SKU: 44397580806

Panasonic LUMIX S5M2X Full Frame Digital Camera w/20-60mm lens

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Description

Panasonic LUMIX S5M2X Full Frame Digital Camera w/20-60mm lensExplore Your Creative Universe. Advanced features like PDAF and I. S. (Image stabilization) make using the LUMIX S5II a truly rewarding experience. Capture high quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full frame mirrorless camera. Explore Your Creative Universe. Meet the LUMIX S5II beginning of a new phase for LUMIX. With unlimited creative possibilities, these versatile hybrid full frame

Explore Your Creative Universe.
Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5II a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera.

Explore Your Creative Universe.

Meet the LUMIX S5II - beginning of a new phase for LUMIX. With unlimited creative possibilities, these versatile hybrid full-frame mirrorless cameras will help you capture stunning content in any situation.

Phase Hybrid AF

Phase Hybrid AF dramatically improves subject tracking and recognition performance. Check out the video to see what it can do!

Active I.S. Technology

The LUMIX S5II is optimal for shooting video while walking. Check out the video to see what it can do!

A wide variety of video expression options

The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more.

New generation of imaging devices

The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5II is equipped with a new engine.

Designed for durability

A highly versatile and durable HDMI Type A terminal is provided.

A higher grade of visual expression

Enjoy RAW video data output, ProRes recording, All-Intra video, and external USB-SSD recording for professional video production.

Streaming options

Choose your favorite approach: wireless live streaming (RTMP/RTMPS), USB-tethering (RTMP/RTMPS), and wired live streaming (RTP/RTSP).

LUMIX Design philosophy: shaping emotions

The new all-black design of the LUMIX S5IIX is made to encourage the creator to becomes immersed in capturing the subject, oblivious to the tools in use. It’s designed to harmonize with the shooting environment and prevent reflections on the iris or recording media supporting artistic creativity.

A higher grade of visual expression

With the LUMIX S5IIX, recording and playback is supported using an external SSD via USB. In addition, the ability to record ProRes 422 HQ (maximum 1.9Gbps) and 4:2:2 10-bit All-Intra directly to SSDs, which combine portability and high capacity has improved efficiency in data backup and post-processing.

AFC 30fps burst shooting
Thanks to the new sensor’s higher readout speed and new engine’s superior processing power, the LUMIX S5IIX delivers AFC burst shooting using the electronic shutter at 30 frames per second with 24.2-megapixel resolution. The sensor’s higher readout speed also minimizes rolling shutter distortion and captures images too fast for the naked eye to process.

96MP ultra-high-resolution recording
High Resolution Mode allows you to shoot ultra-detailed nature shots with a tripod, as well as other works of art that combine grandeur with precision. The camera automatically captures eight consecutive images while shifting the sensor, and the new engine’s high-speed signal processing smoothly synthesizes them into a 96-megapixel equivalent (12,000 x 8,000-pixel) image. RAW and JPEG file recording during shooting and RAW processing during playback (RAW-to-JPEG conversion) are supported, with quick access via the drive mode dial.

Live View Composite
The camera takes multiple images, creating composite images from only those areas that vary in brightness. This feature is convenient for taking images of the night sky that show the light trails of stars or fireworks. Each time the shutter is operated, a composite image is displayed, allowing users to shoot while confirming the results in real time.

Heat management for unlimited recording time

4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5II’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video).
*The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard.

6K 10-bit recording
With 6K (5952x3968, 3:2), 6K (5952x3136, 17:9) and 5.9K (5888x3312, 16:9) 4:2:0 10-bit 30p/25p/24p modes, the LUMIX S5IIX offers higher resolution and higher bit rates than ever before, and delivers the latest in high image quality, versatility, and expressive range needed for film, TV, and all types of video production.

HFR (high frame rate)
Slow-motion recording, a recent trend in video production, is made possible using FHD 10-bit 120p/100p video recording with audio. Or shoot high-resolution C4K/4K 10-bit (4:3) and 3.3K 10-bit (4:3) video at 48p. You can even shoot double slow-motion video at the cinematic frame rate of 24p. Allows tracking AF during HFR video recording.

Max. 7.5x slow motion and max. 60x quick motion
Offers up to 7.5x super slow-motion (FHD 24p/180fps) video at 10-bit recording. Equipped with Slow & Quick Motion modes, the LUMIX S5IIX lets you easily overcrank or undercrank your video while shooting. With quick motion up to 60x (C4K/4K/FHD 60p/1fps), the S5IIX enables you to create emotional images or smoothly capture dynamic movement too quick for the naked eye.

Anamorphic recording
4:3 aspect ratio anamorphic recording is key to LUMIX's impressive video performance. The LUMIX S5IIX can capture 3.3K (3328x2496) 50p/30p/25p/24p 4:2:0 10-bit video. Designed to accommodate anamorphic lenses in a wide range of magnification rates, including 1.3x, 1.33x, 1.5x, 1.8x, and 2.0x, the S5IIX’s Anamorphic Desqueeze Display function gives you the ability confirm the cinemascope-size image on a monitor while shooting.

4ch audio recording
The LUMIX S5IIX delivers much improved audio recording performance, with 4ch 48kHz or 96kHz 24-bit recording possible* when an XLR microphone adaptor DMW-XLR1 (sold separately) is attached. This LUMIX S5IIX gives you much greater flexibility when shooting outdoors, for example, where multiple audio sources are present, or when recording backup audio. Now also supports 2ch 48kHz 24-bit recording with the built-in mic and 2ch 96kHz 24-bit high-resolution recording* with an external mic (sold separately).
*MOV and ProRes only.

All-Intra video
The ALL-Intra compression method, which allows frame-by-frame decoding/encoding, is ideal for non-linear editing. The LUMIX S5IIX can record at bit rates of up to C4K/4K 800Mpbs.
*Onboard recording at bit rates of up to 800Mpbs is possible, while recording at bit rates above 800Mbps can be done to an external SSD via USB cable.

Apple ProRes codec video
You can record ProRes 422 HQ and ProRes 422 codec videos, the professional industry standard, which deliver high image quality at low compression. This significantly reduces the load on the computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.
The LUMIX S5IIX can record FHD (1920x1080) internally and 5.8K (5776x3056, 17:9), C4K (4096x2160, 17:9) and 3.3K (3328x2496, 4:3) to an external SSD via USB.
•Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.

Go live anytime, anywhere
Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.
・Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ・Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ・A commercially available USB ethernet adaptor is required to convert the DC-S5IIX's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html

Wireless live streaming / USB-tethering (RTMP/RTMPS)
Enjoy creative live streaming with digital single lens mirrorless cameras, both indoors and outdoors. Live streaming (RTMP/RTMPS protocol) can be easily configured via the LUMIX Sync app (Android / iOS). In environments with a lot of radio interference, stable communication speed can be ensured by tethering the camera via USB to a smartphone.
・Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ・Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ・Android and Google Play are trademarks or registered trademarks of Google Inc.
・IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.

Wired live streaming (RTP/RTSP)
Enjoy highly stable communication via IP streaming (RTP/RTSP) over a wired LAN connection in indoor environments. Connecting cameras and PCs via wired LAN cable, multiple cameras can be controlled for delivery of high-quality video and audio up to 4K 60p/50p. H.264 and H.265 codecs are selectable.
*A commercially available USB ethernet adaptor is required to convert the DC-S5IIX's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html

Phase Hybrid AF for aggressive shooting

The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments.

779-point AF
The number of AF points has been increased to 779. The improved tracking performance allows the camera to continue to capture even small subjects that are easily out of focus. Even when using 1-Area AF, the AF frame can be set as small as pinpoint level, helping the creator focus on the subject as intended.

AI-based recognition technology
Deep Learning technology enables high-speed, high-precision recognition and tracking of humans (face, eyes, heads, and bodies) and animals (dogs, cats, and birds).

6.5-stop Dual I.S. 2 (Image Stabilizer)
5-axis Dual I.S. 2 (Image Stabilizer) combines control of the B.I.S. and Lens O.I.S. to offer 6.5 stops’ worth of correction.*
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]

Great for shooting as you walk: Active I.S. Technology

New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems.
LUMIX has long supported hand-held shooting with B.I.S. and 5-Axis Dual I.S.2, and now the LUMIX S5IIX is equipped with Active I.S., which supports walking shots, to further enhance image stabilization in video recording. By determining the status of camera shake and optimizing correction ratios, the system can compensate for even significant camera shake, approximately 200%* more than conventional systems.
*Compared with LUMIX S5. Focal length 20mm, when using S-R2060.

The LUMIX commitment to superior image quality

The new engine delivers more true-to-life colors, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas.

24.2MP CMOS sensor with Dual Native ISO technology
Whether you are taking stills or shooting video, the LUMIX S5II delivers uncompromising image quality, combining high resolution and a Phase Detection AF. Moreover, utilizing Dual Native ISO technology familiar to users of Panasonic Varicam models for professionals, the S5II leverages a dual-base ISO setting to minimize noise and maximize image quality from low to high sensitivity. This feature teams up with a new engine to deliver maximum ISO 51200 / Extended ISO 204800 for minimal noise at high sensitivity and beautiful expression of dark areas in the frame. Whenever professional-level low-light shooting is required, the LUMIX S5II is ready for action.

Next-generation engine
The new engine delivers approximately twice the processing power as before, enabling high-speed processing of higher-resolution, higher bit-rate video. It is equipped with technology invested and developed jointly by LEICA and LUMIX. Combination of the new sensor and engine achieves both Phase Detection AF and high image quality for photos and videos.

14+ stops of V-Log and V-Gamut "VariCam Look"
Offering compatibility with Cinema VariCam Look, 14+ stops of dynamic range, and a very wide color spectrum, V-Log and V-Gamut come preinstalled. Users will enjoy impressively accurate color reproduction, subtle gradations from dark areas to highlights, and precise control of color data in post-production. The end result is more creative and satisfying color expression. Moreover, footage shot with the LUMIX S5II can be seamlessly edited with footage shot with VariCam cameras.
The V-Log of the LUMIX S5II offers 14+ stops of dynamic range, which covers the PQ requirement of HDR, while V-Gamut covers the full HDR color spectrum, giving users access to HDR shooting wherever, whenever.

RAW video data output (optional)
The Upgrade Software Key DMW SFU2 (sold separately) and LUMIX S5II firmware upgrade* enable the output of maximum 29.97p 5.9K (5888x3312, 16:9) / 59.94p 4.1K (4128x2176, 17:9) and 3.5K (3536x2656, 4:3) 12 bit RAW video data over HDMI to be recorded on the Atomos Ninja V+ HDR monitor recorder.
*Firmware update scheduled for summer 2023. ・ATOMOS HDMI field monitor/recorder "Ninja V+". ・Selectable recording mode depends on the firmware version of ATOMOS Ninja V+. ・Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+. ・All functions may not be available depending on the situation.

Easy color grading with REAL TIME LUT
LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want.

IMAGING

Lens Mount
Leica L
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Sensor Type
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
None
Capture Type
Stills & Video

EXPOSURE CONTROL

Shutter Type
Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 60 Seconds Up to 60 Seconds in Bulb Mode
Bulb/Time Mode
Bulb Mode, Time Mode
ISO Sensitivity
Photo/Video
100 to 51,200 (Extended: 50 to 204,800)
Metering Method
Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
Metering Range
0 to 18 EV
White Balance
2500 to 10,000K
Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting
Mechanical Shutter
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Electronic Shutter
Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/10-Second Delay

STILL IMAGE CAPTURE

Image Sizes
3:2
96 MP (12,000 x 8000) *Via In-Camera Pixel-Shift
96 MP (8496 x 5664) *Via In-Camera Pixel-Shift
24.2 MP (6000 x 4000)
24.2 MP (4272 x 2848)
24.2 MP (3024 x 2016)
4:3
96 MP (10,656 x 8000) *Via In-Camera Pixel-Shift
96 MP (7552 x 5664) *Via In-Camera Pixel-Shift
24.2 MP (5328 x 4000)
24.2 MP (3792 x 2848)
24.2 MP (2688 x 2016)
16:9
96 MP (12,000 x 6736) *Via In-Camera Pixel-Shift
96 MP (8496 x 4784) *Via In-Camera Pixel-Shift
24.2 MP (6000 x 3368)
24.2 MP (4272 x 2400)
24.2 MP (3024 x 1704)
1:1
96 MP (8000 x 8000) *Via In-Camera Pixel-Shift
96 MP (5664 x 5664) *Via In-Camera Pixel-Shift
24.2 MP (4000 x 4000)
24.2 MP (2848 x 2848)
24.2 MP (2016 x 2016)
65:24
24.2 MP (6000 x 2208)
2:1
24.2 MP (6000 x 3000)
Aspect Ratio
1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File Format
JPEG, Raw
Bit Depth
14-Bit

VIDEO CAPTURE

Internal Recording Modes
H.264/H.265/MOV/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97 fps [150 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97 fps [72 to 150 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100/ fps
[20 to 150 Mb/s]
External Recording Modes
12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
Sensor Crop Modes
Super35 / APS-C
4096 x 2160
3840 x 2160
3328 x 2496
1920 x 1080
Fast-/Slow-Motion Support
Yes
Gamma Curve
Panasonic V-Gamut, V-Log
Recording Limit
None
Broadcast Output
NTSC/PAL
IP Streaming
RTP, RTSP
3840 x 2160 to 1280 x 720 at 25p, 29.97p, 50p, 59.94p (4.0 to 25.00 Mb/s)
Built-In Microphone Type
Stereo
Audio Recording
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio

INTERFACE

Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI Output
Audio I/O
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C Data Input/Output (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi (802.11b/g), Wi-Fi 5 (802.11ac), Bluetooth 5.0
App Compatible
Yes: Android & iOS
App Name: Lumix Sync
Functionality: Access Stored Files, Firmware Update, Remote Control
*As of January, 2023: Check with manufacturer for the most up-to-date compatibility Global Positioning (GPS, GLONASS, etc.) None
*As of January, 2023: Check with manufacturer for the most up-to-date compatibility Global Positioning (GPS, GLONASS, etc.)
None

MONITOR

Size
3"
Resolution
1,840,000 Dot
Display Type
Free-Angle Tilting Touchscreen LCD

VIEWFINDER

Type
Built-In Electronic (OLED)
Resolution
3,680,000 Dot
Eye Point
21 mm
Coverage
100%
Magnification
Approx. 0.78x
Diopter Adjustment
-4 to +2

FOCUS

Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 779
Autofocus Sensitivity
-6 to +18 EV

FLASH

Built-In Flash
No
Flash Modes
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye
Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Hot Shoe

ENVIRONMENTAL

Operating Temperature
32 to 104°F / 0 to 40°C
Operating Humidity
10 to 80%

GENERAL

Battery Type
1 x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Accessory Mount
1 x Hot Shoe Mount on Camera Body
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions)
Weight
1.45 lb / 658 g (Body Only)
1.64 lb / 744 g (With Recording Media)

PANASONIC LUMIX S 20-60MM F/3.5-5.6 LENS SPECS

Focal Length
20 to 60mm
Maximum Aperture
f/3.5 to 5.6
Minimum Aperture
f/22
Lens Mount
Leica L
Lens Format Coverage
Full-Frame
Angle of View
94° to 40°
Minimum Focus Distance
5.91" / 15 cm
Maximum Magnification
0.43x
Optical Design
11 Elements in 9 Groups
Diaphragm Blades
9, Rounded
Focus Type
Autofocus
Image Stabilization
No
Filter Size
67 mm (Front)
Dimensions (ø x L)
3.05 x 3.43" / 77.4 x 87.2 mm
Length at Maximum Extension
4.71" / 119.7 mm
Weight
12.35 oz / 350 g

PACKAGING INFO

Package Weight
1.455 lb
Box Dimensions (LxWxH)
9.8 x 4.5 x 4.5"
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 44397580806

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4.3 ★★★★★
Based on 27 reviews
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Product Reviews
F
Fred
Omaha, US
★★★★★ 5
Stable, flexible in deployment configuration, creates true privacy and looks great.
Size: 3 Panel 12FT W
This is the second room divider panel I have installed, and there are several features about this one that I like much better than my older one. The fact that there are no gaps and that the material is thicker means you get more privacy or more hiding power, if you wish. My older divider has vertical spaces between each of the panels and the panels are half as wide as the Siebwin panels, so there are many vertical spaces. The Siebwin divider really creates privacy. Another feature that I really appreciate is that the legs are wider and stand off from the floor. On my older one the legs are flat and they're rather awkward to adjust because they create more drag on the floor. The feet on the older one also loosen if you turn them counter clockwise, so adjustments of configuration that require the feet to be moved are more complex. The older divider also must be deployed in a zig-zag fashion because he feet are not as wide, but this new one can be deployed and stable in a straight, an "N" shape or an arc. They are both the same length, but because the older one must be use in a zig-zag deployment it doesn't reach to the length of the new one. The Siebwin divider definitely costs more at $103.48, but it sports several features and advantages over the other brand, so it does a better job and is worth the extra cost.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 25, 2026
C
Computer
Grantham, US
★★★★★ 4
Easy to assemble, does the job, material is shiny nylon and shows creases, minor defects, sloppy
Size: 3 Panel 12FT W, Size: 3 Panel 12FT W
The Siebwin room divider is a good idea, and for the price, it mostly delivers on the intended functionality. I ordered the 12 foot, 3-panel version mainly to hide an unfinished basement storage area that had become an eyesore. It works well for that purpose and gives the space a cleaner appearance without spending the kind of money that more decorative dividers or custom partitions cost. If you need something temporary, portable, or mainly functional, this is a viable option. There are a few limitations that became obvious during setup and use. The first thing I noticed was that the weld quality on some of the metal poles is fairly sloppy. Once the cover is installed, you do not really see it, but up close, it does not look especially refined or professional. The blackout material also is not a matte canvas style fabric as I expected. It has more of a shiny nylon appearance, and the creases are fairly visible. Being that it’s more of a nylon, I’d be hesitant to try steaming it to remove the creases. However, the creases do not matter if you are using it in a basement, dorm, or shared room, but for photography, video work, or a professional office setting, the appearance could be disappointing. The fabric is thick enough, though. It blocks visibility well enough, but strong light behind it still shows through to some extent, nothing deal-breaking. Also, my fabric appeared to be slightly defective. The hook and loop strip on one of the bottom sections was off-center and couldn't be totally attached because it was lined up with one of the legs. I originally hoped to use this as a video backdrop, but I will probably end up replacing the fabric with a proper green screen or canvas material while continuing to use the frame itself. For now, it does a good job of covering my basement junk. Assembly was actually easier than I expected and took roughly 15 to 20 minutes. The longer vertical poles are tethered together similarly to tent poles, which made setup straightforward and fairly intuitive. The shorter horizontal pieces slide and snap together to the top and bottom of the vertical assembly. After each section is assembled, the divider panels connect together with metal plates and two knurled screws (at the top and bottom), so no tools are really required. A few screws were difficult to start because paint had gotten into the threads, but once they caught, they tightened down normally. The feet install with similar knurled fasteners and help keep the divider reasonably stable. One thing to watch for during setup is the fabric orientation. There is one arrow indicator in the middle of the fabric to indicate up. However, if you need another indicator, the smaller hook and loop strip goes on the bottom while the longer strip goes on top. I realized mine was upside down right before finishing and had to redo it. I wasn't difficult to redo, despite the defect in mine. The overall design is practical and easy to move around. I do like that the panels can fold and bend into different shapes depending on the space. The widened feet help stability, although when trying to stretch the fabric tight, I noticed the poles sometimes wanted to overlap slightly at the joints. Tightening everything helped somewhat, but it still happened occasionally. The divider feels adequate for normal indoor use, though I would not expect premium durability or luxury-level fit and finish at this price point. The entire device can also be easily disabled and stored in a tote if you need it completely out of the way. It comes with assembly instructions, but even if you didn’t have them, it’s easy to build without them (save a mistake or two). In terms of value, I think the Siebwin divider mostly matches its price. Around $100 gets you a large freestanding partition with decent usability and easy assembly, but there are compromises in materials, appearance, and refinement. The defects are also off-putting, but hopefully you won't have them. Higher-end room dividers can easily cost two or three times more, so some of the tradeoffs are expected. I also noticed cheaper alternatives online, but based on the quality here, I suspect those would probably have even more issues. For practical home use, temporary privacy, hiding storage areas, or separating shared spaces, this is a good option as long as expectations stay realistic.
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Reviewed in the United States on May 18, 2026
T
Trendy Tales
Massapequa, US
★★★★★ 3
Works well but takes up more space than expected
Size: 2 Panel 8FT W, Size: 2 Panel 8FT W
This room divider does the job for creating a little extra privacy and was easy enough to set up. The panels feel decent quality and the wider feet help keep it more stable than some cheaper screens I’ve tried. My only issue is that it takes up a bit more room than I expected, especially with the feet sticking out. It’s still portable and folds away nicely, but definitely measure your space first. Overall it works well for separating a room or blocking off an area temporarily. i wish it came in other colors
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Reviewed in the United States on May 26, 2026
K
Katrina Rhodes
Belleville, US
★★★★★ 5
Nice divider, serves it's purpose well!
Size: 3 Panel 12FT W
This room divider worked out very well for what I needed. I wanted a simple way to create a little more privacy and separation in a larger room without doing anything permanent, and this divider was an easy solution. The panels provide good coverage, and the black color gives it a clean, modern appearance that blends in nicely with different décor styles. Assembly was fairly straightforward, and once set up, the wider feet helped keep the divider stable on the floor. I was especially happy with how flexible the panels are to arrange. You can keep it mostly straight, angle it around furniture, or create a more enclosed private space depending on the layout you need. The material allows light to filter through slightly while still offering a noticeable sense of privacy. I’ve used it for separating a workspace area, but it would also work well in bedrooms, apartments, dorms, studios, or shared living spaces. Another plus is that it can be folded and moved without too much effort when you want to change the setup. Overall, this divider delivers a good balance of functionality, portability, and appearance. It’s a practical option for anyone needing temporary room separation without installing permanent walls or curtains.
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Reviewed in the United States on May 26, 2026
J
Jamie K.
Belleville, US
★★★★★ 5
Perfect for Adding Privacy to a Piano Studio
Size: 2 Panel 8FT W, Size: 2 Panel 8FT W
I Ordered the 2 Panel version which is way too big for my needs... that's on me. So keep in mind that the picture shows a fabric made for two panels only being used on one and hence it is not pulled tight; it would pull tight and not be so wrinkly if it was set up properly as two panels. The metal pools that make up the panels seem to be well made, stable, and of good quality. They were very easy to put together and they stand up tall with plenty of height. The appearance of it with the fabric on it isn't as elegant as it could be, but it still looks good enough. The material is plenty solid, not allowing light through it, and thereby making a solid barrier. I am using it to block the view out the studio door when a student is sitting at the piano to avoid distractions from the hallway. It will allow a student to enter the studio with our distracting the student who is at the piano.
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Reviewed in the United States on May 18, 2026

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