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Description
STIHL RM 545 VR Petrol Lawn MowerFeatures: Central cutting height adjustment The central cutting height adjustment is spring loaded, which makes it easy to set the desired cutting height in several settings. The current height is indicated by a scale. Rear roller This lawn roller lends the STIHL lawn mower great stability, which is great for mowing edges around borders and flower beds. When mowing, the lawn roller smooths the blades of grass in the direction of travel, creating the
Features:
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Central cutting height adjustment - The central cutting height adjustment is spring-loaded, which makes it easy to set the desired cutting height in several settings. The current height is indicated by a scale.
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Rear roller - This lawn roller lends the STIHL lawn mower great stability, which is great for mowing edges around borders and flower beds. When mowing, the lawn roller smooths the blades of grass in the direction of travel, creating the characteristic striped pattern on the freshly-mown lawn.
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Easy start engine (ReadyStart) - Thanks to the ReadyStart technology, the engine of the STIHL petrol lawn mower can be reliably started up with minimal effort both during cold and warm starting.
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Vario self-drive - The Vario self-propulsion enables individual adaptation of the speed of the STIHL lawn mower to personal mowing habits and lawn conditions. The mowing speed can be infinitely varied using the control lever on the handlebar.
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Highlift blade - The highlift blade gives a precise finish to the lawn and ensures optimal filling of the grass catcher box. The blade creates a strong air current in the housing, which makes the grass stand upright before cutting and efficiently carries the clippings into the catcher box using an integrated and powerful air flow system.
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Fold-open grass catcher box with level indicator - The plastic grass catcher box can be easily opened and emptied thanks to its folding mechanism. The current of air produced during mowing blows the clippings into the grass catcher box and ensures a high degree of filling. Thanks to the downward-facing vanes, the air is guided sideways towards the ground, preventing dirt from being thrown up. The level indicator signals the correct time for emptying. The airflow generated by the blade raises the level indicator. When the basket is full, the airflow stops. If the airflow is too low, the level indicator returns to its idle state and this is an indication to empty the catcher box. Optimal airflow is required in order for the level indicator to function fully. External influences such as wet, dense or tall grass, a low cutting height, contamination, etc. may affect the airflow and the performance of the level indicator.
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Smooth running wheels - The smooth running wheels of the STIHL lawn mowers are extremely robust and hard-wearing. They have been equipped with a traction pattern and directional stability tread pattern for effortless manoeuvring and to help hold perfect line during mowing.
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Height-adjustable handlebar - The handlebar can be set to several positions to suit your body height. This individual height adjustment ensures greater comfort without affecting the stability or manoeuvrability of the STIHL lawn mower.
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Foldable handlebar - Thanks to its foldable handlebars, the lawn mower can be made even more compact for space-saving storage or for transport.
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Polymer housing - The extremely lightweight polymer housing combines high resistance and robustness against forces, heat and UV radiation.
Technical Specification:
- Lawns m² - up to 1.200
- Cutting width cm - 43
- Displacement cm³ - 166
- Uncertainty factor K m/s² - 2.1
- Guaranteed sound power level LWAd [dB(A)] dB(A) - 94
- Working speed rpm - 2.800
- Cutting height mm - 20-75
- Uncertainty factor KpA [dB(A)] dB(A) - 2
- Nominal output U/min - 2.6 kW / 3.5 PS
- Grass catcher box l - 60
- Weight kg - 32
- Vibration value ahw m/s² - 4.2
- Engine type - EVC 300
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4.4 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork.
The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable.
Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere.
This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching.
The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography.
Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011