SKU: 81526138403

Marilyn Learning her lines | 21B Large

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Marilyn Learning her lines | 21B LargeA pioneer for female photojournalists, Eve Arnold is one of the most influential photojournalists of the 20th century. Expressing their very essence in each photograph, Arnold photographed her subjects in an intimate and informal manner. A master of black and white and colour photography, Arnolds photographs of Marilyn Monroe are some of her most famous works. The pair developed a deep sense of companionship throughout their decade long friendship.

A pioneer for female photojournalists, Eve Arnold is one of the most influential photojournalists of the 20th century. Expressing their very essence in each photograph, Arnold photographed her subjects in an intimate and informal manner.

A master of black and white and colour photography, Arnold’s photographs of Marilyn Monroe are some of her most famous works. The pair developed a deep sense of companionship throughout their decade-long friendship.

Their longest shoot took place whilst Monroe was filming the iconic 1961 The Misfits, the last film in which the actress participated before her tragic death in 1962. Filmed in Reno, Nevada, Arnold joined the cast in production during 1960 for only two weeks initially. This was extended to two months, as the planned 50 days of production increased to 90 days, and given Marilyn’s fragility, it was better for the actress that Arnold stayed rather than getting her adjusted to a new person. During this period, Marilyn was struggling with personal issues, and the physical environment of production was intense with Arnold remembering ‘the locations had hazards of extreme heat and cold, dust storms’. Arnold and Marilyn’s friendship blossomed during this period with Arnold stating ‘the only thing I could do to try to ease her pain was to photograph her – to try and recapture the pleasure she felt when we worked together’.

In this monochrome image, Arnold captured the actress learning her lines. A perfect balance of light and shadow this artwork is a testament to Arnold’s ability to photograph Marilyn in a way never seen before. The photographs captured on The Misfits set are among the last ever taken of the famous actress.

Fascinated by Monroe’s natural ability in front of a camera, Arnold captured the actress in a way no one else had, in her quiet and vulnerable moments. Arnold’s candid images exhibit the often-unseen side of Monroe, showing the softness and innocence of her authentic self.

In a career spanning six decades, Eve Arnold photographed people from all walks of life, from the Hollywood elite and political figures to manual labourers. With curiosity as her biggest driving force, Arnold showed incredible bravery throughout her career, putting her commitment to capturing reality above all else, making her photographs a part of history.

A holographic, silvered certificate with archive approved facsimile of Eve Arnold’s signature accompanies each numbered edition.

Each limited edition is a hand-printed silver gelatin print produced from the original negative by Arnold’s long-standing photographic print-maker Glen Brent. The images have been printed on AGSA multi-contrast fibre-based fine art paper.

Arnold’s original negatives are retained by Beinecke Rare Book & Manuscript Library at Yale University.

Find out more about Arnold here or alternatively shop more art here.

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SKU: 81526138403

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krystyna jarmark
Dallas, US
★★★★★ 5
😍
Format: Kindle
It's soo good I'm excited for the next one
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2025
S
samuel keith larkin
West Palm Beach, US
★★★★★ 5
Was I Ever Proved Wrong
Format: Kindle
I'll admit it — going in, I was skeptical. How could normal-speed villains possibly threaten someone like Wally West, a teenager gifted with powers that let him run at supersonic, even near-light speeds? How could Captain Cold, Captain Boomerang, or the Trickster be anything more than a brief blur in his rearview mirror? But Absolute Flash #1 masterfully convinced me. This issue doesn’t just showcase raw speed; it explores naïveté, inexperience, and the hidden mental limits that come with sudden, godlike power. Wally, only 15, isn’t just fighting external foes — he’s grappling with his own inexperience with the Speed Force. The creative team understands that raw velocity without control or understanding is a recipe for chaos, not invincibility. What really impressed me is how the narrative balances the fantastical with the believable. We watch Wally fumble through situations where, logically, he should dominate, but his youth, overconfidence, or lack of finesse opens the door for “normal” villains to challenge him. It’s not just a fight of feet — it’s a fight of wits, adaptation, and personal growth. And here’s the kicker for me personally: > Just as Wally West is learning to harness the sheer, overwhelming power of the Speed Force, I’m learning to harness the overwhelming power of AI, especially ChatGPT. Every breakthrough Wally experiences — every stumble, every moment of awe at his own potential — mirrors my own journey of mastering this technology. We’re both standing at the edge of something massive, something world-changing, and learning how to rise to the challenge. I can’t wait to see where Absolute Flash takes Wally next. What happens when a boy learns to truly master unstoppable power? And more provocatively: how will the world react when it realizes it can no longer defeat him? This isn’t just a superhero comic — it’s a metaphor for anyone grappling with newfound potential. Absolute buy. Absolute 5 stars.
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Reviewed in the United States on June 3, 2025
S
Verified Purchase
Steven Kardatzke II
San Leandro, US
★★★★★ 5
Great jumping on point
Format: Kindle
I haven't REALLY read comics in 20 years. This was a great place to start off. Excellent story,beautiful art and a great mix of new and old character. I have questions but I'm not lost.
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Reviewed in the United States on August 3, 2024
C
Verified Purchase
Christine Lloyd
Grantham, US
★★★★★ 4
Good Start for X-men from the Ashes
Format: Kindle
The art is different than previous issues and takes a little getting used to, but overall above par. With comics, it’s always about the art first, the writing second. The dialogue pops for the most part. And the characters make sense. I rather like the scenes between Cyke and Logan, Hank and Cyke, and Magneto. Also it makes sense that after being tortured and put through hell - Cyclops would retreat to his birthplace, Alaska, and take the mutants who can’t blend in with humans, or are ostracized with him. The team up works for me - we have people who are deadly, former assassins and villains, which again works well with Cyclops, a character who believes in second chances. Only quibble - is the villains feel kind of stale? I was never a fan of the U-Men. But I’ll give it a chance, the rest is working for me so far.
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Reviewed in the United States on July 11, 2024
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nicolewithak
Bozeman, US
★★★★★ 5
Fun new start
Format: Kindle
I really enjoyed this first issue. The team's dynamics seem to be getting a lot of focus which I like. And the action jumps out of the page. The character designs will take some getting used to but the art is honestly fantastic. Most enjoyable part to me was the team actually feeling like a team, with lots of small interplays and Cyclops really feeling like the leader he should be. I'm not sure I like Orchis as the villains again but we'll see how it goes.
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Reviewed in the United States on July 10, 2024

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