SKU: 79591767211

Feen

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FeenKozy kitchens is a ceramist illustrator based in Yamanashi, Japan. She is one half of art duo kozyndan. Kozy and her husband, Dan moved to her home prefecture from Los Angeles to start homestead artist retreat at their 140 year old farm house in the countryside. Her ceramic creatures, Bunny Primitives, are fired in wood fired kilns. Kozy was influenced by ancient Jomon pottery that is found in the area of Japan she resides in. About this collection: I

Kozy kitchens is a ceramist/illustrator based in Yamanashi, Japan. She is one half of art duo kozyndan. Kozy and her husband, Dan moved to her home prefecture from Los Angeles to start homestead/ artist retreat at their 140 year old farm house in the countryside. Her ceramic creatures, Bunny Primitives, are fired in wood-fired kilns. Kozy was influenced by ancient Jomon pottery that is found in the area of Japan she resides in.

About this collection:

I began working with clay in 2011 in Los Angeles, discovering a new creative outlet that sparked a lasting passion. In 2018, while attending residencies in Japan, I was introduced to the art of wood-firing ceramics, an experience that resonated deeply with me. My husband, Dan, and I eventually moved to Japan in 2020, aiming to immerse ourselves in traditional Japanese crafts and establish a homestead farm and artist retreat. Our retreat was centered around a 140-year-old farmhouse in the countryside, where I connected with local ceramicists who had built wood-fired kilns nearby. These artisans, now in their 70s and 80s, were contemplating retirement and even demolishing the kilns they had crafted, but I felt compelled to preserve this enchanting space.

Around the same time, an art book publishing company called Gasbook moved into the former Velbon tripod factory in our neighborhood, transforming it into a vibrant arts complex and residency known as "Gasbon." Other ceramic artists and I took this opportunity to repurpose various gas, electric, and kerosene kilns from retiring ceramists, eventually establishing a ceramics studio at Gasbon. Meanwhile, the wood-firing kilns were set to be passed down to us, and the experienced kiln owners began teaching us how to prepare firewood and maintain the traditional kilns. Each winter, we venture into the mountains to cut red pine with chainsaws, transport the logs back to the kilns, and split them into firewood using log splitters and axes. The process is physically demanding and time-consuming, often requiring wood to cure for up to a year. Reflecting on my life in Los Angeles, I never would have imagined becoming a lumberjack, but this hands-on labor has become an essential part of my practice.

Unlike electric kilns, where ceramics can be fired with the push of a button, wood-fired kilns introduce an element of unpredictability. My sculptures often break during firing, which initially caused disappointment. However, I learned the art of Kintsugi, the Japanese technique of mending broken pottery with lacquer mixed with powdered metal. The lacquer, known as Ureshi, can cause skin irritation similar to poison oak, but it serves as one of the oldest natural adhesives. This approach aligns with the Japanese concept of “mottainai,” a feeling of regret when something goes to waste without fully realizing its potential. Kintsugi allows ceramics to hold memories and sentimental value, transforming breakages into cherished features. Now, instead of feeling discouraged when a sculpture breaks, I look forward to performing “kintsugi surgery,” weaving stories of resilience and healing into my art.

Embracing imperfection has become a philosophy I incorporate into my work and life. I find beauty in uniqueness and view flaws as features that add character. Accepting what I cannot control, I focus on shaping my responses and perceptions. Through my work, I hope to pass down the tradition of wood-firing ceramics and Kintsugi to future generations, keeping these beautiful, meaningful techniques alive and inspiring others to find strength and beauty in imperfection.

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SKU: 79591767211

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B. Borup
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Not my favorite genre however the book is written really well and my students who love fantasy loved this book
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Reviewed in the United States on November 20, 2025
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Afoma
Massapequa, US
★★★★★ 5
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The First State of Being is a brilliant, highly readable middle grade book from the QUEEN of character-driven middle grade literature. This expansive sci-fi feels at once introspective and cinematic, leaping off the page like something made for a movie. This book will help young people and all readers reflect on our past and future as a human community, especially in terms of health advances, animal extinction, and the potential for technological development. It also highlights the love and fight in a mother and the need to view life through a positive lens by focusing most on the present, not our past or future.
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Reviewed in the United States on February 2, 2025
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Terry Jennings
West Palm Beach, US
★★★★★ 5
Which Came First?
Format: Hardcover
Of course this won the Newberry award. From the first word, it reminded me of Donna Barba Higuera's The Last Cuentista. A plot so different and imaginative that you wonder how anyone could have thought of it and then carried it out. It's a story of a young boy who is trying to take care of the single mother who seems unable to take care of the family, through no fault of her own. It's a sci-fi fantasy. And it's a story of taking care of each other. At the totally satisfying end I found myself wondering about the chicken and the egg. Thinking I may have to read this one again to see if I can figure it out.
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Reviewed in the United States on March 3, 2025
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Marquette Co. Wisconsin
Massapequa, US
★★★★★ 5
Perfect Choice
Format: Hardcover
Excellent YA / SCI-FI novel. Pretty well captures the spirit of a 12-year-old boy.
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Reviewed in the United States on December 25, 2025
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Stephen Bridge
Birmingham, US
★★★★★ 4
Well-written, twisty novel for middle school children
Format: Kindle
This is Kelly’s second Newbery Medal, the first being for *Hello, Universe* in 2018. Both are well-written novels for middle-grade children and should have a lot of appeal for that age. It's the year 1999, early fall, an apartment complex in Delaware. 12-year-old Michael is worried that the Y2K bug will cause the collapse of civilization on January 1, 2000. He has been stealing cans of food to create an emergency stash under his bed. He has started a new school, and his only friends are the apartment complex maintenance man and his high-school-age after-school babysitter, Gibby. Michael’s father is dead, and his mother works long hours to make ends meet. One day a strange kid shows up in the complex, dressed in unusual clothing and asking odd questions like, “What year is this?” It doesn’t take an experienced science fiction reader to suspect that this kid, Ridge, is from the future. He is interested in observing late 20th Century American culture. But he also wants Michael and Gibby to help him figure out how to get back to the future without interfering with the past and thus changing his own timeline. The 1999 part of the story is interspersed with notes about the future and the panicked dialog of Ridge’s family as they try to investigate what happened to him. It probably doesn’t have many new ideas for adult readers, but it will be surprising and exciting for readers ages 12 and up
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Reviewed in the United States on September 9, 2025

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