SKU: 75459433960

Vanguard Vesta 10X42 Binoculars

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Description

Vanguard Vesta 10X42 BinocularsIdeal for Hiking, Birding & Hunting Compact BAK4 Roof Prisms Anti Reflection Multi Coated Optics Waterproof and Fog proof Closed Bridge Configuration Lightweight Armoured Chassis Large Centre Focusing Knob Twist Up Rubber Eyecups Tripod Mountable with Optional Adapter The Vesta 42MM binocular caters to trend setters and path seekers worldwide who are looking for a high performing and mechanically solid binocular with excellent value. The Vesta is a

  • Ideal for Hiking, Birding & Hunting
  • Compact BAK4 Roof Prisms
  • Anti-Reflection Multi-Coated Optics
  • Waterproof and Fog proof
  • Closed Bridge Configuration
  • Lightweight Armoured Chassis
  • Large Centre Focusing Knob
  • Twist-Up Rubber Eyecups
  • Tripod Mountable with Optional Adapter

The Vesta 42MM binocular caters to trend setters and path seekers worldwide who are looking for a high performing and mechanically solid binocular with excellent value. The Vesta is a sharp looking binocular with a stylish European design that is low in weight and high in performance.

Assembled with light weight housing material and rubber armouring for added no slip security that surrounds optical quality glass and coatings. Enhancing BAK4 roof prism system combined with Multiguard® multi-coating technology deliver surprising resolution, clarity, colour fidelity and light transmission. Twist eye cups and a customized right eye dioptre adjustment perfectly match the environment and the application. Vesta 42MM binoculars are waterproof and fog proof and come with the Vanguard Premium Lifetime Warranty (USA).

This binocular delivers enough performance so that even the experienced birder or outdoor trekker will be pleased that the Vanguard Vesta binoculars are along and in stride while on the trail. Vesta delivers the choice of an 8X or 10X magnification in a 42MM objective lens size for excellent low light gathering ability and a quality view to capture those important moments up close.

A right ocular (±4D) dioptre adjustment allows for the ability to individually fine tune the binocular to each happy user or any friend wanting to share the view. The Model Vesta 42MM binoculars have a length of only 5.75 inches / 145 millimetres and weigh 20.8 ounces. / 590 grams (10x) and 21.5 ounces. / 610 grams (8x). The large centre focus knob is fast and smooth and meets the durable single hinge body with a sleek profile. Twist out and lockable rubber eyecups offer a comfortable viewing experience with a generous field of view of 325.0 feet. at 1000 yards (8x) and 298.0 ft at 1000 yards and a near focus capability of 6.9 ft.

Included with the optic are a protective carry bag, neck strap, protective lens and eyepiece covers and a lens cloth. From the packaging design to the product and accessories the NEW Vesta 42MM delivers a sharp looking, high performing and mechanically solid binocular at a great price.

Choose your favourite size to compliment your outdoor experience. Keep a Vesta close at hand in your vehicle for fast access while scouting or observing. From the product and the accessories; the new Vesta binoculars will always deliver performance, quality and dependability but will never break your bank account.

  • All purpose binoculars for nature observation, hunting, birding and travel
  • Appealing to the newly engaged or price conscious user
  • Ergonomic and durable body with sleek European design
  • Light weight yet durable housing with a no-slip rubber armouring
  • All lenses are optical quality glass
  • BAK4 Roof prism design and fully multi-coated lenses for a clear viewing experience
  • Large centre focus knob for fast and smooth ease of use
  • Twist out and lockable rubber eyecups for comfortable viewing

 

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    SKU: 75459433960

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    4.5 ★★★★★
    Based on 8 reviews
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    A
    Verified Purchase
    An American
    Chelsea, US
    ★★★★★ 5
    Good Guide to Writing in General
    Format: Paperback
    What Gardener says about fiction can equally apply to writing any good prose. He was a master teacher and this book definitely shows his skills in conveying the underlying knowledge to others.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 30, 2024
    L
    Verified Purchase
    Larry Dieli
    Belleville, US
    ★★★★★ 5
    First Aid for Writers Seeking to Tell Stories
    Format: Paperback
    This is such a wonderful tool for anyone who has a yearning to write fiction. Gardner's voice is challenging, nurturing and extremely informative for those who have a passion to jump on the path for mastering the art of story telling. He can be curt and dismissive for those who get 'lazy,' even taking to task some very skilled and famous writer's more feeble attempts (Hello, Mr. Faulkner). Gardener is a strong advocate of W.W. Watt's masterpiece for beginning writer's "An American Rhetoric," a book that is out of print , but can be found in many larger public libraries.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 31, 2016
    M
    Verified Purchase
    Molly
    Port Orchard, US
    ★★★★★ 5
    ” shows what it is like to be young and irresponsible
    Format: Paperback
    This book offers relatable poems about youth all the way up to adulthood. No matter the readers’ age, they can find something relatable in this book. One of the first poems, “River Gods,” shows what it is like to be young and irresponsible. This poem describes an instance where two young guys are walking on top of a railroad trestle, which is above the Tennessee River. “Since no one wants to cheat a foolish death alone, / I convinced my friend to leave his satchel on the bank / and we stepped out a hundred feet over the night” (“River Gods,” 13-15). This stanza shows that the two guys knew that what they were doing was dangerous and potentially deadly. This poem in comparison with other poems in this book really demonstrates recklessness in youth. While in that poem readers see the recklessness associated with youth, “Piano Key,” a later poem in the book, provides an insight into a more serious adulthood. In this poem, the narrator is dealing with the memories associated with his grandmother’s piano. I plunk my way left to right, up from the deep-forest Bass notes toward the bright high registers, Just past middle C, a dead spot I remember as a child, A crucial note that will not sing. (“Piano Key,” 13-16) The narrator does not provide much insight into his emotions, besides the fact the narrator is remembering something from when he was a child, but there is a sense of longing created because his grandmother is likely dead, which is why he is reminiscing about the piano. Going from “River Gods” to “Piano Key” provides different narrators. The first narrator does not care about his future; he only cares about what he is doing right at that moment. The narrator in “Piano Key” is thinking about the future and the past. If these narrators are the same, readers can definitely see how the narrator has changed and grown up. In “Digging the Pond,” there is a notable shift where the narrator, a young teenager, notices that him and his dad are different. He can name every species of tree, wild root, the compounds of the soil in every field, and knows that I stood off to the side too often to learn what he was born knowing. (“Digging the Pond,” 21-24) In this part of the poem, the narrator is realizing that he does not know something that his dad knows really well. When a child notices that they are different than their parent, it is usually a significant moment in that child’s life. The narrator in this poem seems to be realizing that he is growing up and changing; he knows he is no longer doing everything his parents are doing or enjoying it. Tennessee Landscape with Blighted Pine is a great book for poems about growing up and changing. This book grows with readers as the readers grow. I highly recommend this book.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on November 30, 2017
    L
    Verified Purchase
    L. Moyse
    Battle Creek, US
    ★★★★★ 5
    A fine performance
    Format: Paperback
    You see an old pocket knife on the cover, maybe a Case; it may have even belonged to Jesse Graves, but he has certainly used it in sculpting his poetry. "Tennessee Landscape" is pure plain speech, and all the more evocative for it. Graves uses language not to shock, not incite and not to transgress; he uses it to bring home simple and time worn truths that never go away. In the poem that is the book's title, Graves recounts his family history and ends telling us "The dead move through us at their will, their voices chime/just beyond our hearing...alone in the field, and never alone." He pays homage to a farming tool"(Elegy for a Hay Rake), not with a tone of jaundiced cynicism, speaking to it instead in a voice filled with thanks and appreciation, as if the hay rake, too,knew how worthwhile its job had been. The second part of the volume expands Graves' geography from East Tennessee to New Orleans, North Carolina, points beyond, and the cast of subjects becomes a little broader as well, but the language remains firm and precise. "The Night Cafe: North Rendon, New Orleans": diction so perfect I feel I was there that night too. "My Sister at Sea": likely my favorite here. It feels personal, a short glimpse into a private heart; the glimpse is snatched away in a hurry but not before Graves tells us "...wishing I could bring/ you to this shore...Make your illness a small boat we could burn/Sailing out in ashes on the current." Whether it is a landscape, a hay rake, a bar or a loved one, Jesse Graves is a poet of things that last, one who writes quiet confessions with confidence in a spare quiet and sure voice. Very highly recommend this book.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 24, 2013
    T
    Thomas A. Holmes
    Port Orchard, US
    ★★★★★ 5
    Fine Contemporary Poetry--Just Happens to Be Appalachian
    Format: Paperback
    The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 30, 2011

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