SKU: 44649843766

Hollyland LARK A1 DUO 2-Person Wireless Microphone System with USB-C Connector for Mobile Devices (Space Gray) - 2.4 GHz

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Description

Hollyland LARK A1 DUO 2-Person Wireless Microphone System with USB-C Connector for Mobile Devices (Space Gray) - 2.4 GHzSeamless USB C Smartphone Connectivity with Plug and Play Simplicity The Hollyland LARK A1 Duo is a dual channel, digital wireless microphone system engineered for effortless smartphone connectivity and plug and play operationideal for streaming, vlogging, podcasting, and video production with two people speaking at the same time. The system includes two ultracompact, clip on transmitters with built in omnidirectional microphones for discreet, high

Seamless USB-C Smartphone Connectivity with Plug-and-Play Simplicity
The Hollyland LARK A1 Duo is a dual-channel, digital wireless microphone system engineered for effortless smartphone connectivity and plug-and-play operation—ideal for streaming, vlogging, podcasting, and video production with two people speaking at the same time. The system includes two ultracompact, clip-on transmitters with built-in omnidirectional microphones for discreet, high-quality recording, a USB-C plug-in receiver for direct use with iOS and Android devices, two furry windscreens for outdoor shoots, and a convenient charging case.

Delivering pristine 48 kHz/24-bit high-fidelity audio, the LARK A1 captures every nuance with precision. Its 3-level intelligent noise cancellation effectively reduces ambient sound, ensuring clear and natural audio. Users can further tailor their sound with adjustable EQ, reverb, and 6-level gain control, while the intelligent auto-limit function maintains consistent volume levels and prevents distortion. The clip-on mics feature a sleek, low-profile design, weighing just 0.3 oz, and offer flexible placement via hidden magnetic attachments. Thanks to the included charging case, the transmitters can be swapped on the go, enabling up to 54 hours of uninterrupted operation.

High-Fidelity Audio | 120 dB SPL Performance
Capture every sonic detail—from deep bass to shimmering highs—with pristine 48 kHz / 24-bit high-resolution audio. Engineered for accuracy, the LARK A1 faithfully preserves the full range of your voice and environment.

With a 120 dB SPL (Sound Pressure Level) capacity, it handles loud sounds with ease, eliminating distortion, even during sudden spikes.

Featherlight, Fashion-Friendly
At just 0.3 oz and 0.4" thin, the LARK A1 disappears into any outfit. Its discreet, low-profile design won't tug or distort fabric, while a magnetic clip lets you wear it your way with comfort, stability, and total freedom.

Silence on Demand | 3-Level Intelligent Noise Cancellation
Designed for creators who demand clarity, the LARK A1’s adaptive noise cancellation system filters out distractions—from wind and traffic to hums and reverberation. Three adjustable levels (Strong, Medium, Weak) ensure your voice stays natural and clear, whether you're recording indoors, outdoors, or in dynamic environments.

Precision Gain Control | 6-Level Gain Adjustment via LarkSound App
Tailor your audio with ease using the LarkSound app. Fine-tune your microphone sensitivity across six gain levels to suit any scenario-from soft whispers to booming vocals.

Shape Your Sound | Custom EQ & Reverb Settings
Refine your audio with three EQ profiles (Balance, Low, Bright) and adjustable reverb effects (Small, Medium, Large). Sculpt your voice's tone and space with precision, creating immersive and professional-quality recordings on the go.

Consistent Audio, Automatically | Auto-Limit Clip Protection
Say goodbye to unexpected audio peaks. The LARK A1's intelligent Auto-Limit feature smooths out volume spikes in real time, preserving clarity and stability in every take.

One-Touch Control at Your Fingertips on Transmitters
Simple, fast, and intuitive control on the transmitters—instant control is always within reach.
  • Single click: enable noise cancellation
  • Double click: mute the mic
  • Triple click: start recording
54-Hour Battery Life | Record All Day, Nonstop
Power through extended shoots with confidence. With the charging case and two swappable transmitters, the LARK A1 delivers up to 54 hours of continuous use—eliminating downtime and keeping you in the creative zone.
  • Up to 9 hours of battery life per full charge for each transmitter
  • Up to two-time charge per transmitter with the charging case
  • Up to 54 hours of battery life total (alternating transmitters)

Charge While You Create
Need to power your phone during a session? No problem. The LARK A1 receiver features a side port that lets you charge your device while recording, keeping everything running smoothly.

650' Wireless Range (Line-of-Sight)
Whether filming sweeping outdoor shots or dynamic walk-and-talks, the LARK A1's robust 650' line-of-sight wireless range ensures rock-solid connectivity with powerful anti-interference tech. No dropouts. No disruptions. Just flawless, uninterrupted audio every time.

Specifications

System
Wireless Technology
Digital 2.4 GHz
Diversity
Non-Diversity
Max Operating Range
656.2' / 200 m
Max Transmitters per Band
2
Encryption
No
Built-In Recorder
No
Timecode Support
No
Mobile App Compatible
Yes: Android & iOS
App Name: LarkSound
Functionality: Remote Control
Receiver
Receiver Type
1x Plug-In (USB-C)
Mounting Options
USB-C Plug-In (with Included Hardware)
Number of Audio Channels
2
Audio I/O
No
USB/Lightning Connectivity
1x USB-C Male
Frequency Response
20 Hz to 20 kHz
Power Requirements
Bus Power (USB)
Transmitter
Included Transmitters
2x Clip-On
Antenna
Internal
Input Level
Microphone
Audio I/O
No
USB I/O
No
Muting
Via Control App
Auto-Level/Gain
Yes
Frequency Response
20 Hz to 20 kHz
Sync Method
2.4 GHz QPSK
Microphone
Microphone Type
2x Built-In (Clip-On Transmitter)
Polar Pattern
Omnidirectional
Frequency Response
20 Hz to 20 kHz
Maximum SPL
120 dB
Sensitivity
-37 dBV
Color
Gray
Power
Transmitter Battery Type
1x Built-In Rechargeable
Transmitter Battery Life
9 Hour
Battery Charging Time
1.5 Hours
Charging Case
Additional Runtime with Charging Case
36 Hours
Battery
460 mAh Lithium-Ion Rechargeable
Recharge Time
90 to 36 Hour
Charging Input
USB-C
AC/DC Power Adapter
No
Input Power
3.7 VDC
Physical
Dimensions
Receiver:
1.3 x 0.6 x 0.4" / 34 x 16.3 x 9 mm
Transmitter:
1.2 x 0.6 x 0.3" / 30 x 16.3 x 8.8 mm
Weight
Receiver:
0.2 oz / 5.9 g
Transmitter:
0.3 oz / 8 g
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 44649843766

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4.1 ★★★★★
Based on 18 reviews
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Product Reviews
T
Verified Purchase
Teddy
Chelsea, US
★★★★★ 5
5 stars
Format: Kindle
Great conclusion to the series.. with an all-star cast involving the extended Bat family.. reminiscent of the "Battle for the Cowl" and "Return of Bruce Wayne" days in scope and back story.. definitely a must-read!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 16, 2017
A
Verified Purchase
AustralianChicks
Boise, US
★★★★★ 5
Great story by several great storytellers
Format: Paperback
Picks up where vol1 left off but generally feels more cohesive and organized. Great story by several great storytellers. Connects heavily with Grayson if you want more context.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 27, 2017
L
leeann mesa
Pawtucket, US
★★★★★ 3
another chapter in the Batman story
Format: Kindle
Was good but I didn’t love it. There were definitely some high points but I just was not glue reading the next part every time. Some of it was the art teams were also highs and lows. When the art was better I did find myself more engaged with the story. Also to be fair when I read different volumes I have to at time get caught up on which universe version is this going on from. Sometime it can get confusing if your an older read like myself and you have tons of other canon that does always fit in.
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Reviewed in the United States on September 2, 2025
J
Verified Purchase
Jonnie Sparko
New York, US
★★★★★ 5
An Epic tale and more...
Format: Paperback
I couldn't be happier with this book. Not only does this carry the cosmic Spidey issues that crossed over through the three Spidey books of the time, Amazing, Spectacular, and Web of Spider-Man, but also the 1990 annuals of each book, which had our hero shrunken down to the size of an insect and smaller, fighting alongside Ant-Man against would be technology thieves and then through the Microverse. We have the full annuals so there's even stories featuring Mary Jane, Aunt May, and others in the Spidey universe. With the inclusion of the Punisher and Venom Amazing Spider-Man issues, it almost feels like three trades in one thick book of Spidey goodness. The art is fantastic also. From Sal Buscema's underrated Spectacular series, to Erik Larsen's Amazing series, and even Todd McFarlane's last Amazing Spider-Man issue where Spidey punches The Hulk so hard, he leaves him orbiting Earth! While this book has several writers and various other artists, I still find this to be a cohesive collection well worth the price of admission.
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Reviewed in the United States on December 12, 2013
A
Verified Purchase
Adam Graham
Lexington, US
★★★★★ 4
Spidey SMASHES Hulk
Format: Paperback
This book presents nearly 500 pages of Spidey Comics from 1989-90, Collecting Amazing Spider-man 326-333 and Annual #24, Spectacular Spider-man 158-160 and Annual #10, and Web of Spider-man 59-61 and Annual #6. The big event of this comic ties into the much larger Acts of Vengeance story arc. Several supervillains team together, realizing that they've been losing to the same people for 25-30 years. They come up with the idea of trading and going after each other's enemies, thinking that the heroes will not know how to react. (Apparently, it never occurs to them that they will also not really be able to respond to the heroes techniques.) Because Spidey at that point had three magazines a month, that met he'd be hit with three times the rivals. But after serving the first attack of Graviton, Spidey has an accident that ramps up his powers and makes all attacks on him go very badly for the villain with one villain even getting accidentally killed in the process. I have to admit that there was something wonderfully pleasing about Spidey knocking around the likes of Magneto and the Hulk like they were rag dolls. Seriously, the first nine issues in this book, are Spidey kicking one threat after another as he has power on par with the Silver Surfer. We don't learn until the last issue the real reason for the power and longtime readers had to be scared that this was another alien costume, and in a way it was, but if this was like the symbiote, it was a good force that bestowed the uni-power when it was needed. The whole thing has a pretty satisfying ending. Probably my chief complaint with this book is that the true core of the Cosmic Power ends on page 210, really, AS #329-333 have nothing to do with the Cosmic Powers story and the Annuals are very vaguely related. AS #329 and 330 is a somewhat violent (but not overly so by today's standards) crossover with the Punisher battling drug cartels and a US government plot to smuggle drugs. The story has some serious moments but ends with one of the goofiest concepts in comics ("Cocaine Standard" 'nuff said). Issues #331-333 is solid story of Eddie Brock/Venom escaping prison and it's interesting in its own right. There's a three part story spread across all three annuals in which Spider-man is shrinking. At first in the Amazing Spider-man Annual, it looks like it's because of inhaling Ant Man's shrinking gas but it's not that at all as we find out in the other two annuals. The story is decent enough, though Marvel's decision to make people buy all three annuals back in 1990 was somewhat chintzy, though defensible since the story runs 70 pages. For 70 pages, it was good but not great. However, Marvel actually reprinted everything in the annuals which is a bit of a mixed bag for readers. On one hand, you get the full Annuals with all the extras. On the other, it breaks up the "Spidey's Totally Tiny Adventure Story" and you get a very mixed bag of extras. My thoughts: "The Mercy Bomb"-A story told in part by Spider-man co-creator Steve Ditko. Seemed to have an anti-war message but didn't tie into anything and was just blah. Grade: D "A Time to Choose/The Choice":Whatever can be said for spreading the 70 page Spider-man story across three annuals. There was really no reason to break this story of a reformed Sandman facing a tough choice when he's offered a chance to go back to the old life of crime by the Trapster and the Wizard. It's an okay story but seems a little forced. Grade: C+ "Pete and MJ's New Pad"-After the loss of their condo to an unethical real estate developer, Pete and MJ moved into a new apartment. This special feature took a look at the apartment revealing that it's an average apartment with nothing interesting in it. Grade: D "Amazing Fantasy"- A not so Amazing dream sequence filler. Grade: F "Pale Reflection"- Former Spider-man villain Hobie Brown goes on a job and learns that he can get beat up. Really? Grade: D- "What I Did on My Summer Vacation"-A ten page story featuring juvenile delinquent turned crimefighter Rocket Racer, who'd appear in Spider-man: TAS. An okay but not great story. Grade: B "Sales Day for a Shootout:" Aunt May helps the Punisher kill terrorists. Actually surprised at how positively the Punisher was portrayed in this. Grade: B+ "Eleven Angry Men and One Angry Woman:" This take on Twelve Angry men as Mary Jane as the only hold out on a jury ready to acquit a defendant who claims Spider-man was a thief. There's some humor and a little bit of poignancy. Of course, the wife of Spider-man shouldn't be on this jury but it was a fun story. Grade: A- "Child Star"-One of the weirder stories in here involves a two year old getting the unipower that Spidey had because a couple summoned demons to help play the stock market. Grade: D The book ends with material from the first Trade Paperback printing of the main 9 issue Cosmic story which means that you get to find out the background of the book after it's over. In addition, there's a lot of ongoing plots in this book that were dropped into the middle of because of comic continuity. Joe Robinson is in jail and we really don't know why. Aunt May's friend Nathan is dying but we don't know when she met him or how deep their friendship is. The Black Cat begins to get, well catty, about Peter having married Mary Jane and threatens to break Flash Thompson's (now Peter's best friend) heart out of spite. However, this is just the nature of jumping into an ongoing comic book story. That said, with all the things I've mentioned, I can't bring myself to rate this less than 4 stars. The core material is awesome and so are most of the actual Spidey stories outside of it, despite the uneven nature of the non-Spidey stories. What's particularly pleasing is seeing the Parker-Watson marriage for fans of that relationship that was abandoned with One More Day. It's not a perfect marriage, but it's clear that it's a positive in Peter's life and it's written way that's not glamorized but is appealing. If you can take the book's hiccups, this is a good book for teenagers and adults.
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Reviewed in the United States on April 21, 2014

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