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Description
Deadbeat: LPS 2002-2005 - VINYL LPTitle: LPS 2002 2005 Artist: Deadbeat Label: BLKRTZ Product Type: VINYL LP UPC: 880319684838 Genre: Pop Release Date: 2014 11 18 Number of Discs: 6 Deadbeat reissues the 2002 2005 albums in a deluxe vinyl box set. Featuring three classic albums that introduced his intimate brand of dub techno to the world. "Ever since launching his production career at the turn of the century, dub techno auteur Scott Monteith has been nothing if not deeply prolific.
Title: LPS 2002-2005Artist: Deadbeat
Label: BLKRTZ
Product Type: VINYL LP
UPC: 880319684838
Genre: Pop
Release Date: 2014-11-18
Number of Discs: 6
Deadbeat reissues the 2002-2005 albums in a deluxe vinyl box set. Featuring three classic albums that introduced his intimate brand of dub-techno to the world. "Ever since launching his production career at the turn of the century, dub-techno auteur Scott Monteith has been nothing if not deeply prolific. The Canadian-born, Berlin-based producer's nine Deadbeat albums and nearly two-dozen singles represent one of most prolific and consistently rewarding catalogs in the 21st century electronic music canon. Continuing the reissue campaign of his early output that began with 2001's Primordia (BLKRTZ 006 CD/LP), Monteith's BLKRTZ imprint now releases a massive 6-vinyl box set of his most iconic Montreal albums: 2002's Wild Life Documentaries, 2004's Something Borrowed, Something Blue, and 2005's New World Observer. Taken together, these three Montreal albums capture the Deadbeat project at it's most contemplative and intimate, as far from the club speakers as it would ever get and tuned inward instead. Released a year after moving to Montreal, the roots-reggae revisionisms of Wild Life Documentaries proved to be Monteith's international calling-card. The album pitted the Montreal producer alongside contemporaries such as Jan Jelinek and Kit Clayton. Two years later, Monteith returned with Something Borrowed, Something Blue, the most introspective album of the entire Deadbeat catalog, and also the album from this early period to attain the most critical acclaim. Monteith quickly turned the corner and released the bristling, politically-charged New World Observer album in 2005. a year later, the producer would make the move to Berlin, joining a generation of Canadian producers who'd launched careers to become frustrated with the limited growth potentials of the North American market at the time. Whereas his most recent BLKRTZ albums have been defined by Berlin's ever-morphing club culture, these long out-of-print early albums that first elevated the Deadbeat moniker to international recognition are reflective of another time, another place, and ultimately another context than the one familiar to a new generation of electronic-music listeners. There's a degree of depth and texture to these recordings that simply bypasses any notion of minimalism that was all the rage in discussions of the meeting ground between Kingston's dub low-ends and Berlin's fin-de-siecle avant-garde electronics. Looping repetitions swirling out ad infinitum are simply not part of the Deadbeat aesthetic at this juncture. Instead, the listener finds an inordinate amount of attention being placed on narrative and musical storytelling. These albums are dubby, yes, and not quite techno at all. There are refractions of Krush, Vibert, and Vadim-like trip-hop pacing at work here. There's the moodiness and syncopation of Warp-era IDM at work here, too. Micro-house collage techniques emerge in the sampling. All of this is to say that, in hindsight, the Deadbeat at work on these three albums is a synthesist, not a purist. His vision of dub-techno was less keen on sonic formula and more open to narrative concept than the standards set by the pioneering dub-techno of the mid- to late-'90s. Removed from the timeline that defined them within the footsteps of dub techno, listeners shouldn't be surprised if they hear something altogether different at work here." - Dmitri Nasrallah.
Tracks:
1.1 Open My Eyes That I May See
1.2 Organ in the Attic Sings the Blues
1.3 For Palestine
1.4 For Israel (Jaffa Revisited)
1.5 Let It Rain
1.6 Cause for Hope
1.7 To Berlin with Love
1.8 A Dub for Akufen
1.9 When First You Gave Me Shivers
1.10 Kezia
2.1 A Brief Explanation
2.2 Head Over Heels
2.3 White Out
2.4 Requiem
2.5 Steady As a Rock
2.6 Fixed Elections
2.7 A Joyful Noise (Part 1)
2.8 A Joyful Noise (Part 2)
2.9 Quitting Time
2.10 Portable Memory (The Final Cut)
3.1 Slow Rot from Rhetoric
3.2 Port-Au-Prince
3.3 N'importe Quoi
3.4 Abu Ghraib
3.5 Texas Tea
3.6 O Little Town of Bethlehem
3.7 Time Is Passing Slowly
3.8 Rock of Ages
3.9 Ruination
3.10 Habitat for Heavy Hearts
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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Product Reviews
★★★★★ 5
Great umbrella for price
Color: Navy, Size: 10 Foot
Great price, seems durable, fast shipped
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Reviewed in the United States on April 23, 2026
★★★★★ 5
Color was great
Color: Tan, Size: 9 Foot
Perfect patio umbrella, price was fantastic.
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Reviewed in the United States on January 18, 2026
★★★★★ 5
Easy to use
Color: Navy, Size: 10 Foot, Color: Navy, Size: 10 Foot
Easy setup and easy use, cranks open very smoothly with no trouble. The fabric is opaque (not light filtering) and sturdy with edges sewn to last. This umbrella provides ample shade and sun protection. It works great and is pretty much as expected. I do find the tilt feature a tad tricky sometimes, maybe becsuse I’ve got smaller hands idk, but other than that it’s great.
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Reviewed in the United States on May 21, 2026
★★★★★ 4
Budget Baddie...
Color: Tan, Size: 9 Foot
This is a quality/durable self driven (me) beast of an umbrella replacement...It has good color and we chose the Tan 9ft. Easy usage for its weight class all while being budget friendly... atmospheric presence of richness & sturdiness, and very easy to open and close to adjust to this unit's comforts. I haven't put this umbrella out for the season as of yet... because the snow is still present on the grounds of New England! "WE WINN"
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Reviewed in the United States on March 23, 2026
★★★★★ 5
Beautiful and works great.
Color: Navy, Size: 10 Foot, Color: Navy, Size: 10 Foot
I decided to try this because my old umbrella had seen better days and it was time to replace it.
I am very pleased with the quality and the ease of assembly with this umbrella.
It’s very sturdy and I like the quality of the fabric and the metal. It’s very easy to open and close and it makes my patio look great.
It gives me the perfect amount of shade and the fabric thickness is perfect at keeping the harsh sunbeams from getting through.
I also think the price is great for what you get.
I would definitely recommend this umbrella because it’s made well and works well. It’s also very easy to clean. I just use my garden hose and spray it down and let it air dry.
It also fit perfectly in the stand I already had and it works great. I am very happy I got to try this out.
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Reviewed in the United States on March 10, 2026
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