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Description
Nathaniel Mary QuinnBy: Intended as a touchstone for all those interested in Nathaniel Mary Quinns work for years to come, this monograph, dedicated to the artist, encapsulates over ten years of paintings and works on paper, and provides multiple perspectives and insights into Quinns career to date. Archival photographs of the artist and his studio, offer a peak into Quinns working process and reference materials. With an introduction by Larry Gagosian, the book features
By:Intended as a touchstone for all those interested in Nathaniel Mary Quinn’s work for years to come, this monograph, dedicated to the artist, encapsulates over ten years of paintings and works on paper, and provides multiple perspectives and insights into Quinn’s career to date. Archival photographs of the artist and his studio, offer a peak into Quinn’s working process and reference materials. With an introduction by Larry Gagosian, the book features new texts by Dawn Ades and Andrew Winer. An in-depth interview between the artist and Sarah Elizabeth Lewis examines Quinn’s approach to his practice, his vision, and everything in-between.
This monograph is the first comprehensive survey of Nathaniel Mary Quinn’s work, featuring paintings made since 2013. Quinn’s images combine bodily fragments derived from sources that include both personal images and those culled from the media. Working without preliminary sketches, he forms composite images of faces and figures that resemble collages but are in fact painted and drawn. Developed with oil paint, charcoal, gouache, oil stick, and pastel, these works address the hybridity of perception and identity.
The book includes over 125 color plates of Quinn’s paintings, as well as studio photographs that offer an insight into his process. An introduction from Larry Gagosian is followed by an essay by Andrew Winer which discusses his work in terms of representation, abstraction, and memory. The volume also features a conversation between the artist and Sarah Elizabeth Lewis that offers firsthand reflections on the painter’s practice, as well as an essay by Dawn Ades contextualizing Quinn’s work in relation to Modern and contemporary collage, painting, and portraiture.
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Product Reviews
★★★★★ 3
Defective coarseness adjuster
Color: Tall Set - Black White
These salt and pepper shakers are ok. According to the description of the product, you should be able to adjust the coarseness of the salt and pepper added to them, but that was not my case. The coarseness adjuster on the set I received is set to one position and there is no way of changing it. The grinders work well, but if you are looking to adjust the coarseness of your salt and/or pepper look for another grinder set.
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Reviewed in the United States on January 12, 2026
★★★★★ 5
Works well and looks cute
Really nice set. Grind is fine and turn is easy. Highly recommend manual over battery operated ones.
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Reviewed in the United States on April 1, 2026
★★★★★ 5
Easy to grind, fills a lot
Color: Tall - Black
Wonderful! Grinds easily without a big mess like a previous grinder i purchased. Will purchase the set next time. Love it!
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Reviewed in the United States on June 9, 2026
★★★★★ 4
Works good but have only tried it on fine setting.
Works good but should have an overall cap as seasoning gathers around the inside.
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Reviewed in the United States on February 13, 2026
★★★★★ 5
Best S&P grinder set that I have ever used!
Cute chefs cap! Love that they are glass containers with ceramic grinders. Grinds salt granules and pepper corns very finely in both directions. Excellent purchase! Great value!
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Reviewed in the United States on March 9, 2026
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