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從前從前，有個好萊塢【鬼才導演昆汀．塔倫提諾第一部小說，空降《紐約時報》暢銷榜Top1】

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從前從前，有個好萊塢【鬼才導演昆汀．塔倫提諾第一部小說，空降《紐約時報》暢銷榜Top1】( Quentin Tarantino) 100%2231#1#1#1Booklist19601969 1. B2.3.4. Reservoir DogsPulp FictionJackie Brown 12Kill Bill Vol. 1, Vol. 2 B Death ProofInglourious BasterdsDjango UnchainedThe Hateful Eight BAFTAS Cinema Speculation

作者： 昆汀・塔倫提諾 ( Quentin Tarantino) | 譯者： 汪冠岐

鬼才導演昆汀．塔倫提諾

寫給好萊塢電影的一封「昆汀式」情書。

更多角色背景故事、更多額外場景，完整表現對電影的龐大知識與熱愛！

細數好萊塢黃金年代的精彩瑣事，致敬在電影娛樂聖堂沉浮的美麗人們。

金球獎最佳電影《從前，有個好萊塢》同名小說！

一樁以童話故事包裝的駭人血案，

100%昆汀風格的「導演加長版」紙上劇場。

鬼才導演昆汀．塔倫提諾

寫給好萊塢電影的一封「昆汀式」情書。

更多角色背景故事、更多額外場景，完整表現對電影的龐大知識與熱愛！

細數好萊塢黃金年代的精彩瑣事，致敬在電影娛樂聖堂沉浮的美麗人們。

◎出版前即授權22國語言版本，至今賣出31國版權

◎《紐約時報》暢銷紙本和電子書總合#1，佔據暢銷榜十二週

◎美國獨立書商協會暢銷小說#1

◎美國亞馬遜暢銷小說#1

◎《今日美國》暢銷小說

◎英國亞馬遜暢銷小說

◎英國《泰晤士報》暢銷小說

◎英國《愛爾蘭時報》暢銷小說

◎德國《明鏡周刊》暢銷小說

「閱讀時，如果想像電影版的卡司搬演小說情節，也能獲得立體紮實的閱讀經驗，更加吸引讀者對照電影和小說。但這本小說也自成一部文學作品，就算沒有電影，依舊能以自身敏銳的眼光和熱切的感染力擄獲讀者的心。」——《書單》（Booklist）

◆

1960年代的好萊塢，

才華洋溢與危險張狂之人都來到這裡……

從嬉皮文化、曼森家族，到波蘭斯基家族血案，

透過虛實交錯的人物與事件，深入好萊塢的核心，

呈現電影無法展現的更多內幕故事。

故事從1969年瞬息萬變的洛杉磯展開……

瑞克．達爾頓（李奧納多．狄卡皮歐 飾演），曾是黃金時段電視劇的主角，現在是用威士忌淹沒自己的過氣演員，淪為每週單元劇裡慘遭痛扁的萬年反派，但他仍積極尋求自己事業的第二春……

克里夫．布茲（布萊德．彼特 飾演），瑞克專屬的特技替身，二戰時的戰爭英雄，本是業界一流幕後人員，卻因殺妻傳聞被封殺，成為片場最聲名狼藉的人物。他與瑞克建立起舊時代的好萊塢兄弟情誼，職業生涯緊緊相扣。

莎朗．蒂（瑪格．羅比 飾演），從德州前往好萊塢追求明星夢、也如願夢想成真的年輕女孩。她和導演羅曼．波蘭斯基結婚後，成為好萊塢的金童玉女……

查爾斯．曼森（戴蒙．賀里曼 飾演），帶著夢想前來洛杉磯，尋求一紙唱片合約……出獄後的他，打著愛與和平的旗幟，以片場作為傳教基地，成為一群嗑藥嬉皮的精神領袖。在他的操控下，「曼森家族」將為好萊塢帶來一連串的血腥暴力。

【本書特色】

1. 在同樣的事件結構下，補充了大量歐美娛樂業歷史細節

＊例如特技演員圈俗稱的「打手」行當如何運作。同時還原當時流行文化氛圍，包括老式的美國B級電影、義大利式西部片、李小龍的武術、流行音樂、嬉皮文化等。

2.業界專業人士撰寫的影視拍攝現場終極紀實

＊關於選角、練習對白、化妝設定造型、導演說戲、對戲演員交流、開機拍攝等等皆有著墨，可說是一部瞭解影視業界的內幕小說。

3.詳細交代電影裡沒演出來的角色個人史及內心活動

＊例如克里夫的從軍經歷與退役後幾次「殺人卻逃過制裁」的事件，以及熱愛看電影的他對各種影片的褒貶評價；瑞克和小演員第一次見面時內心的各種吐槽，以及他從小就大量閱讀西部題材通俗平裝小說的細節。

4.以「昆汀式」手法，巧妙結合虛構人物與真實事件

＊文字版的黑色幽默＋殘酷暴力＋瑣碎但有趣的各種細節！讀者可以透過近五百個譯註，在進入昆汀虛構故事的同時，一併掌握好萊塢文化與歷史脈絡。​

作者簡介
昆汀．塔倫提諾

一九六三年出生於美國田納西州的諾克斯維爾。他是同輩影人中，最負盛名的導演之一，以鮮活豐沛的創造力、層層疊疊的多線敘事著稱。

他於一九九二年初執導演筒，首部劇情長片《霸道橫行》（Reservoir Dogs）一鳴驚人。接著，他執導了《黑色追緝令》（Pulp Fiction），不僅參與編劇，也客串一腳。這部片不僅成為他最受歡迎的作品之一，也讓他拿下第一座奧斯卡最佳原著劇本獎。繼頗負盛名的犯罪喜劇《黑色終結令》（Jackie Brown）、復仇動作片《追殺比爾 1、2》（Kill Bill Vol.1, Vol.2），以及向 B 級片致敬的《不死殺陣》（Death Proof）之後，塔倫提諾接著推出二戰史詩巨作《惡棍特工》（Inglourious Basterds）、觸碰蓄奴問題的「南方」片《決殺令》（Django Unchained，拿下第二座奧斯卡最佳原創劇本獎），以及融合密閉空間槍戰與美國內戰歷史的西部片《八惡人》（The Hateful Eight）。

塔倫提諾最新電影力作《從前，有個好萊塢》更榮獲五項金球獎提名，拿下最佳劇本、最佳男配角、音樂及喜劇類最佳影片三項大獎；提名十項英國影藝學院獎（BAFTAS），拿下最佳男配角；提名十項奧斯卡金像獎，榮獲最佳男配角、最佳美術設計獎。

他至今編導了九部劇情長片，榮獲兩座奧斯卡最佳原創劇本獎。著有小說《從前從前，有個好萊塢》。《思索電影》（Cinema Speculation，暫譯）是他第一部非小說著作。

譯者
汪冠岐

台大翻譯所畢業，譯作有《文案大師教你精準勸敗術》、《讀心：我們因此理解或誤判他人意圖的心智理論》；另有合譯作品《人物的解剖》、《暴力鬼才昆汀‧塔倫提諾》、《視覺系天才魏斯‧安德森》、《多面英雄凱因斯》。

 

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4.1 ★★★★★
Based on 12 reviews
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J
Verified Purchase
J
Boise, US
★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 3, 2025
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Verified Purchase
Divan
Pawtucket, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
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David Bankston
Carnegie, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
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Reviewed in the United States on November 3, 2000
J
Verified Purchase
Jav M
Whiting, US
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
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Reviewed in the United States on August 1, 2024
A
Verified Purchase
anonymous name
Carnegie, US
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 27, 2001

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