張東君
科普作家、推理評論家、也從事口譯和筆譯。第五屆吳大猷科學普及著作獎少年組特別獎翻譯類得主、第四十屆金鼎獎兒童及少年圖書類得主。
著譯作有《動物勉強學堂》、《象什麼》、《小鴨鴨溪游記》、《蝌蚪答人》、《青蛙歌神》、《爸爸是海洋魚類生態學家》、《是誰把驢子變斑馬》、《大象林旺是怎麼到動物園》、《動物數隻數隻》、《屁屁偵探》系列、《里山的一年》等近300本，目標為「著作等歲數，譯作等公車」。
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Description
屁屁丹迪 06 來去恐龍島！ (Troll): Troll : : 900 9 ABC Troll 2 012024 1 022024 1 032024 3 042024 3 052024 4 062024 5 07 6 Troll Troll19761981 Robinson Haruhara 1986 Akihiro Kikuchi 1967 300
作者: Troll / 春原ロビンソン | 繪者: 菊池晃弘 | 譯者: 張東君
「屁屁偵探」團隊全新系列，屁屁丹迪大冒險第六彈！
超人氣！
系列累計突破900萬冊的《屁屁偵探》，誕生了新的故事！
主角正是屁屁偵探的爸爸──年輕時的丹迪！
【恐龍不是滅絕了嗎！？】
從前從前……
屁屁丹迪與助手黑黑前往
能夠挖到許多恐龍化石聞名的「斯畢爾島」，
要去拜訪研究恐龍的專家──茱莉博士。
沒想到，在那裡迎接他們的不是寶藏，
而是真正的恐龍……！？
對於這次緊張與刺激程度激增的冒險任務，
屁屁丹迪能否順利解決呢？
本集收錄：
〈來去恐龍島！〉、〈前往尾巴山〉、〈黑黑的願望〉、〈被破壞的研究室〉等四篇。
現在，跟著屁屁丹迪一起前往恐龍世界冒險吧！
【角色介紹】
★屁屁丹迪
在「海的那一邊博物館」工作，
不論何時何地都很帥氣的冒險家，
無法拒絕女性的請求。
最喜歡的食物是地瓜片及加糖的罐裝咖啡。
口頭禪是「這才是紳士的行為」。
★黑黑
屁屁丹迪的助手，喜歡閱讀，是一位歷史狂熱者。
知識豐富但行動力差，雖然聰明卻很膽小。
★茱莉博士
稍微有點粗心的恐龍博士。
★拉席克
協助茱莉博士的可靠助手。
還有這些遊戲可以玩：
★找一找：
尋找屁屁共9篇
尋找花嘴鴨家的七姊妹
拼回撕破的紙片．破解上面的謎題
找出開啟遺跡大門的暗號
購物清單的紙條謎題
★迷宮：
逃離恐龍迷宮
森林迷宮
選擇ABC路線的森林迷宮
遺跡迷宮
穿越海洋迷宮
穿越亂糟糟的研究室
★隱藏版遊戲
翻開書衣，還有「黑黑的恐龍研究筆記」可以玩！
系列特色
★由《屁屁偵探》作者Troll與製作團隊全新打造的冒險故事，結合分析、推理、邏輯推演、記憶與觀察等挑戰。故事對白生動有趣，寓教於樂。
★《屁屁丹迪》是漫畫形式，以冒險故事為架構，融入推理的益智遊戲等內容。有注音，小學低年級也可自行閱讀。
★第2集起的書衣裡，特別收錄「眼力大考驗、著色、科普知識介紹」等延伸內容，益智有趣。
★內頁採用日本進口映畫紙，紙面色澤柔和、印刷效果細緻，提升閱讀舒適度。
★每集隨書附贈「角色收藏卡」，享受收藏與收集的樂趣！
【閱讀屁屁丹迪，收穫無限】
★提升閱讀理解力：漫畫集合了文字、圖像、顏色、空間概念、分鏡構圖等內容，有助於提升孩子的閱讀理解力。
★訓練感知與共情力：漫畫中誇張的聲音特效、肢體動作和臉部表情，更能引起孩子的專注力與興趣，同時也藉由故事中人物的情緒轉變，培養共情力。
★訓練邏輯與推理能力：透過劇情中尋找線索、解謎以及益智遊戲等設計，讓孩子在閱讀過程中動動腦，進一步延伸思考。
【屁屁丹迪系列作品】
屁屁丹迪01：寶藏就交給我吧！（2024/1月上市）
屁屁丹迪02：尋找海盜祕寶！（2024/1月上市）
屁屁丹迪03：鬼屋之謎！（2024/3月上市）
屁屁丹迪04：尋龍之路！（2024/3月上市）
屁屁丹迪05：白雲王國大冒險！（2024/4月上市）
屁屁丹迪06：來去恐龍島！（2024/5月上市）
屁屁丹迪07：阿拉丁與神燈！
每一本也都噗噗的～真是令人期待啊！
※適讀年齡：6歲以上
※有注音
作者
Troll （トロル）
【原案、監修】
Troll是田中陽子（1976年出生）及深澤將秀（1981年出生）的作家搭檔。
代表作有《屁屁偵探》系列（遠流）、《鬼島馬拉松》（我家）等。
春原ロビンソン（Robinson Haruhara ）
【原作、結構】
1986年出生。漫畫家、漫畫原作者。
為二個小孩的爸爸，主要的代表作有《戰勇》（集英社）等多數的作品。
繪者
菊池晃弘（Akihiro Kikuchi）
【繪圖】
出生於1967年。漫畫家、插畫家。
代表作有《魔物獵人漫畫暖呼呼艾路村》（集英社）、《魔屁男孩》（集英社）等。
譯者
Troll （トロル）
【原案、監修】
Troll是田中陽子（1976年出生）及深澤將秀（1981年出生）的作家搭檔。
代表作有《屁屁偵探》系列（遠流）、《鬼島馬拉松》（我家）等。
春原ロビンソン（Robinson Haruhara ）
【原作、結構】
1986年出生。漫畫家、漫畫原作者。
為二個小孩的爸爸，主要的代表作有《戰勇》（集英社）等多數的作品。
繪者
菊池晃弘（Akihiro Kikuchi）
【繪圖】
出生於1967年。漫畫家、插畫家。
代表作有《魔物獵人漫畫暖呼呼艾路村》（集英社）、《魔屁男孩》（集英社）等。
譯者
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4.2 ★★★★★
Based on 23 reviews
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★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
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Reviewed in the United States on March 3, 2025
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy.
It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this,
"When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair."
Here is Hafiz's breathtaking yet practical image of unconditional love,
"Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky."
In GREETING GOD Hafiz exquisitely describes spiritual longing this way,
". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz."
I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT.
I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz."
Many blessings
David Bankston, DMA
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Reviewed in the United States on November 3, 2000
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
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Reviewed in the United States on August 1, 2024
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
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Reviewed in the United States on July 27, 2001