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Description
1001 Est Cremaziei – S/T [IMPORT] – New LP1001 est Crmazie: From Phonogramme to Phono Grass. 1975, a concert imagined, produced and brought to the stage by a flock of middle schoolers who wanted to make music to echo the sounds of jazz and rock, generally uninhibited and deeply anchored in their time. The Rocking Grass show created quite an event, filling the Collge Andr Grasset auditorium to capacity: We had to squeeze everyone who didn't have room into the auditorium, into the corridors and
1001 est Crémazie: From Phonogramme to Phono Grass. 1975, a concert imagined, produced and brought to the stage by a flock of middle-schoolers who wanted to make music to echo the sounds of jazz and rock, generally uninhibited - and deeply anchored in their time. The “Rocking Grass” show created quite an event, filling the Collège André Grasset auditorium to capacity: “We had to squeeze everyone who didn't have room into the auditorium, into the corridors and right up to the main entrance!” A success as unexpected as it was resounding, under the stunned gaze of several hundred spectators, spellbound by the orchestra.
From the ashes of this first concert, Jean-Yves Quesnel - at the time a socio-cultural animator, then returning to his first love, teaching history - seized the opportunity and surrounded himself with a few natural allies among his colleagues, wanting the orchestra to resonate beyond the stage, by immortalizing it on tape. Fast forward a few weeks and the “Rocking Grass” becomes the “Phono Grass” as they team up with colleagues from Collège Edouard-Monpetit to invest in the college's studios and immortalize the aptly named 1001 est Crémazie. “We hid a recorder in Benoit Sarrazin's piano (pianist on two tracks on the album) without him even knowing it. We just told him afterwards,” recalls a laughing Quesnel. Mr. Sarrazin, then a college professor, would himself become a professional pianist, eventually completing a doctorate in musicology. "This record reflects the spirit of an era, the birth of modern Quebec, a renewed vitality,” recalls the producer, ‘the echoes of a Quiet Revolution, which was still rumbling and trying to be heard.’ It was therefore in phase with this pivotal moment in the Quebec ecosystem - which decompartmentalized the school system and gave birth to the Cégeps - that 1001 est Crémazie was born.” This album is a bit of a mishmash of amateur enthusiasm, of course, but even more so, a cultural and social effervescence that frees itself from standards and leaves room for experimentation and a hitherto unsuspected creative dazzle. This has certainly contributed to the professional development of almost half of the personnel who took part in the recording of the album. The album includes two original compositions, “Le roi muffé” and the highly acclaimed “Bright moments”, driven by an unusual combination of piano and conga, which found its way onto the Canadian Racer compilation, a jazz reference in the early 2000s. DJs and/or hip-hop aficionados were quick to appropriate and sample the percussive drum and conga solo into the skeletons of a few danceable tracks that set the mood on dance floors. Now, fifty years and a few upside-down existences later, 1001 est Crémazie, originally printed in a run of 500 copies (now coveted by the most discerning collectors), has been given a facelift to offer itself to the public, much to the delight of the main man involved: “May you get all the pleasure out of this long game that they had recording it!” he says, just before interrupting the conversation to join a dinner party of friends in the company of former colleagues and students. “That's the power of music. Friendships that are nurtured and aged like fine wine!”
Cheers!
From the ashes of this first concert, Jean-Yves Quesnel - at the time a socio-cultural animator, then returning to his first love, teaching history - seized the opportunity and surrounded himself with a few natural allies among his colleagues, wanting the orchestra to resonate beyond the stage, by immortalizing it on tape. Fast forward a few weeks and the “Rocking Grass” becomes the “Phono Grass” as they team up with colleagues from Collège Edouard-Monpetit to invest in the college's studios and immortalize the aptly named 1001 est Crémazie. “We hid a recorder in Benoit Sarrazin's piano (pianist on two tracks on the album) without him even knowing it. We just told him afterwards,” recalls a laughing Quesnel. Mr. Sarrazin, then a college professor, would himself become a professional pianist, eventually completing a doctorate in musicology. "This record reflects the spirit of an era, the birth of modern Quebec, a renewed vitality,” recalls the producer, ‘the echoes of a Quiet Revolution, which was still rumbling and trying to be heard.’ It was therefore in phase with this pivotal moment in the Quebec ecosystem - which decompartmentalized the school system and gave birth to the Cégeps - that 1001 est Crémazie was born.” This album is a bit of a mishmash of amateur enthusiasm, of course, but even more so, a cultural and social effervescence that frees itself from standards and leaves room for experimentation and a hitherto unsuspected creative dazzle. This has certainly contributed to the professional development of almost half of the personnel who took part in the recording of the album. The album includes two original compositions, “Le roi muffé” and the highly acclaimed “Bright moments”, driven by an unusual combination of piano and conga, which found its way onto the Canadian Racer compilation, a jazz reference in the early 2000s. DJs and/or hip-hop aficionados were quick to appropriate and sample the percussive drum and conga solo into the skeletons of a few danceable tracks that set the mood on dance floors. Now, fifty years and a few upside-down existences later, 1001 est Crémazie, originally printed in a run of 500 copies (now coveted by the most discerning collectors), has been given a facelift to offer itself to the public, much to the delight of the main man involved: “May you get all the pleasure out of this long game that they had recording it!” he says, just before interrupting the conversation to join a dinner party of friends in the company of former colleagues and students. “That's the power of music. Friendships that are nurtured and aged like fine wine!”
Cheers!
released April 25, 2025
Liner Notes: Stefane Campbell
Layout & Restoration: Steve Lewin
Remastered by: Noah Mintz
Special Thanks: Patrick Caron, John Kong, Alain Demontigny, Pierre St-Denis and Jean-Yves Quesnel.
Liner Notes: Stefane Campbell
Layout & Restoration: Steve Lewin
Remastered by: Noah Mintz
Special Thanks: Patrick Caron, John Kong, Alain Demontigny, Pierre St-Denis and Jean-Yves Quesnel.
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4.3 ★★★★★
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Product Reviews
★★★★★ 5
Comfortable socks
Breathable and stretchy cotton socks. They are stretchy, thick and soft.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 7, 2026
★★★★★ 4
super socks
Cotton socks have proven to be a simple yet indispensable addition to my daily wear, offering a level of comfort that sets them apart from other materials. The soft, breathable nature of cotton fabric ensures a gentle and cozy embrace for my feet throughout the day. Whether I'm navigating a busy workday or enjoying a relaxing evening at home, these socks provide a pleasant cushioning effect, preventing any discomfort or irritation. Additionally, the moisture-wicking properties of cotton keep my feet dry and fresh, making them an ideal choice for all-day wear. The durability of cotton socks has also impressed me; they maintain their shape and softness even after numerous washes, showcasing the reliability and longevity of the material.
One of the key features that make cotton socks a wardrobe essential is their versatility. Suitable for various occasions, these socks effortlessly complement both casual and formal attire. The wide array of colors and patterns available allows for easy integration into any style, making them a go-to choice for different outfits. In terms of value for money, cotton socks offer a cost-effective solution without compromising on quality. Overall, my experience with cotton socks has been consistently positive, and I find myself reaching for them daily due to their unmatched comfort, durability, and adaptability to various fashion choices.
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Reviewed in the United States on February 19, 2024
★★★★★ 5
Comfortable Socks, color variety not as implied
Size: Medium, Color: True Gray Heather Assorted (6 Pairs)
Pros: Comfortable socks, with wide, not tight band at the ankle. Wish I'd bought them sooner.
Con: Amazon description shows a photo of 6 pairs of socks, 2 black, 2 gray, and 2 white. The pack actually comes with 2 black, 1 white, and 3 pairs of gray.
Haven't washed them yet. Will see how they stand up.
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Reviewed in the United States on June 14, 2024
★★★★★ 5
Not polyester! Thank you UA!
I never realized shopping for cotton socks in 2024 would be so difficult. Luckily I found these, and all the other Under Armour cotton socks and they are the best.
I cannot wear polyester, and these only have like 1%. I didn't realize our cotton is being replaced by polyester, and I don't like it. Bath towels don't work anymore either...
I need my cotton socks and towels, I love incandescent light bulbs, I'll always have a gas powered mower and leaf blower. Also butterfinger should've never their recipe. Just sayin...
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Reviewed in the United States on May 4, 2024
★★★★★ 5
Great quality
Size: Large, Color: True Gray Heather Assorted 2 (6-pairs)
The best socks, cotton quality
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Reviewed in the United States on June 28, 2025
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