SKU: 64257555341

DPA 4099-DP-1-201-B Condenser Clip-On Microphone For Double Bass

Sale price$413.10 Regular price$459.00
Save 10%

Pay in installments of $114.75 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 22 - Aug 27

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

DPA 4099-DP-1-201-B Condenser Clip-On Microphone For Double BassThis mic delivers pristine, natural and undistorted sound with exceptional isolation and off axis rejection for any live or studio setting. Fitted with MicroLock and a series of upgraded instrument clips, the 4099 CORE+ provides even better stability and flexibility on any type of instrument. You can buy a single 4099 alone or with a specific instrument clip, or you can choose a kit designed specifically for rock or classical applications. These kits

This mic delivers pristine, natural and undistorted sound with exceptional isolation and off-axis rejection for any live or studio setting. Fitted with MicroLock® and a series of upgraded instrument clips, the 4099 CORE+ provides even better stability and flexibility on any type of instrument.

You can buy a single 4099 alone or with a specific instrument clip, or you can choose a kit designed specifically for rock or classical applications. These kits come in 4-piece and 10-piece sets combined with the appropriate adapters, clips and cables that make it a breeze to set up your stage.

CORE+ captures an instrument’s true voice - picked up or amplified with DPA’s renowned authenticity. With CORE+ technology inside, the 4099 captures every nuance with pristine clarity, ensuring that the character of the instrument remains untouched, both on-axis and in the surrounding soundscape  (learn more about CORE+ here)

Well-balanced isolation – from surrounding instruments due to the supercardioid polar pattern and linear off-axis response

Lightweight, discreet design – ensures that the 4099 blends seamlessly into performances

Superior microphone suspension – from enhanced shock mount and microphone body design. Improves isolation from instrument vibrations and stage noise, ensuring a cleaner signal and a more homogenous sound

One microphone, ∞ possibilities – upgraded, flexible clip program ensures a secure, reliable fit while treating your instrument with the utmost care. Effortless to attach and adjust, yet firm and reliable in hold, this one microphone model can beautifully reinforce an entire orchestra

Reliable MicroLock® connector – detachable cable and connection with a wide range of wireless systems

One microphone, ∞ possibilities

From the piano to guitar; strings to woodwinds; brass to percussion, the 4099 Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.

DPA’s versatile and practical instrument clip system has been a key selling point since the launch of the original 4099 in 2008. The principle of attaching the clip to the gooseneck has proven highly effective in both classical and rock applications, offering secure and flexible mounting solutions. And now, we have enhanced the clip system – improving not only the acoustic performance of the microphone but also the security, reliability and efficiency of the mounting process. These refinements make it easier to close-mic instruments and adjust capsule positioning for optimal performance.

The most significant update is the introduction of a new gooseneck locking mechanism: the Gooseneck Mount (G-MOUNT). By integrating this new locking principle, we have streamlined the mounting process, ensuring greater stability, ease of use and precision of mic placement for musicians and audio professionals alike.

Features

  • CORE+ technology
  • High SPL handling
  • Wide dynamic range
  • Supercardioid pick up pattern
  • Superior gain before feedback
  • MicroLock® connector
  • IP58 certified
  • Advanced, flexible clip program

Specifications

  • Directional pattern: Supercardioid
  • Principle of operation: Pressure gradient
  • Cartridge type: Pre-polarized condenser
  • Frequency response: 20 Hz - 20 kHz
  • Effective frequency range ±2 dB, at 20 cm (7.9 in): 80 Hz - 17 kHz with 2 dB soft boost at 10-12 kHz
  • Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa
  • Equivalent noise level, A-weighted: Typ. 23 dB(A) re. 20 μPa (max. 26 dB(A))
  • Distortion, THD < 0.5%: 135 dB SPL RMS, 138 dB SPL peak
  • Distortion, THD < 1%: 138 dB SPL RMS, 141 dB SPL peak
  • Dynamic range: Typ. 118 dB
  • Max. SPL, THD 10%: 145 dB SPL peak
  • Rated output impedance: From MicroLock: 30 - 40 Ω. From DAD9099 or DAD9001: 100 Ω
  • Cable drive capability: Up to 300 m (984 ft) with DAD9001/DAD9099 XLR Adapter
  • Output balance principle: Signal balanced with DAD9099 or DAD9001 XLR Adapter
  • Common mode rejection ratio (CMRR): > 60 dB from 50 Hz to 15 kHz with DAD9099 or DAD9001 XLR Adapter
  • Power supply (for full performance):
  • For wireless systems Min. 5 V - max. 10 V through DPA adapter 
  • With DAD9001 or DAD9099: P48 (Phantom Power). Will work from 12 V
  • Current consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD9099 or DAD9001 XLR Adapter
  • Connector: MicroLock
  • Weight
  • Microphone: 18 g (0.63 oz)
  • Microphone Clip for Accordion (A-CLIP): 5 g (0.18 oz)
  • Clamp Mount Microphone Clip (CM-CLIP): 16 g (0.56 oz)
  • Microphone Stand Clip (MS-CLIP): 24 g (0.85 oz)
  • Microphone Clip for Piano (P-CLIP): 20 g (0.71 oz)
  • Universal Microphone Clip (U-CLIP): 15 g (0.53 oz)
  • Instrument Microphone Clip for Guitar (GC4099): 12 g (0.42 oz)
  • Instrument Microphone Clip for Sax and Trumpet (STC4099): 7 g (0.25 oz)
  • Instrument Microphone Clip for Violin and Mandolin (VC4099): 10 g (0.35 oz)
  • Instrument Microphone Clip for Bass (BC4099): 20 g (0.71 oz)
  • Microphone Clip for Cello (C-CLIP): 18 g (0.63 oz)
  • Microphone diameter: 5.7 mm (0.22 in)
  • Microphone length: 50 mm (1.97 in)
  • Cable length: 1.8 m (5.9 ft)
  • Cable diameter: 1.6 mm (0.06 in) / 2.2 mm (0.09 in)
  • Polarity: +V at MicroLock pin for positive sound pressure (and pin 2 on DAD9099 or DAD9001 XLR adapter)
  • Temperature range: -40°C to 45°C (-40°F to 113°F)
  • Relative humidity (RH): Up to 90%
  • Gooseneck length: 140 mm (5.5 in)
  • Sensitivity selection tolerance (at 1 kHz): ±1 dB
  • Color: Black
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 64257555341

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.2 ★★★★★
Based on 21 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
J
Verified Purchase
John M. DeMarco
Waukegan, US
★★★★★ 5
The REAL American History
Bearing 511 pages of text supported by nearly 70 pages of footnotes, Ibram X. Kendi’s Stamped From the Beginning (Bold Type Books, 2017) is, for me, not an “alternative” American history but THE American history. Kendi, founding director of the Boston University Center for Antiracism Research, makes a convincing argument—which he emphasizes in his other books and public speaking—that, contrary to conventional assumptions, racist policies drive racist thinking and not the other way around. And, Kendi adds, it’s economic, political, or cultural self interests that give birth to such policies and motivate their rejection when new circumstances demand it. In making his case, Kendi patiently and passionately traces the development, implementation, and adaptations of three racial dynamics across the history of the U.S.: 1. Segregation: Blaming Black people themselves for racial disparities, and therefore denying them the privileges 2. enjoyed by white Americans 3. Assimilation: Blaming Black people and racial discrimination for racial disparities, and demanding Black people change their behavior in order to experience less racism Antiracism: Pointing to racial discrimination and policies while defending Black people’s right to be themselves In addition, Kendi structures this narrative across five lengthy sections, each centered on the impact of a specific, influential “tour guide” and their contemporaries: 1. Cotton Mather, early America’s greatest preacher and intellectual, and a staunch promoter of racist policies and ideas 2. Thomas Jefferson, primary author of the Declaration of Independence, and America’s first Secretary of State, second Vice President, and third President, who held contradictory views amid incongruous political and personal actions 3. William Lloyd Garrison, an influential publisher who opposed slavery but embraced assimilationist ideas 4. W. E. B. DuBois, a towering Black intellectual who gradually shifted from assimilation to antiracism 5. Angela Davis, one of the best known Black scholars and antiracist activists still alive today When you’re done reading Stamped From the Beginning, you’ve gained a new framework for noticing and examining race and its interrelated justice issues. Current racial events take on a richer meaning, with their nuances and complexities more tangible than before. Other books on racial justice help to reinforce this framework and further develop a reader’s embryonic skills for noticing racism within themselves, others, policies, and systems—and doing something about it. To grow increasingly fluent in Black history is to awaken from the slumber of an incomplete, biased, and often false American narrative that’s been drilled into most of our minds since we were young children. Since racism remains very much alive today, waking up is crucial and, from my experience, invigorating and teeming with possibilities for a more purposeful life.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 15, 2020
R
Verified Purchase
Red-Haired Ash
Cuba, US
★★★★★ 5
This should be required reading for everyone..
Stamped From the Beginning discusses the history of racism and racist ideas in America. Kendi focuses on five main people who have made the biggest impact on racism and anti-racism in our history: Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois, and legendary activist Angela Davis. “When men oppress their fellow-men, the oppressor ever finds, in the character of the oppressed, a full justification for his oppression.” Douglass, amazingly, summed up the history of racist ideas in a single sentence.” - (Fredrick Douglass) This was an incredibly powerful and educational book. I knew going into this book that the United States education system has failed at teaching the history of slavery, emancipation, Jim Crow, and the continued struggle. But it still amazed me at how much it doesn’t teach. With every single chapter I learned new things that should have been taught to me in school. While this is a very large book filled with history, it was an easy read. Normally I would have read this book in a few days but instead I stretched it out over a month and a half. I read, reflected, took notes, did more research and I still know that I have a lot to learn. My book is now covered in sticky notes and I know I will be rereading this in the future because I know I missed stuff. “That is what it truly means to think as an antiracist: to think there is nothing wrong with Black people, to think that racial groups are equal. There are lazy and unwise and harmful individuals of African ancestry. There are lazy and unwise and harmful individuals of European ancestry. There are industrious and wise and harmless individuals of European ancestry. There are industrious and wise and harmless individuals of African ancestry. But no racial group has ever had a monopoly on any type of human trait or gene—not now, not ever.” This book changed the way I viewed the history of the United States. So much of this history has been glossed over by the education system, and other history books. This book should be required reading for everyone especially since the education system won’t teach us the true history of the United States. All I can say is, READ THIS BOOK!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 1, 2020
K
Verified Purchase
Kendra Lynn
Port Orchard, US
★★★★★ 5
Good Textbook
Format: Paperback
Good book. Slight tear to the cover but I just taped it. Worth it for the money I saved.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 4, 2026
B
Verified Purchase
Brody's mom
New York, US
★★★★★ 5
Delivered on time and in great condition
Format: Paperback
They delivered very quickly and book was in great condition. Thanks you!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 11, 2024
N
Verified Purchase
Naomi
Whiting, US
★★★★★ 5
Great book
Format: Paperback
I have to say this book really helped me through my course . I wish that they would have a book & workbook all in 1 . Great purchase ! Yes, it’s a little pricey but it was worth it in the end .
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 7, 2023

recommand products