SKU: 14652099995

Axiom AX800A NEO High Output Powered CORE Processed Two-Way Line Array Element - 2 x 8”

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Description

Axiom AX800A NEO High Output Powered CORE Processed Two-Way Line Array Element - 2 x 8”The AX800A NEO is a compact lightweight powered line array element that combines superior sound quality with flexibility and ease of use in an organically styled moulded enclosure. It is designed for a wide range of general purpose indoor and outdoor live sound applications and many types of fixed installations. To fully extend low frequency response the AX800A NEO is designed to be used with the complementary SW1800A subwoofer, a compact dual 18

The AX800A NEO is a compact lightweight powered line array element that combines superior sound quality with flexibility and ease of use in an organically styled moulded enclosure. It is designed for a wide range of general purpose indoor and outdoor live sound applications and many types of fixed installations. To fully extend low frequency response the AX800A NEO is designed to be used with the complementary SW1800A subwoofer, a compact dual 18”  hybrid manifolded bandpass design, in a recommended 4:1 ratio.


TRANSDUCERS

The high frequency range of the AX800A NEO is reproduced by a low distortion titanium diaphragm compression driver with neodymium magnet and edgewound voice coil, loaded by an acoustic transmission line waveguide providing detailed and natural sounding high frequencies. The exceptionally lighweight high frequency diaphragm benefits from a very low mechanical resonance that is outside of the pass band, and therefore permits the implementation of a relatively low crossover point of 900Hz.

The two 8” neodymium woofers employed in the reproduction of the mid-bass range are equipped with very lightweight cones to ensure fast response at bass and mid-bass frequencies. They are loaded by a new aerodynamic transmission line design that results in clean mid-bass reproduction, natural cardioid behavior, and contributes towards vented cooling of the amplifier stage. The transmission line loading minimizes enclosure resonances and eliminates the “boxy” mid-bass sound commonly obtained from regular bass-reflex enclosures.


SYSTEM CONCEPT AND SONIC PERFORMANCE

The AX800A NEO offers a simple but innovative approach to the design of line array elements. The simple concept of the WTW symmetrical drive unit configuration is effectively implemented in order to minimize the effects of potential beaming phenomena arising from the woofers around the crossover frequency.

The orientation and precise separation of the woofers also minimizes interference effects between them, while the use of a mechanical-acoustic polyurethane filter further reduces midrange beaming.

The crossover filter approach is based on a “Constant Power” technique. Thanks to a particular phase combination between the two ways around the crossover frequency, this approach is able to provide a very stable horizontal coverage and a very stable off-axis sound image, also minimizing unwanted effects around the crossover frequency. The further application of phase linearization techniques, combined to constant power crossover, yield a linear phase response and a coherent time response. This allows for a natural perception of acoustic instruments and voices, and for improved depth of the sound image.


CONSTRUCTION

The two-part AX800A NEO enclosure is manufactured from structurally rigid polypropylene, internally ribbed to entirely eliminate cabinet resonances, and providing the precise transmission line back loading to the two 8” woofers without the need for additional internal panels. This construction results in a very strong, lightweight, and sonically neutral cabinet and allows the rigging hardware to be fully integrated, making it easy to transport and use, as well as offering the benefits of good protection against harsh environmental conditions. The positioning of the amplifier module between the outlets of the two rear ducts provides an additional level of cooling.


POWER AMPLIFIER

The AX800A NEO is powered by an extremely compact and lightweight CLASS D power amplifier with SMPS and PFC.  The innovative technology used for these amplifiers offers top-of-the-range performances, such as a superior sound definition at any audio frequency, very high dynamics even for low level signals, and very low distortion even at maximum power.

The last generation compact PFC power supply with automatic mains voltage selector for world wide operation guarantees reliability and consistency in all operating conditions, with a a very high efficiency and low power consumption.

Output power is optimised specifically to the drive units for efficient power transfer, with the low frequency section producing 800 watts while 400 watts is available for the high frequency compression driver. Input and link connections are via balanced 3-pin XLR connectors, and a ground lift switch is provided for hum-free operation. Mains power is connected through a locking Neutrik PowerCON, and a Power Out connector allows mains power to be linked to additional AX800A NEO cabinets. 


SIGNAL PROCESSING

The system processing is based on the new CORE2 DSP platform designed by the PROEL R&D Laboratories using one of the most advanced SHARC DSP devices available for audio applications. It features 40bit, floating point resolution and top-quality 24-bit AD/DA converters for perfect signal integrity, dynamic range in excess of 110dB, and superior sonic performance. Thanks to its massive processing power, the CORE platform is capable of providing the most sophisticated algorithms for speaker processing, including linear phase FIR filters, together with comprehensive remote control and networking capabilities.

The PRONET AX control software, working on a solid and reliable CANBUS based network protocol, provides an intuitive interface for the remote control of the whole audio system via the rear panel etherCON RJ45 connectors, with the possibility to equalise and delay individual devices, as well as setting driver protection parameters, and monitoring the status of the amplifier.

Four factory DSP presets are provided for when the AX800A NEO cabinets are not connected to a network, and allow for rapid and simple setup: Standard, for general purpose use of arrays up to four cabinets; Long Throw, for longer arrays requiring additional projection over distance; Downfill / Single Box, for near field applications such as stage lip fills and underneath larger line arrays as downfills; and User, allowing custom parameters to be designed in PRONET and recalled for specific situations when off-line.


RIGGING HARDWARE

The AX800A NEO provides built-in flying hardware as an integral part of the cabinet, offering fast and intuitive rigging from a single flypoint in mobile or fixed applications, together with excellent load-bearing capacity. It consists of a front suspension system constructed from two aluminium fast link structures, which are connected at the top to the KPTAX800 or KPTAX800L flybars with quick release rigging pins, and at the bottom to the next cabinet with quick release rigging pins. The KPTAX800 and KPTAX800L  flybars can support respectively a column of up to 4 or 12 cabinets using a single pickup point. Inter-cabinet angles are set by means of the rear cabinet links in increments of 0.5° from 0° to 7.5°. Using the KPAX8 pole adapter up to 2 cabinets can be installed on a speaker pole.


KEY FEATURES

  • Powered two-way line array element
  • Compact lightweight moulded enclosure
  • WTW driver configuration
  • Dual 8” neodymium woofers, 1.4” HF neodymium compression driver
  • High quality, low distortion, large format compression driver with titanium diaphragm and new suspension design
  • Acoustic filter control for wide and stable 100° horizontal coverage
  • Aerodynamic transmission line back loading design resulting in clean mid-bass reproduction, natural cardioid behavior and vented cooling of the amplifier stage
  • Natural sounding transmission line HF projection wave-forming device
  • 40 bit floating point CORE2 processing with PRONET AX remote control
  • Linear phase FIR filters
  • Array optimized presets
  • Class D amplifier module with SMPS and PFC
  • Easy-to-use rigging system
SYSTEM
System’s Acoustic Principle Line Array Element
Short Transmission Line LF Back Loading
Acoustic Transmission Line HF Waveguide
Frequency Response (±3dB) 85 Hz  –  16.8kHz  (Processed)
Horizontal/ Vertical Coverage Angle 100° x 10° (-6dB)
Maximum Peak SPL @ 1m 133.5 dB 
TRANSDUCERS
LF Two 8”(200mm) neodymium woofers, 2” (38mm) voice coil, 8Ω each, paralleled
HF One 1.4” neodymium driver, 2.5” (64mm) edgewound voice coil, titanium diaphragm, 8Ω
ELECTRICAL
Input Impedance 20 kΩ balanced, 10 kΩ unbalanced
Input Sensitivity  +4dBu / 1.25 V
Signal Processing CORE2 processing, 40bit floating point SHARC DSP, 24 bit AD/DA converters
Direct access Controls 4 Presets (Standard/Long Throw/Down Fill-Single Box, User), Network Termination, GND Link
Remote Controls PRONET AX control software
Network Protocol CANBUS 
Amplifier Type Class D with SMPS
Output Power 800W + 400W 
Mains Voltage Range (Vac) 100 - 240V 50/60Hz with PFC
IN / OUT Connectors Neutrik XLR-M / XLR-F
IN / OUT Network Connectors ETHERCON®(NE8FAV)
Mains Connector PowerCon® (NAC3MPA)
Mains Link Connector PowerCon® (NAC3MPB)
Cooling Variable speed DC fan
ENCLOSURE & CONSTRUCTION
Dimensions (W x H x D) 600 mm (23.6”) x 265.5 mm (10.5”) x 516 mm (20.3”)
Enclosure Material Polypropylene
Rigging System 
Front Suspension Aluminum Fast Link structure
Back Suspension High Strength Steel with ¼ Fast Pin  
Net Weight 22.5 Kg (49.6 lbs.)
Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 14652099995

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4.2 ★★★★★
Based on 24 reviews
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C
Verified Purchase
Carmen Alicea
Lake Worth, US
★★★★★ 5
A Beta Worth Rooting For
Format: Kindle
In Spare, Violet Fox flips the omegaverse on its head, giving us a Beta heroine determined to make her mark. Joining the Beta Trials to support her sick father, she's thrown into a pack that doesn't want her, especially the possessive Alphas. But here's the twist: their sweet Omega turns out to be her scent match. Cue the angst, forbidden tension, and a slow-burn romance that will make your heart ache in the best way. Violet Fox delivers an emotional, refreshing take on the genre, proving Betas aren't "spares." They're stars.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2025
C
Verified Purchase
C. Hunter
New York, US
★★★★★ 5
Beta, Alpha, Omega oh my!
Format: Kindle
Omegas are precious and given to Alphas & their packs... but the Betas want in too. To this end, the Beta government is rolling out its trial of assigning a Beta to each Alpha-Omega pack. But forcing a Beta into a pack where they are not wanted will not end well... Of course, no one expected the Omega to fall for the assigned Beta. Great read and cliffhanger
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Reviewed in the United States on February 15, 2025
B
Verified Purchase
B. Stubby
Omaha, US
★★★★★ 3
A familiar story, just with…..less.
Format: Kindle
So, as other reviewers make clear, this is very similar to Pack Darling and The Beta. It’s much closer aligned with The Beta, in plot and maybe more like Pack Darling with characters. That being said, I don’t hate this…..but it wasn’t great either. It’s both books mentioned but just….less. Less angst, less emotion, less feeling. The plot feels very half fleshed out, and the “bad guy” feels underwhelming. I didn’t really feel any real emotions from and of the male leads, except maybe Oliver. The others fell sorta flat for me. And Mika makes herself out to be this big bad ass straight outta training and then we never see it from here again with the one fitting room incident as the exception. SPOILER: The whole, “Oh, I’m actually probably an Omega, but I don’t wanna be but I do actually wanna be but no one can ever know my secret that I do nothing to hide “ thing fell so flat. She never commutes to believing she was secretly an omega, but also mentions her “secret” a lot. It just felt so manufactured. I’m intrigued enough to read part 2 and see how the author closes everything out, but this is not one I’ll recommend or ever come back to.
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Reviewed in the United States on February 13, 2024
K
Verified Purchase
Kayla Cercone
New York, US
★★★★★ 5
No Mourners..
Format: Hardcover
‘No mourners…’ ‘…no funerals.’ Among them, it passed for good luck. ” This quote is a perfect description of the tone set throughout this entire novel. A hopelessness so ingrained in a group of people that their phrase for good luck is hinged around the idea of no one mourning or honoring their deaths. Having read the Shadow and Bone trilogy, I was familiar with the Grisha universe prior to reading this novel. If you’re wondering which you should read first, I suggest reading the trilogy prior to the duology — it will get you a lot of historical context that lays the foundation for the problems, war and ultimate state of the world this book is set it. I will say, I enjoyed the Grisha trilogy but found myself frustrated with the direction the story ended up going. Leigh Bardugo is a phenomenal writer but it felt like the end of that trilogy took the easy way out — but that review is for a different day. Six of crows shows Bardugo’s redemption in making the difficult but correct plot choices, in my opinion. This entire book is thrilling because the reader (presumably having read her previous Grisha trilogy) goes into the story assuming they will have some idea of where the story will go, having explored this world before. This couldn’t be farther from the truth. Six of crows follows the dark and dangerous mob-lifestyles in the Barrel of Ketterdam, far away from the Golden Palace of Prince Nikolai and the worshiped Sankta Alina. Bardugo does not shy away from the dark and gruesome reality of the mob lifestyle, she embraces it. Readers are shown vivid descriptions of call-girls, gambling rings, mistakes punishable by death and ruthless leaders capable of lethality at any second. Despite such a horrific environment, Bardugo’s character development leaves the readers connecting, loving and rooting for characters with truly horrible qualities. One thing I appreciated was the pacing of this story – you’re shown an enticing and mysterious scene right off the bat, completely immersing you into this story as you crave to find out more behind what happened. Immediately, you’re pulled away and shown the humble beginnings of Kas Brekker and the Dregs from the Crow Club, learning about their personalities, roles, and motives for the dangerous job that takes up most of the story. Readers learn details slowly — not so slow that they’re bored — but slow enough that they’re kept hooked to the plot, hoping the next page turn will provide the answer they need. Just when you might become a bit bored by the plot, a twist or exciting, unexpected wrench gets thrown into the mix bringing you back in. As you go along in the story, you’re introduced to more details about each member of the Dregs, their pasts that led them to this journey they take together, and the secrets that shape their relationships. These details are done brilliantly, as readers are able to see these memories and experiences from each characters point of view. This brings a human quality to the characters and allows readers to empathize with their situations, thus creating a bond between reader and character that allows them to continue to love and support the Dregs despite the horrible things they do to each other and others throughout the journey. You’re rooting for them to get the endings they want and deserve and hoping they won’t choose to lie, cheat, kill and steal in order to get there, but ultimately accept that that is just who they are. The only time this aspect of the characters was frustrating was at the end of the book. The relationship between Kaz and Inej is tantalizingly frustrating throughout the story, but the end of the book is where we really see Kaz’s nature and I found myself so frustrated that he couldn’t be better for her and that because of him, Inej gets placed in the worst case scenario. I’m hoping that he redeems himself in the second installment. Overall — there’s no denying that Leigh Bardugo has talent and if you loved the first trilogy, I guarantee you’ll love this one even more. If you had mixed feelings on the first Grisha trilogy, I urge you to give this duology a try. I think you’ll be pleasantly surprised. Stay tuned for the review around book two!
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Reviewed in the United States on September 8, 2017
E
Verified Purchase
Erika M
Battle Creek, US
★★★★★ 4
Great read with an interesting plot
It took me quite some time to get to this book, mostly because I never managed to read the original Grisha trilogy, I tried several times to get started with it, but there was something about it that didn’t quite suck me in. Eventually though, I gave up that series and decided to dig into Six of Crows even though I had not read the Grisha trilogy in advance. And I am happy that I did because Six of Crows was an easy read that pulled me in rather quickly. In Six of Crows we follow a group of six criminals from a gang called the Dregs, and when their leader, Kaz, gets a job that would change their lives forever, he can’t say no, despite the job being as impossible as it gets. So, in this book, we get to come along on the quest as they set out to break into one of the most secure prisoners in Fjerda. There’s a lot of things that I really enjoy in this book, but also a few things that slightly annoyed me. But for the most part this is a great read and the way the author has managed to keep the reader invested in all three characters and their separate POVs is impressive, not once did I feel like any of the characters were unnecessary or flat. Every character is well developed with interesting backstory and there’s also a lot going on in their relationships and thanks to the separate POV’s you get a very intimate connection to each an ever characters emotions and reasons to what they do. It’s, like I said, beautifully crafted and the writing too is beautiful and vivid. The wordbuiling is great and Bardugo manages to incorporate details of the world and the scenery in the story without it feeling heavy with information. It all flows very well, and as I read it was easy to picture the scenes. The plot was interesting, full of twists and turns and seeing the team’s job take shape from the eyes of multiple POVs made for a very interesting read and also gave the heist that sense of mystery and surprise that we’re used to seeing on tv and in movies. As for the things that I didn’t quite like it was not bad enough to really make a difference in the overall rating, but it was still things that stuck out to me. The first being that I felt like the heist sometimes got overshadowed by massive bits of backstory. The backstory itself didn’t bother me because they were interesting and great, and they made me understand and connect with the character a lot more, but I didn’t feel like they were necessary for the story in that elaborated manor they had been written in, less information had been enough and kept the pacing of the main plot more consistent. So, even though I enjoyed learning about the characters pasts and the reasons they ended up in the gang, I would have preferred more focus on the heist itself. The second thing is the beginning. It was unnecessary and pointless. Why make us invested in Joost and Anya just to basically never mention them again? I get the point of showing what the drug could do, but there must have been a better way to do it. The third thing is related to the Fjerdans and primarily their language. The Fjerdan’s are, according to what I’ve read from interviews with Leigh Bardugo, heavily influenced by Scandinavia, and more specifically Sweden and Norway. As a swede, I can totally see that, and I knew that it is a fictional language and that my own language has been used as inspiration. But I couldn’t help feel a bit thrown off when there was suddenly words that I knew from my own language being used when there was so many other words used that didn’t fit at all with the way we’d use those words. It’s hard to explain, and truly it doesn’t really matter since it’s fiction and not real, but it was something that stood out to me, like a hiccup that broke the flow of my reading. I think it would have bothered me less if the Fjerdans had actually spoken any of the Scandinavian languages, or at least had a more reasonable structure to their sentences and words that would have fit well with the use of actual words from our language. And in this same line are the names of the Fjerdan Drüskelle. There were typical Scandinavian names at a lot of the times, but then there were these names that stood out and didn’t fit in with the rest we’d been told. But, I’m not going to let any of this affect the rating since this is just a personal thing that most likely wouldn’t bothered anyone else, and if does not in any way affect the intensity and greatness of the story. So, overall, this book will get a solid 4/5 stars from me, and I can’t wait to dig into the sequel. I can also highly recommend this book to basically everyone, it’s a great read and the way Leigh Bardugo handled all six POVs is reason enough for every author to pick up this book.
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Reviewed in the United States on February 16, 2019

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