![Various Artists – SENZA DECORO (MEHMET ASLAN PRESENTS Switzerland 1980-1990) [IMPORT 2xLP] – New LP](https://cdn.shopify.com/s/files/1/0635/1427/files/a3230081006_16.jpg?v=1705917724)
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Various Artists – SENZA DECORO (MEHMET ASLAN PRESENTS Switzerland 1980-1990) [IMPORT 2xLP] – New LPDuring the mid 70s, Switzerland had embraced punk within its cities, informing the subsequent post punk era of the 1980s as music splintered into freeform musical strands across the whole of the country. It was to become one of the most innovative periods in Switzerlands modern day music history. During the mid 70s, Switzerland had embraced punk within its cities, informing the subsequent post punk era of the 1980s as music splintered into freeform
During the mid-‘70s, Switzerland had embraced punk within its cities, informing the subsequent post-punk era of the 1980s as music splintered into freeform musical strands across the whole of the country. It was to become one of the
most innovative periods in Switzerland’s modern day music history.
During the mid-‘70s, Switzerland had embraced punk within its cities, informing the subsequent post-punk era of the 1980s as music splintered into freeform musical strands across the whole of the country. It was to become one of the most innovative periods in Switzerland’s modern day music history. “It was like a wild laboratory for all forms of new and strange sounds, rackets and compositional experiments,” explains writer Lurker Grand, “accompanied and inspired by cutting- edge developments in electronic musical instruments. A broad, innovative scene developed and the four different language and cultural regions of Switzerland were no longer perceived to be an obstacle. There was a curiosity for the foreign and the strange. Conflicts for freedom and free spaces took place and this was reflected in the music.” It was unfiltered creativity and this free, non-commercial approach is a common denominator for the songs on this compilation. Many artists operated in their own universe; hardly any of the acts on this album actually met each other at the time. Only Liliput from Zürich achieved notable fame, building on the success of their previous incarnation as Kleenex
“It was like a wild laboratory for all forms of new and strange sounds, rackets and compositional experiments,” explains writer Lurker Grand, “accompanied and inspired by cutting- edge developments in electronic musical instruments. A broad, innovative scene developed and the four different language and cultural regions of Switzerland were no longer perceived to be an obstacle. There was a curiosity for the foreign and the strange. Conflicts for freedom and free spaces took place and this was reflected in the music.” It was unfiltered creativity and this free, non-commercial approach is a common denominator for the songs on this compilation. Many artists operated in their own universe; hardly any of the acts on this album actually met each other at the time. Only Liliput from Zürich achieved notable fame, building on the success of their previous incarnation as Kleenex
A1 Dr. Chattanooga & The Navarones – Kabyl Marabù
A2 Mittageisen - Anfang
A3 Elephant Château – Wir Fangen Mit Arbeit An
A4 UnknownmiX – Nightmare
B1 Aboriginal Voices – Le Jour L’Ennui
B2 Café Türk – Söyledir
B3 Lilliput – Boat-song
B4 Bells Of Kyoto – Asho II
C1 Schamanen Circel – Arbeiter (The Worker)
C2 El Deux - Gletscher (Mehmet Aslan Edit)
C3 KonX - …Basic Ground Without Voice… (Mehmet Aslan Edit)
C4 Jürg Nutz – Labyrinth
D1 Schaltkreis Wassermann – Arabesque
D2 Die Welttraumforscher – Mondfolklore
D3 Christine Scaller – L’Ombre Dorée du Scarabée Ble
During the mid-‘70s, Switzerland had embraced punk within its cities, informing the subsequent post-punk era of the 1980s as music splintered into freeform musical strands across the whole of the country. It was to become one of the most innovative periods in Switzerland’s modern day music history. “It was like a wild laboratory for all forms of new and strange sounds, rackets and compositional experiments,” explains writer Lurker Grand, “accompanied and inspired by cutting- edge developments in electronic musical instruments. A broad, innovative scene developed and the four different language and cultural regions of Switzerland were no longer perceived to be an obstacle. There was a curiosity for the foreign and the strange. Conflicts for freedom and free spaces took place and this was reflected in the music.” It was unfiltered creativity and this free, non-commercial approach is a common denominator for the songs on this compilation. Many artists operated in their own universe; hardly any of the acts on this album actually met each other at the time. Only Liliput from Zürich achieved notable fame, building on the success of their previous incarnation as Kleenex
“It was like a wild laboratory for all forms of new and strange sounds, rackets and compositional experiments,” explains writer Lurker Grand, “accompanied and inspired by cutting- edge developments in electronic musical instruments. A broad, innovative scene developed and the four different language and cultural regions of Switzerland were no longer perceived to be an obstacle. There was a curiosity for the foreign and the strange. Conflicts for freedom and free spaces took place and this was reflected in the music.” It was unfiltered creativity and this free, non-commercial approach is a common denominator for the songs on this compilation. Many artists operated in their own universe; hardly any of the acts on this album actually met each other at the time. Only Liliput from Zürich achieved notable fame, building on the success of their previous incarnation as Kleenex
A1 Dr. Chattanooga & The Navarones – Kabyl Marabù
A2 Mittageisen - Anfang
A3 Elephant Château – Wir Fangen Mit Arbeit An
A4 UnknownmiX – Nightmare
B1 Aboriginal Voices – Le Jour L’Ennui
B2 Café Türk – Söyledir
B3 Lilliput – Boat-song
B4 Bells Of Kyoto – Asho II
C1 Schamanen Circel – Arbeiter (The Worker)
C2 El Deux - Gletscher (Mehmet Aslan Edit)
C3 KonX - …Basic Ground Without Voice… (Mehmet Aslan Edit)
C4 Jürg Nutz – Labyrinth
D1 Schaltkreis Wassermann – Arabesque
D2 Die Welttraumforscher – Mondfolklore
D3 Christine Scaller – L’Ombre Dorée du Scarabée Ble
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★★★★★ 4
Greasy but light
It's very lightweight and is definitely hydrating
it's lightly greasy after its dry and it is not matte but has a dewy shine to it ,
I have tried many sunscreens and settled on this one as it just has a nicer feel to it and is easier to apply everyday, it goes on quickly and leaves no white streaks at all
Its more watery than thick
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Its convenient
Yet the bottle is small and last only about a 1 to 3 weeks depending how many times you use it
To bad
They DO NOT MAKE A BIGGER SIZE
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Reviewed in the United States on May 25, 2026
★★★★★ 5
Mi favorito de Amazon
Excelente protector lo ame
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Reviewed in the United States on June 7, 2026
★★★★★ 3
no mi favorito
No soy fan, está bien no deja la piel grasosa pero siento que tiene mucho alcohol porque me arden los ojos cuando lo uso no se
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Reviewed in the United States on May 28, 2026
★★★★★ 5
Hydrating sunscreen
This is a great sunscreen for dry sensitive skin, even combination skin specifically if you’re using acne products that can dry out your skin. My dermatologist recommended this to me due to my rosacea and dry flaky skin. It helped me maintain my skin moisturize during the day, also adds a healthy glow to the skin. It has a liquid consistency which I love cause it makes it so much easier to blend and absorbs faster into the skin. I wouldn’t recommend so much for oily skin though, it can make you look greasy really quick!!
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Reviewed in the United States on December 30, 2025
★★★★★ 5
Delicious flavors and reliable sun protection
Scent: Coconut, Banana, Watermelon, Size: 0.15 Ounce (Pack of 1)
These Sun Bum SPF 30 lip balms are perfect for anyone looking to protect their lips from the sun while keeping them smooth and moisturized. I appreciate that each tube in this variety pack provides broad spectrum SPF 30 protection with soothing aloe and vitamin E, which nourish my lips instead of just sitting on the surface. The coconut, banana, and watermelon flavors are deliciously tropical without being overly sweet, and the balm glides on easily without leaving a heavy or greasy feel. I also love that the formula is reef-friendly and free from harsh chemicals like oxybenzone and octinoxate, so I can use it confidently at the beach or on the slopes. Overall, this set has become my go-to for daily lip care and sun protection, and I would gladly reorder it or give it as a thoughtful gift to friends and family.
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Reviewed in the United States on April 7, 2026