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Description
Warm Audio CENTAVO Overdrive PedalThe Centavo Overdrive Pedal from Warm Audio has been painstakingly engineered to faithfully recreate the highly sought after tones of the vintage Klon Centaur Professional Overdrive pedal in production during the 1990s and prized by players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme. The flexible Centavo is terrific as a boost pedal. Dial in a little gain for a clean boost, or crank up the treble for edge of breakup and biting overdriven
The Centavo Overdrive Pedal from Warm Audio has been painstakingly engineered to faithfully recreate the highly sought after tones of the vintage Klon Centaur Professional Overdrive pedal in production during the 1990s and prized by players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme. The flexible Centavo is terrific as a boost pedal. Dial in a little gain for a clean boost, or crank up the treble for edge-of-breakup and biting overdriven tones.
The custom-molded champagne-gold chassis offers Gain, Treble, and Output controls on the front panel, along with a Mod switch on the back that engages the Jeff Beck Mod, which changes the value on the high-pass filter to provide an extended low-end response from the guitar's lower strings.
Features
- Faithful recreation of the original Klon Centaur circuit
- Premium components including TL072 op-amps, vintage-style diodes, and charge-pump regulator
- Buffered bypass operation
- MOD switch on rear for extended low-end response
- Custom-cast golden enclosure with accurately tapered oxblood knobs
- 1/4" instrument input (Inst) and amp output (Amp) jacks
- Powered by 9V battery or standard 9 VDC pedal adapter
Main Uses
- Clean Boost
- With the Gain down and the Output up, the pedal acts like a clean boost that adds a little bite to the channel as you increase the Gain; this was a very popular use for the original Klon Centaur pedal.
- Drive Dirt
- The original pedal is also well known as a great pedal to add in front of a dirty channel, whether used with a British (think Marshall) or American (Boogie) amp. Unlike the clean boost settings, players often engage the gain more here, so it hits the channel extra hard, with overdrive coming from the pedal.
- Transparent Overdrive
- If you want to take a channel to a nice transparent overdrive sound for rhythms or gritty solos over clean parts, the Gain knob has a lot on tap and offers a wide range of usable saturation while keeping the character of the amp and guitar well preserved.
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4.8 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 4
Demon does an Anthony Bordain
Format: Paperback
Simple, fun read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 13, 2024
★★★★★ 3
Your milage will vary
Format: Paperback
Some great ideas in this story but it didn't really work for me. But I know others have loved it..
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Reviewed in the United States on November 14, 2025
★★★★★ 2
The hype it did not live up to
Format: Paperback
I guess I expected more. I found it kind of boring and un inspiring. I enjoyed the food twist and even the characters, but it was very underwhelming. and I'm sorry about this review, because I really really wanted to love it.
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Reviewed in the United States on March 30, 2025
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information.
The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog.
Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath."
At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
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Reviewed in the United States on January 12, 2026
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