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Locks, Damon - List of Demands - New LPWho can see the shapes and colors as they are? (Isnt It Beautiful) List of Demands by Damon Locks List of Demands, Damon Lockss first foray into creating an entire album from spoken and text based work, finds the Chicago based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite sized Nikki Giovanni meets MF DOOM
Who can see the shapes and colors as they are?
(“Isn’t It Beautiful”)
List of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.
The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.
(“Isn’t It Beautiful”)
List of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.
The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.
List of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition called Beautiful Diaspora / You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”
After the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist / drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most "Damon Locks" Damon Locks record to date.
His depth of experience as a mic controller is certainly on display here, but his signature vocal rhythms seem to permeate the sample choices as well. Locks’s always notable great taste, informed by years of digging in the crates, certainly brings with it a penchant for top-notch sample construction. The unsung crate-digging heroes, though, are the ones whose knowledge extends to the unclassifiable sections. The bins below the bins. These are the people who leave the shop with a stack of sermons, obscure radio broadcasts from now-defunct stations, crumbling documents of a past which remains relevant, disappearing voices for those with ears to hear. Locks has those ears, no doubt, and he definitely has those records. List of Demands utilizes samples of these Black voices of the past in a strikingly rhythmic way, often yielding much of the meter to overlapping human vocal patterns rather than entirely filling that space with traditionally “musical” sounds. The result is a sort of multifaceted, groove-focused body music executed with enough finesse to make a complicated concept seem easy.
This is our list of demands: Beauty, Form, Destiny, Love, Time, Future, and Light
The title, List of Demands, is influenced by Locks’s work in Stateville Correctional Center with the Prison + Neighborhood Arts/Education Project. “In the summer of 2023 I taught a class where we developed a document that stated the desires of the incarcerated artists in the group,” he says. The group spent a summer session creating what would become the Artist Constitution, a document in which their beliefs, aspirations, and demands could be compiled, which would in turn be distributed outside the prison walls. A poster of that document is included in the vinyl edition of List of Demands.
“List of Demands is not just my list,” says Locks. “The list is in conveyance, in response, and in honor of all of those great Black speakers that turned a phrase to generate movement and change. It owes as much to Rammellzee, Fred Moten and Sun Ra’s oratory excellence as it does to Kwame Ture/Stokely Carmichael, and Angela Davis, to Michael Smith and Linton Kwesi Johnson (across the pond), to Ruby Dee’s spoken recordings, and to others too numerous to mention.”
After the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist / drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most "Damon Locks" Damon Locks record to date.
His depth of experience as a mic controller is certainly on display here, but his signature vocal rhythms seem to permeate the sample choices as well. Locks’s always notable great taste, informed by years of digging in the crates, certainly brings with it a penchant for top-notch sample construction. The unsung crate-digging heroes, though, are the ones whose knowledge extends to the unclassifiable sections. The bins below the bins. These are the people who leave the shop with a stack of sermons, obscure radio broadcasts from now-defunct stations, crumbling documents of a past which remains relevant, disappearing voices for those with ears to hear. Locks has those ears, no doubt, and he definitely has those records. List of Demands utilizes samples of these Black voices of the past in a strikingly rhythmic way, often yielding much of the meter to overlapping human vocal patterns rather than entirely filling that space with traditionally “musical” sounds. The result is a sort of multifaceted, groove-focused body music executed with enough finesse to make a complicated concept seem easy.
This is our list of demands: Beauty, Form, Destiny, Love, Time, Future, and Light
The title, List of Demands, is influenced by Locks’s work in Stateville Correctional Center with the Prison + Neighborhood Arts/Education Project. “In the summer of 2023 I taught a class where we developed a document that stated the desires of the incarcerated artists in the group,” he says. The group spent a summer session creating what would become the Artist Constitution, a document in which their beliefs, aspirations, and demands could be compiled, which would in turn be distributed outside the prison walls. A poster of that document is included in the vinyl edition of List of Demands.
“List of Demands is not just my list,” says Locks. “The list is in conveyance, in response, and in honor of all of those great Black speakers that turned a phrase to generate movement and change. It owes as much to Rammellzee, Fred Moten and Sun Ra’s oratory excellence as it does to Kwame Ture/Stokely Carmichael, and Angela Davis, to Michael Smith and Linton Kwesi Johnson (across the pond), to Ruby Dee’s spoken recordings, and to others too numerous to mention.”
released January 31, 2025
All songs/lyrics by DAMON LOCKS
except "High Priestess" lyrics by KRISTA FRANKLIN
players:
DAMON LOCKS - voice & electronics
KRISTA FRANKLIN - voice on "High Priestess"
RALPH DARDEN - drums on "Isn't It Beautiful" & turntables on "Meteors of Fear"
BEN LAMAR GAY - cornet on "Holding the Dawn in Place" & melodica on "Click"
MACIE STEWART - violin on "Distance" & "Isn't It Beautiful"
Recorded by:
ALEX INGLIZIAN at Experimental Sound Studio
and DAVE VETTRAINO at International Anthem Studios
Mixed by:
DAVE VETTRAINO at International Anthem Studios
Mastered by:
DAVID ALLEN
Cover Art by:
DAMON LOCKS
All songs/lyrics by DAMON LOCKS
except "High Priestess" lyrics by KRISTA FRANKLIN
players:
DAMON LOCKS - voice & electronics
KRISTA FRANKLIN - voice on "High Priestess"
RALPH DARDEN - drums on "Isn't It Beautiful" & turntables on "Meteors of Fear"
BEN LAMAR GAY - cornet on "Holding the Dawn in Place" & melodica on "Click"
MACIE STEWART - violin on "Distance" & "Isn't It Beautiful"
Recorded by:
ALEX INGLIZIAN at Experimental Sound Studio
and DAVE VETTRAINO at International Anthem Studios
Mixed by:
DAVE VETTRAINO at International Anthem Studios
Mastered by:
DAVID ALLEN
Cover Art by:
DAMON LOCKS
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4.0 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 5
Great sock liners
Size: Medium, Color: (001) Black / Black / Pitch Gray
Awesome socks. Has little gel pad on top of heel for no slip. Thin and comfortable. Previously Purchased at Nordstrom rack and no longer in stock. Happy to find here
Note: Will shrink a little best to air dry
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 16, 2026
★★★★★ 5
Very good product
Size: Medium, Color: (001) Black / Black / Pitch Gray
I purchased these to wear inside lowcut slip on casual shoes, I don't particularly like to not wear socks in my shoes for hygienic reasons. Prior to purchasing these socks, all I could find were those made of very light beige hosiery type material , and my slip on shoes would slide around a bit. These are light weight and breathable athletic type material, with a very good gripper strip at the heel. One pair of my slip on casual shoes have a particularly lower cut in the toe area, but the shoe is black and I chose the black color and though I see a hint of the sock there, it matches and does not detract from the look of the casual solid black shoe
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2026
★★★★★ 5
They stay out! No more sock wads!
Size: Medium, Color: (100) White / White / Mod Gray
Best no show socks ever made!!!!! I've been struggling for 2 years to find ones that actually stay on your foot, even other national brands, and I just became content wearing my sneakers without socks. They ALWAYS slid down into my show & I ended up walking on a wad of sock until I could fix it...or usually just took them off after a couple of tries. Enter Under Armor!!! They a mid weight, but not very thick & still breathable. They work too by actually staying on your foot! Not once have they slid down into my show!! Very comfortable but they could be a little more affordable.
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Reviewed in the United States on August 1, 2025
★★★★★ 5
Love!
Size: Large, Color: (100) White / White / Mod Gray
Ive tried so many no show socks but I love these. This is the 3rd set I've bought. They never slip off and the material is thin and breathable. Perfect for working out.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 2, 2026
★★★★★ 5
True no-show socks that don’t slide down!
Size: Medium, Color: (100) White / White / Mod Gray, Size: Medium, Color: (100) White / White / Mod Gray
This is the first pair of no-show socks I’ve tried that actually don’t slide down into my shoes. Trust me… I have tried lots of different pairs and this is the one! They fit perfectly. They’re not too thick and they’re obviously durable because I wash them after each wear, so daily.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 21, 2026
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