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Dead WakeBy: Erik Larson #1 NEW YORK TIMES BESTSELLER From the bestselling author and master of narrative nonfiction comes the enthralling story of the sinking of the Lusitania Both terrifying and enthralling.Entertainment Weekly Thrilling, dramatic and powerful.NPR Thoroughly engrossing.George R. R. Martin On May 1, 1915, with WWI entering its tenth month, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for
By: Erik Larson#1 NEW YORK TIMES BESTSELLER • From the bestselling author and master of narrative nonfiction comes the enthralling story of the sinking of the Lusitania
“Both terrifying and enthralling.”—Entertainment Weekly
“Thrilling, dramatic and powerful.”—NPR
“Thoroughly engrossing.”—George R.R. Martin
On May 1, 1915, with WWI entering its tenth month, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were surprisingly at ease, even though Germany had declared the seas around Britain to be a war zone. For months, German U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era’s great transatlantic “Greyhounds”—the fastest liner then in service—and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack.
Germany, however, was determined to change the rules of the game, and Walther Schwieger, the captain of Unterseeboot-20, was happy to oblige. Meanwhile, an ultra-secret British intelligence unit tracked Schwieger’s U-boat, but told no one. As U-20 and the Lusitania made their way toward Liverpool, an array of forces both grand and achingly small—hubris, a chance fog, a closely guarded secret, and more—all converged to produce one of the great disasters of history.
It is a story that many of us think we know but don’t, and Erik Larson tells it thrillingly, switching between hunter and hunted while painting a larger portrait of America at the height of the Progressive Era. Full of glamour and suspense, Dead Wake brings to life a cast of evocative characters, from famed Boston bookseller Charles Lauriat to pioneering female architect Theodate Pope to President Woodrow Wilson, a man lost to grief, dreading the widening war but also captivated by the prospect of new love.
Gripping and important, Dead Wake captures the sheer drama and emotional power of a disaster whose intimate details and true meaning have long been obscured by history.
Finalist for the Washington State Book Award • One of the Best Books of the Year: The Washington Post, St. Louis Post-Dispatch, Miami Herald, Library Journal, Kirkus Reviews, LibraryReads, Indigo
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4.2 ★★★★★
Based on 8 reviews
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Product Reviews
★★★★★ 5
Excelente producto
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
Pensé que era un poco más grande pero es súper bueno este producto
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Reviewed in the United States on April 11, 2026
★★★★★ 5
🧵✨ Teflon Paper: The Unsung Hero of Appliqué Chaos
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
If you’re like me and enjoy assembling 37 microscopic pieces of fabric into something that hopefully resembles a dog, person, or llama in a sweater—this stuff is magic. I use it to build my appliqué masterpieces one tiny ironed layer at a time. The best part? Once your Franken-dog is assembled, you can just slide it off and fuse it to your quilt like a boss. No sticking, no scorched disasters—just smooth, glorious precision. Honestly, I love it more than I love some people.
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Reviewed in the United States on August 5, 2025
★★★★★ 5
Good
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
I am satisfied with this product.
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Reviewed in the United States on March 27, 2026
★★★★★ 5
Works as expected
Size: 11"×17" 20Sheets & 8.5"×11" 10Sheets, Color: Teflon Paper
Protected my project as expected. Excellent quality
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Reviewed in the United States on December 27, 2025
★★★★★ 5
Excellent quality and value!
Style: All-in-One Printer, Style: All-in-One Printer
I bought the Epson EcoTank 2400 yesterday and set it up today. If it continues performing this well for the next ten years, I’ll be very happy with this purchase.
I bought it to replace my old Canon MP190. The print quality on the Canon suddenly became very poor, which may honestly have been more of a cartridge issue than a printer issue, but testing that would have been expensive. On top of that, the printer was old enough that modern operating systems no longer support the scanner drivers, so I couldn’t even use the flatbed scanner anymore. At that point, replacing the whole printer made more sense. The ET-2400 is not quite as wide as the MP190 which is a nice plus.
The biggest advantage of the EcoTank line is the refillable ink tanks. Printer ink is already expensive, but traditional cartridges also include microchips and hardware that drive the cost even higher. With this printer, I can refill only the specific color I need instead of replacing an entire color cartridge because one channel ran out.
I mostly print proxies and alternate art for Magic: The Gathering, so I regularly print nearly full-page, full-color images (eight cards per page). Because of that, image quality matters a lot to me. I also wanted a working flatbed scanner so I could scan my paintings instead of photographing them.
I did not use the wireless features. Instead, I connected the printer directly to my computer with a USB cable after downloading Epson’s management software. Setup was straightforward, the software updated itself automatically after asking permission, and my computer recognized the printer immediately. It showed up in Photoshop right away with no issues.
The only thing I disliked during setup was that the registration process appears to require opting into marketing emails. I’ll unsubscribe later.
Print Quality:
Colors are bright and vibrant, blacks are deep and dark, and the images come out crisp and clean. Some reviewers mentioned getting “light gray” blacks, but I haven’t experienced that problem at all.
Scanning:
The flatbed scanner is slightly too small for a full 9x12 painting, but I expected that and don’t consider it a flaw. The scans came out vibrant, sharp, and detailed. It couldn’t fully capture the shimmer of my metallic paints, but that’s normal — I usually need angled lighting in photographs to show metallic effects accurately anyway.
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Reviewed in the United States on May 24, 2026
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