SKU: 21713141201

Sh*tshow!

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Sh*tshow!By: Charlie LeDuff A daring, firsthand, and utterly unscripted account of crisis in America, from Ferguson to Flint to Cliven Bundy's ranch to Donald Trump's unstoppable campaign for President at every turn, Pulitzer prize winner and bestselling author of Detroit: An American Autopsy, Charlie LeDuff was there In the Fall of 2013, long before any sane person had seriously considered the possibility of a Trump presidency, Charlie LeDuff sat in the

By: Charlie LeDuff    
A daring, firsthand, and utterly-unscripted account of crisis in America, from Ferguson to Flint to Cliven Bundy's ranch to Donald Trump's unstoppable campaign for President--at every turn, Pulitzer-prize winner and bestselling author of Detroit: An American Autopsy, Charlie LeDuff was there

In the Fall of 2013, long before any sane person had seriously considered the possibility of a Trump presidency, Charlie LeDuff sat in the office of then-Fox News CEO Roger Ailes, and made a simple but prophetic claim: The whole country is bankrupt and on high boil. It’s a shitshow out there. No one in the bubbles of Washington, DC., New York, or Los Angles was talking about it--least of all the media. LeDuff wanted to go to the heart of the country to report what was really going on. Ailes baulked. Could the hard-living and straight-shooting LeDuff be controlled? But, then, perhaps on a whim, he agreed. And so LeDuff set out to record a TV series called, "The Americans," and, along the way, ended up bearing witness to the ever-quickening unraveling of The American Dream.

For three years, LeDuff travelled the width and breadth of the country with his team of production irregulars, ending up on the Mexican border crossing the Rio Grande on a yellow rubber kayak alongside undocumented immigrants; in the middle of Ferguson as the city burned; and watching the children of Flint get sick from undrinkable water. Racial, political, social, and economic tensions were escalating by the day. The inexorable effects of technological change and globalization were being felt more and more acutely, at the same time as wages stagnated and the price of housing, education, and healthcare went through the roof. The American people felt defeated and abandoned by their politicians, and those politicians seemed incapable of rising to the occasion. The old way of life was slipping away, replaced only by social media, part-time work, and opioid addiction.

Sh*tshow! is that true, tragic, and distinctively American story, told from the parts of the country hurting the most. A soul-baring, irreverent, and iconoclastic writer, LeDuff speaks the language of everyday Americans, and is unafraid of getting his hands dirty. He scrambles the tired-old political, social, and racial categories, taking no sides--or prisoners. Old-school, gonzo-style reporting, this is both a necessary confrontation with the darkest parts of the American psyche and a desperately-needed reminder of the country's best instincts.

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SKU: 21713141201

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4.2 ★★★★★
Based on 13 reviews
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Verified Purchase
Wayne C. Solomon
Los Angeles, US
★★★★★ 5
Five Stars
Format: Paperback
Look no further. This work is the Rosetta Stone of storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 24, 2017
D
D. Christofferson
Omaha, US
★★★★★ 2
It's good for storytelling but has content in stories that's inappropriate in this century
Format: Audiobook
Well modulated interesting and excellent storytelling ability, and skills to teach us of the same. However. I get to the 2nd lesson, it's a book of fiction for the story premise. She describes a woman in her family who can't get pregnant (in the old days), knowing her husband really wants children,and gets happy, as she turns to her "maid" and exclaims that this is alright, he can have a child with their maid! Then the storytelling author, laughs, jokes, about pleasing him and when she says the audience is laughing too, that maybe he can get a 2nd maid pregnant too. Laughing and joking I. The man's eyes as she tells it, about men and their sex drives. I'm not reading g a Victorian romance novel or of the plantation owners in the south, I'm reading a book of lessons on good story telling. This turned me off 500%, and I am done with this author and this book. Is this told by an FDLS polygamist, or ...what? What would make this story in 2013, OK to teach in a college course, or in this book? I don't care if she even made it up for a family old story.
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Reviewed in the United States on January 14, 2025
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Verified Purchase
William L. Pogue
Cuba, US
★★★★★ 5
Five Stars
Format: Paperback
good job
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Reviewed in the United States on July 5, 2018
M
Michael Griswold
Omaha, US
★★★★★ 4
A Book For Audio
Format: Audiobook
The Art of Storytelling from Parents to Professionals is the first book that I can be confident in saying is better as an audio version than it would be in a paper or Kindle form because you can here the verbal inflections and the storytellers can change character, voice much easier than the printed word might. It also captures the listeners attention as the author herself can connect in a lot more personal and intimate way. My concern is while I can understand what the author is getting at, I am not aspiring to be an oral performance style storyteller and there was not enough of a reach out from the world of oral storytelling to the written story. I mean how many of us are going to get up on stage and tell stories? I guess you can take the skills from one realm and use them elsewhere, but the connection may not be made so easily. This was an audiobook that I had a lot of fun with, even if I didn’t quite get what I was hoping for from it.
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Reviewed in the United States on July 10, 2020
L
Louis LaSalle
Lexington, US
★★★★★ 5
Great Overview of the Art of Storytelling
Format: Audiobook
I chanced on this as an Audible "freebie" to keep on the list for when I was out of credits. Well, it's excellent, and well worth the listen. And excellent survey of the topic spanning topics of performance (preparing, voice, body language, projection), various aspects of framing (culture, age, ethnicity, audience size), story structure and so on This point is for Hannah B. Harvey, if perchance she reads tese reviews. One point of modern storytelling and writing that is not brought out in your lectures, is that some of the best villain/antagonists are actually the heroes/protagonists of their own stories. This is tangentially alluded to in talking about story viewpoints, but not to the extent that it can be an entirely new story, as Wicked and Maleificent turned The Wizard of Oz and Sleeping Beauty on their heads. And even in the 1960's, many a Bond 007 villain was trying to create what they imagined to be a better world. It's useful to consider in storytelling, as far too many people have forgotten/fail to see the fundamental moral ambiguities of life, and I suspect that goes a long way to explaining the extreme partisanship we see in the world today.
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Reviewed in the United States on September 17, 2023

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