SKU: 14443951086

Mishimoto Wheel Spacers - 5x114.3 - 66.1 - 15 - M12 - Black

$142.16 $157.95
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Description

Mishimoto Wheel Spacers - 5x114.3 - 66.1 - 15 - M12 - BlackWheel spacers are a great way to create brake clearance, add track width, prevent tire rub, and provide ideal wheel fitment on your vehicle. Mishimoto now offers a complete catalog of wheel spacers for a variety of common thread patterns, center bores, and thicknesses. Quality material selection, precise engineering, and meticulous manufacturing are critical elements to creating our incredibly robust products, and our wheel spacers are no different.

Wheel spacers are a great way to create brake clearance, add track width, prevent tire rub, and provide ideal wheel fitment on your vehicle. Mishimoto now offers a complete catalog of wheel spacers for a variety of common thread patterns, center bores, and thicknesses. Quality material selection, precise engineering, and meticulous manufacturing are critical elements to creating our incredibly robust products, and our wheel spacers are no different. Each spacer is forged from 6061-T6 aluminum. This material offers a perfect blend of strength and lightness, both are extremely vital in this application. Our spacers feature grade-12.9 steel studs and lug nuts, ensuring a safe and secure installation. Mishimoto's hub-centric design provides a direct extension of the axle hub for precise wheel fitment, reduced load on the hardware, and ensures safe and smooth driving.----Mishimoto wheel spacers feature a black anodized finish to ensure protection against corrosion. Each kit contains two wheel spacers with pre-installed studs and all hardware necessary for installation. As with all our products, this wheel spacer kit includes our signature Lifetime Warranty.

This Part Fits:

Year Make Model Submodel
2008-2012 INFINITI EX35 Base
2008-2012 INFINITI EX35 Journey
2013 INFINITI EX37 Base
2013 INFINITI EX37 Journey
2003-2012 INFINITI FX35 Base
2003-2008 INFINITI FX45 Base
2009-2013 INFINITI FX50 Base
2012 INFINITI G25 Base
2012 INFINITI G25 Journey
2012 INFINITI G25 X
2003-2008 INFINITI G35 Base
2007-2008 INFINITI G35 Journey
2007-2008 INFINITI G35 Sport
2004-2008 INFINITI G35 X
2008-2013 INFINITI G37 Base
2011-2013 INFINITI G37 IPL
2008-2013 INFINITI G37 Journey
2008-2013 INFINITI G37 Sport
2009-2013 INFINITI G37 X
1996-2001 INFINITI I30 Base
1996-2001 INFINITI I30 T
2002-2004 INFINITI I35 Base
1993-1997 INFINITI J30 Base
1993-1997 INFINITI J30 T
2013 INFINITI JX35 Base
2006-2010 INFINITI M35 Base
2006-2007 INFINITI M35 Sport
2006-2010 INFINITI M35 X
2011-2013 INFINITI M37 Base
2011-2013 INFINITI M37 X
2011-2013 INFINITI M56 Base
2011-2013 INFINITI M56 X
2015 INFINITI Q40 Base
1991-1996 INFINITI Q45 A
2000 INFINITI Q45 Anniversary Edition
1990-2006 INFINITI Q45 Base
1994-2001 INFINITI Q45 T
2014-2017 INFINITI Q50 Base
2020 INFINITI Q50 Edition 30
2018-2024 INFINITI Q50 Luxe
2014-2017 INFINITI Q50 Premium
2018-2021 INFINITI Q50 Pure
2016-2024 INFINITI Q50 Red Sport 400
2021-2024 INFINITI Q50 Sensory
2019,2021 INFINITI Q50 Signature Edition
2014-2020 INFINITI Q50 Sport
2014-2015,2017 INFINITI Q60 Base
2014-2015 INFINITI Q60 IPL
2014-2015 INFINITI Q60 Journey
2018-2022 INFINITI Q60 Luxe
2017 INFINITI Q60 Premium
2018-2022 INFINITI Q60 Pure
2017-2022 INFINITI Q60 Red Sport 400
2014-2015 INFINITI Q60 S
2015 INFINITI Q60 S Limited
2017-2018 INFINITI Q60 Sport
2014-2017 INFINITI Q70 3.7
2018 INFINITI Q70 3.7 Luxe
2014-2017 INFINITI Q70 5.6
2018-2019 INFINITI Q70 5.6 Luxe
2019 INFINITI Q70 Luxe
2015-2017 INFINITI Q70L 3.7
2018-2019 INFINITI Q70L 3.7 Luxe
2015-2017 INFINITI Q70L 5.6
2018-2019 INFINITI Q70L 5.6 Luxe
2020-2024 INFINITI QX50 Autograph
2014-2017 INFINITI QX50 Base
2019-2022 INFINITI QX50 Essential
2014-2015 INFINITI QX50 Journey
2019-2025 INFINITI QX50 Luxe
2019-2025 INFINITI QX50 Pure
2020-2024 INFINITI QX50 Sensory
2023-2025 INFINITI QX50 Sport
2022-2024 INFINITI QX60 Autograph
2014-2018 INFINITI QX60 Base
2019-2020,2022-2024 INFINITI QX60 Luxe
2019-2020,2022-2024 INFINITI QX60 Pure
2022-2024 INFINITI QX60 Sensory
2014-2017 INFINITI QX70 Base
1987-1996 Nissan 300ZX 2+2
1987-1996 Nissan 300ZX Base
1987-1996 Nissan 300ZX Turbo
2005 Nissan 350Z 35th Anniversary Edition
2003-2008 Nissan 350Z Base
2003-2009 Nissan 350Z Enthusiast
2005-2009 Nissan 350Z Grand Touring
2007-2008 Nissan 350Z Nismo
2003-2005 Nissan 350Z Performance
2003-2009 Nissan 350Z Touring
2003-2006 Nissan 350Z Track
2010 Nissan 370Z 40th Anniversary Edition
2009-2020 Nissan 370Z Base
2018-2019 Nissan 370Z Heritage Edition
2009-2017,2019-2020 Nissan 370Z Nismo
2015-2018 Nissan 370Z Nismo Tech
2015-2020 Nissan 370Z Sport
2015-2018 Nissan 370Z Sport Tech
2019-2020 Nissan 370Z Sport Touring
2009-2019 Nissan 370Z Touring
2015-2018 Nissan 370Z Touring Sport
2002-2004,2006-2017 Nissan Altima Base
2019 Nissan Altima Edition ONE
2019-2022 Nissan Altima Platinum
2002-2025 Nissan Altima S
2002-2009 Nissan Altima SE
2005-2006 Nissan Altima SE-R
2002-2025 Nissan Altima SL
2010-2012,2016-2025 Nissan Altima SR
2013-2025 Nissan Altima SV
2021 Nissan Maxima 40th Anniversary Edition
1995-2003 Nissan Maxima GLE
1989-2003 Nissan Maxima GXE
2016-2023 Nissan Maxima Platinum
2020 Nissan Maxima Platinum Reserve
2009-2014,2016-2020 Nissan Maxima S
1989-2008 Nissan Maxima SE
2001 Nissan Maxima SE 20th Anniversary Edition
2004-2008,2016-2020 Nissan Maxima SL
2016-2023 Nissan Maxima SR
2009-2014,2016-2023 Nissan Maxima SV
2011-2014 Nissan Murano CrossCabriolet
2009-2014 Nissan Murano LE
2022 Nissan Murano Midnight Edition
2015-2024 Nissan Murano Platinum
2005-2007,2009-2023 Nissan Murano S
2003-2007 Nissan Murano SE
2003-2007,2009-2024 Nissan Murano SL
2011-2024 Nissan Murano SV
2010 Nissan Rogue Krom
2023 Nissan Rogue Midnight Edition
2021-2025 Nissan Rogue Platinum
2025 Nissan Rogue Rock Creek
2008-2025 Nissan Rogue S
2011 Nissan Rogue S Krom
2008-2010,2014-2025 Nissan Rogue SL
2011-2025 Nissan Rogue SV
2014-2015 Nissan Rogue Select S
2017-2022 Nissan Rogue Sport S
2017-2022 Nissan Rogue Sport SL
2017-2022 Nissan Rogue Sport SV
2007-2012 Nissan Sentra Base
2017-2019 Nissan Sentra Nismo
2007-2012,2017-2025 Nissan Sentra S
2007-2012 Nissan Sentra SE-R
2007-2012 Nissan Sentra SE-R Spec V
2007-2012,2017-2019 Nissan Sentra SL
2009-2012,2017-2025 Nissan Sentra SR
2017-2019 Nissan Sentra SR Turbo
2017-2025 Nissan Sentra SV
2024-2025 Nissan Z Nismo
2023-2025 Nissan Z Performance
2023 Nissan Z Proto Spec
2023-2025 Nissan Z Sport
Shipping Notes
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Exchange/Return Notes
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SKU: 14443951086

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4.6 ★★★★★
Based on 8 reviews
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***moviemaker***
West Palm Beach, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
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W.P.
Draper, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Bozeman, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
Omaha, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
T
Verified Purchase
Todd7
Battle Creek, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2025

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