) has been working on it. For me it almost seems Part One is sufficient. I can fill in the outlines and projections from my own imagination. But this book is a splendid attempt at finding a mass audience, toward gaining a readership of awakening souls to help renovate our present day logjam and remove the Moctezuma's of our time. But will we, as Cortez, find ourselves unable to truly create something better? For interested readers I recommend several writers -- Jim Marrs on the Nazis' continuation after WWII, also his "Alien Agenda," David Wilcock's (a good friend and interviewer of GH) and Wes Penre's works, much of which are free online. The only real revolution is in the human heart.
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Reviewed in the United States on February 5, 2014
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Avid Book Junkie
Pawtucket, US
★★★★★ 4
Not for the squeamish...
Format: Kindle
Let me start by saying that I'm a big fan of Mr Hancock's previous books,. I have purchased and five-starred most of them. His books are well researched, well written,lucid, and a pleasure to read. Also let me freely confess that I'm a total wimp when it comes to blood-letting, have been known to faint at the sight of blood. (delicate female here, LOL!) Anyways, while I'm sure that this book is, like all of his others, well written and interesting, I just couldn't get past the gore. Sorry, Graham -- not your fault, it's my own weakness. I really struggle with the star-rating thing here. Since the weakness is mine, and I know he's such a good writer, I'll do four stars instead of three or five -- that seems like a reasonable compromise. Hopefully he'll write another series in future that stars the good "gods" instead of the bad ones.
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Reviewed in the United States on November 30, 2014

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