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Maria Callas: Puccini: Tosca - COMPACT DISCSTitle: Puccini: Tosca Artist: Maria Callas Label: Warner Classics Product Type: COMPACT DISCS UPC: 190295989378 Genre: Classical Release Date: 2016 10 14 Number of Discs: 2 PUCCINI: TOSCA MARIA CALLAS This Tosca was Maria Callas's final studio recording of a complete opera. In 1965, 12 years after her first recording of the opera (made in Milan Victor de Sabata) she was reunited in Paris with the Scarpia of Tito Gobbi. Both singers bring new dramatic
Title: Puccini: ToscaArtist: Maria Callas
Label: Warner Classics
Product Type: COMPACT DISCS
UPC: 190295989378
Genre: Classical
Release Date: 2016-10-14
Number of Discs: 2
PUCCINI: TOSCA MARIA CALLAS - This Tosca was Maria Callas's final studio recording of a complete opera. In 1965, 12 years after her first recording of the opera (made in Milan Victor de Sabata) she was reunited in Paris with the Scarpia of Tito Gobbi. Both singers bring new dramatic insights to their roles. - These are the first five releases in a new line of premium releases of classic operatic recordings. - Each of these releases offers optimum sound quality. The four releases originally recorded using analogue techniques (Carmen, Die Zauberflöte, Don Giovanni, Tosca) have all been newly remastered in 24-bit/96kHz at Abbey Road Studios using the latest technology, while La traviata benefits from it's stunning original digital recording. - In addition to the CDs, each of these releases includes a hardback, cloth-bound book of between 156 and 260 pages. This book contains: - the complete libretto (with translations) - a component now increasingly rare in opera sets; - an essay by the journalist and opera expert George Hall; - an impressive array of photographic material, with numerous pictures of the artists at the time the recording was made. - The CDs and book are contained in a glossy dustjacket featuring the original cover artwork for the release. - As George Hall writes of the series:"Although many other recordings of the same works exist, in each instance special factors are generally agreed to have given every one of these sets particular qualities that have continued to attract the highest critical praise, as well as the ongoing affection of generations of opera lovers. Having stood the test of time, the results can now be enjoyed by today's listeners in their optimum sonic manifestations."
Tracks:
1.1 Tosca, Act 1: 'Ah! Finalmente!' (Angelotti, Sacristan, Cavaradossi) - Leonardo Monreale, Giorgio Tadeo, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.2 Tosca, Act 1: 'Dammi I Colori... Recondita Armonia' (Cavaradossi, Sagrestano) - Carlo Bergonzi, Giorgio Tadeo, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.3 Tosca, Act 1: 'Gente la Dentro!' (Cavaradossi, Angelotti, Tosca) - Carlo Bergonzi, Leonardo Monreale, Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.4 Tosca, Act 1: 'Mario! Mario! Mario!' (Tosca, Cavaradossi) - Maria Callas, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.5 Tosca, Act 1: 'Ah, Quegli Occhi! Quale Occhi Al Mondo Puo Di Paro' (Tosca, Cavaradossi) - Maria Callas, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.6 Tosca, Act 1: 'E Buona la Mia Tosca' (Cavaradossi, Angelotti, Sagrestano, Chorus) - Carlo Bergonzi, Leonardo Monreale, Giorgio Tadeo, Choeurs de L'opera National de Paris, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.7 Tosca, Act 1: 'Un Tal Baccano in Chiesa!' (Scarpia, Sacristan, Spoletta) - Tito Gobbi, Giorgio Tadeo, Renato Ercolani, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.8 Tosca, Act 1: 'Tutto E Chiaro Tosca? Che Non Mi Veda Mario! Mario!' - Tito Gobbi, Maria Callas, Giorgio Tadeo, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.9 Tosca, Act 1: 'Ed Io Venivo a Lui Tutta Dogliosa' (Tosca, Scarpia) - Maria Callas, Tito Gobbi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.10 Tosca, Act 1: 'Tre Sbirri' (Scarpia, Spoletta, Chorus) - Tito Gobbi, Renato Ercolani, Georges Prete, Orchestre de la Societe Des Concerts Du Conservatoire
2.1 Tosca, Act 2: 'Tosca E Un Buon Falco' (Scarpia, Sciarrone) - Tito Gobbi, Ugo Trama, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.2 Tosca, Act 2: 'Ha Piu Forte' (Scarpia, Sciarrone, Spoletta) - Tito Gobbi, Ugo Trama, Renato Ercolani, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.3 Tosca, Act 2: 'Meno Male!' (Scarpia, Spoletta, Cavaradossi) - Tito Gobbi, Renato Ercolani, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.4 Tosca, Act 2: 'Dov'e Dunque Angelotti?' (Scarpia, Cavaradossi, Spoletta, Tosca) - Tito Gobbi, Carlo Bergonzi, Renato Ercolani, Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.5 Tosca, Act 2: 'Ed or Fra Noi Parliam Da Buoni Amici' (Scarpia, Tosca, Sciarrone, Cavaradossi) - Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.6 Tosca, Act 2: 'Orsu, Tosca, Parlate' (Scarpia, Tosca, Cavaradossi) - Tito Gobbi, Maria Callas, Carlo Bergonzi, Renato Ercolani, Leonardo Monreale, Giorgio Tadeo, Ugo Trama, David Sellar, Choeurs de L'opera National de Paris, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.7 Tosca, Act 2: 'Nel Pozzo... Del Giardino' (Scarpia, Sciarrone, Tosca, Cavaradossi) - Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.8 Tosca, Act 2: 'Se la Giurata' (Scarpia, Tosca) - Tito Gobbi, Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.9 Tosca, Act 2: 'Vissi D'arte' (Tosca) - Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.10 Tosca, Act 2: 'Vedi, Ecco, Vedi' (Tosca, Scarpia, Spoletta) - Maria Callas, Tito Gobbi, Renato Ercolani, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.11 Tosca, Act 2: 'E Qual Via Scegliete?' (Scarpia, Tosca) - Tito Gobbi, Maria Callas, Orchestre de la Societe Des Concerts Du Cons
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4.2 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 3
Poor formatting on kindle version
Format: Kindle
Five stars for the book, 0 stars for the formatting of this kindle version. Every word that contains a double "l", such as "all", "Stillness", "hill", etc. omits the second "l" in the word. Universal y. Kil. Al. Germ cels. It is extremely annoying, and one or more on nearly every page. Is it possible to swap this one for a kindle version with better formatting?
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Reviewed in the United States on January 8, 2026
★★★★★ 5
Intense and Informative
Format: Paperback
This is some intense and easily consumed deep reading material, compelling us to gaze uncomfortably at and into the unflattering challenges which continue to face the African-American collective "Community," and delves head-on into examining & explaining how the "HISTORICAL EXPERIENCE" of Black People in the United States, those who were the unfortunate descendants of the Trans-Atlantic African Slave Trade, has both simultaneously "Strengthened" and "Hindered" hindered life for this segment of the North American population across the Generations, to where many of its effects are still being felt even to this very Day.
This is a powerful companion to Dr. Carol Anderson's excellent book on on the Societal struggles of Blacks in America - "WHITE RAGE: The Unspoken Truth Of Our Racial Divide"
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Reviewed in the United States on August 19, 2024
★★★★★ 5
Great book 📖
Format: Paperback
Really good quick service 😃
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Reviewed in the United States on December 18, 2025
★★★★★ 5
Historical education, great book!
Format: Paperback
This is a very good book. It gives a very insightful culturally appropriate view toward understanding a viewpoint from another persons perspective!
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Reviewed in the United States on June 15, 2025
★★★★★ 5
Post Traumatic Slave Syndrome
Format: Hardcover
Very well done book that does not make Black People feel angry nor White People guilty but from a gentle and skillful psychological point of view the book will "have you considered the impact of this or that upon both races as the result of Slavery in America?" A folk-like homespun way of tell these truths that masks the clinical questions that all trained psychologist asked..."and how would (does) that make you feel for all of us who ever sat on a couch?" The book made me consider the psychological impact of daily slave life with a WOW again and again as I never thought of the situations the book made me consider. The shared dehumanization of both whites and blacks due to the slave experience which goes a long way towards explaining to me why we as a country cannot truly discuss slavery's impact today. I found it self-healing and very necessary for all, both black and white, but especially for the victims of the African Holocaust my terminology not hers. I thought Dr. Leary PhD, did an excellent job and a high school or even a 6 grader could read the material without difficulty.
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Reviewed in the United States on November 18, 2010
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