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Description
Premier Mounts P72 Mounting Pole - BlackElevate your modular display setup with the Premier Mounts P72 Mounting Pole. This 72 in. (1828. 8 mm) replacement pole is purpose built to work with the PSP BASE floor stand adapter, delivering quick, simple height adjustments and seamless repositioning within a versatile mounting ecosystem. Built to endure the demands of busy environmentsfrom classrooms and conference rooms to retail displaysthe P72 combines robust construction with a clean,
Elevate your modular display setup with the Premier Mounts P72 Mounting Pole. This 72 in. (1828.8 mm) replacement pole is purpose-built to work with the PSP-BASE floor stand adapter, delivering quick, simple height adjustments and seamless repositioning within a versatile mounting ecosystem. Built to endure the demands of busy environments—from classrooms and conference rooms to retail displays—the P72 combines robust construction with a clean, professional aesthetic that complements flat-panel displays of various sizes. Whether you’re upgrading an existing modular system or building a new display solution from the ground up, this pole provides the extendable backbone you need for flexible, future-ready installations.
Designed as part of a modular mounting system, the P72 pole is engineered for reliability and ease of use. The chrome finish adds a touch of sophistication while providing durability and resistance to the rigors of daily use. Paired with the PSP-BASE base, this pole enables quick reconfiguration and height-adjustable solutions without sacrificing stability or safety. Its generous 72-inch length gives installers and end users the freedom to position screens for optimal viewing angles, comfortable reach, and clean cable routing across a range of room sizes and layouts. In fast-paced environments where displays may need to be repositioned for different events or audience sizes, the P72 stands out as a dependable, long-lasting component that keeps your setup visually tidy and functionally versatile.
- Extended height for versatile layouts: A full 72-inch length provides significant vertical reach, enabling you to accommodate tall ceilings, elevated viewing angles, and multi-display configurations within a modular mounting system.
- Durable chrome construction: Chrome-plated steel delivers high strength and long-lasting durability, resisting bending, corrosion, and wear in demanding environments while maintaining a sleek, professional appearance.
- Seamless PSP-BASE compatibility: Specifically designed to pair with Premier Mounts' PSP-BASE floor stand adapter, ensuring quick installation, stable support, and effortless reconfiguration as needs evolve.
- Modular system integration: Built to plug into a broader modular mounting framework, allowing easy expansion, reconfiguration, and future upgrades without replacing the entire mounting solution.
- Professional aesthetics and framing: The pole’s finish and dimensions contribute to a clean, unobtrusive presentation for flat-panel displays, helping your space look organized and visually appealing while supporting practical cable management.
Technical Details of Premier Mounts P72 Mounting Pole - Black
- Length: 72 in (1828.8 mm)
- Material and finish: Chrome-plated steel for strength, durability, and corrosion resistance
- Compatibility: Works with the Premier Mounts PSP-BASE floor stand adapter and related modular mounting components for flat-panel displays
- Type: Replacement pole designed for modular mounting systems
- Finish note: The product description references a chrome finish; the product title notes Black. Color options may vary by listing—verify the current finish in your specific purchase
How to install Premier Mounts P72 Mounting Pole
To install the P72 mounting pole within your modular display system, follow these practical steps to ensure a secure and visually clean setup:
- Confirm you have the PSP-BASE floor stand adapter and the corresponding hardware required for the installation.
- If you are replacing an existing pole, carefully disconnect the current pole from the base and prepare the PSP-BASE components according to the base’s assembly guide.
- Align the P72 pole with the base connector on the PSP-BASE and insert it into place, ensuring a snug, secure fit before proceeding.
- Extend the pole to the desired height and lock it using the modular connectors specified for your mounting system. Verify that the pole remains stable and upright during adjustment.
- Attach the flat-panel mounting bracket to the pole’s mounting points, adjust tilt and orientation as needed per your display requirements, and route cables along the pole or base to maintain a neat, professional appearance.
Frequently asked questions
- Q: What is the length of the Premier Mounts P72 Mounting Pole? A: 72 inches (1828.8 mm).
- Q: What material is the pole made from, and what finish does it have? A: It is made from chrome-plated steel with a chrome finish, designed for strength and durability.
- Q: What is the P72 pole compatible with? A: It is designed to work with the PSP-BASE floor stand adapter as part of Premier Mounts’ modular mounting system for flat-panel displays.
- Q: Does the product come in black or chrome? A: The description notes a chrome finish, while the title references Black. Color options can vary by listing; please verify the current finish in your product page or checkout.
- Q: Can this pole support multiple displays or heavy screens? A: The P72 pole is intended for use within Premier Mounts’ modular mounting ecosystem and with the PSP-BASE base. Exact weight ratings depend on the overall system configuration and mounting brackets used—consult your installation guide for the recommended load capacities related to your setup.
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4.0 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012