SKU: 9795928738

Austrian Audio DMK1 Drum Microphone Pack - 8 Pieces

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Description

Austrian Audio DMK1 Drum Microphone Pack - 8 PiecesThe DMK1 drum microphone pack takes eight of Austrian Audio's most prolific mics and places them in one comprehensive kit tailored specifically for drummers. As the only drum microphone package currently available with no fewer than three large diaphragm condenser (LDC) mics on hand, the DMK1 offers ultra rich and detailed clarity across your entire drum kit. The DMK1 is also a total cinch to set up and transport, as it ships with all the necessary

The DMK1 drum microphone pack takes eight of Austrian Audio's most prolific mics and places them in one comprehensive kit tailored specifically for drummers. As the only drum microphone package currently available with no fewer than three large-diaphragm condenser (LDC) mics on hand, the DMK1 offers ultra-rich and detailed clarity across your entire drum kit. The DMK1 is also a total cinch to set up and transport, as it ships with all the necessary mic clips, clamps, and windshields, all housed in a protective, waterproof hard case. Add the Austrian Audio DMK1 drum microphone pack to your studio or stage rig, then prepare to hear your kit's low-end depth and high-end shimmer like never before.

OC-B6 bass drum mic
The Austrian Audio OC-B6 large-diaphragm condenser bass drum microphone delivers a transparent sound that adapts to any studio, stage, and bass drum. Centered around Austrian Audio’s CKR6-B capsule, which was specifically designed to handle high SPL, the OC-B6 sports a sleek and streamlined build with a 220-degree rotatable head for optimal mic placement at any position and on any drum set. Built to Austrian Audio's rigid construction and performance standards, rest assured that the OC-B6 is ready to track each studio session, mic every live set, and even tackle the rigors of the road.

OD5 snare drum mic
The Austrian Audio OD5 Active Dynamic Microphone takes the OD505 vocal mic formula and converts it into an all-purpose instrument mic that’s a must-have for any studio! Austrian Audio’s Active-dynamic circuit combines the sensitivity of a condenser mic with the rugged nature of a dynamic mic, resulting in a tool that’s equally capable of recording thunderous guitar cabs as it is recording delicate wind instruments. What’s more, the OD5’s built-in swivel mechanism makes setting up and adjusting your mic a breeze, offering a 220-degree range of rotation to easily locate your source’s sweet spot. Finally, the OD5 sports Austrian Audio’s Open Acoustics technology, suspending the microphone basket and the capsule to avoid acoustic interference and to produce an incredibly precise cardioid pickup pattern.

OC7 tom mics
From gently plucked acoustic guitar to full-force snare drum cracks, the Austrian Audio OC7 small-diaphragm condenser microphone is purpose-built to provide you with a stunningly true-to-life snapshot of any instrument. At the heart of the OC7 is Austrian Audio’s hand-made-in-Vienna OCC7 capsule, delivering an impressively linear frequency response that’s tailored to instruments with particularly active transients. What’s more, the OC7’s built-in swivel mechanism makes setting up and adjusting your mic a breeze, offering a 220-degree range of rotation to easily locate your source’s sweet spot. Finally, the OC7’s built-in -10dB pad (for a max SPL of >160dB!) and versatile 2-position low-cut filter make this small-diaphragm condenser a must-have for recording engineers who demand the utmost versatility, durability, and immaculate sound quality from their mics.

CC8-SC hi-hat mic
When you need to mic cymbals, violins, flutes, or any instrument that requires high-end presence, the Austrian Audio CC8-SC is precisely the mic you want for authentic, non-harsh capturing. This small-diaphragm condenser mic features a supercardioid polar pattern for pristine off-axis rejection, so you only capture the sound you want without extraneous bleed from other sources. This sound will also be exceptionally transparent, thanks to Austrian Audio's handcrafted OCC7 capsule and transformerless circuit, which together deliver astonishingly low self-noise and equally impressive max SPL handling without distortion. Furthermore, the CC8-SC's switchable pad and 2-position highpass filter (HPF) offer additional sound-shaping options for capturing the best audio possible directly at the source. Finally, Austrian Audio calibrates each CC8-SC so precisely that you can easily implement a matched pair of CC8-SCs regardless of when they were produced or purchased.

OC18 overhead mics
Sweetwater is thrilled to present to you another valuable tool to help you make better-sounding recordings: the Austrian Audio OC18. Handcrafted in the heart of Vienna, the City of Music, the OC18 is a versatile large-diaphragm condenser microphone with a fixed cardioid polar pattern, -10dB and -20dB pads, and a three-position, switchable highpass filter. You can use the OC18 on any source with excellent results. Austrian Audio microphones are rigorously tested with state-of-the-art measurement systems and are precision-matched to within a stringent 1dB tolerance. This means you can confidently use your OC18 along with another OC18 (or the company’s multi-pattern OC818 set to cardioid) in a stereo-pair configuration and assure stunning results.

Features

  • All-in-one drum miking solution with 8 of Austrian Audio's most prolific in one package, tailored for drummers
  • Includes 3 LDC mics for immensely deep and rich audio quality across your entire kit
  • 1 x OC-B6 bass drum mic
  • 1 x OD5 snare drum mic
  • 1 x CC8-SC hi-hat mic
  • 2 x OC18 overhead mics
  • 3 x OC7 tom mics
  • Includes all necessary clips, clamps, and windshields, all housed in a protective hard case
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 9795928738

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Reviewed in the United States on March 14, 2026
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Pretty, But Only Part One
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Absolutely beautiful copy, but does not include part 2, “Good Wives,” which is pretty commonplace in publishing today. And I could not find a part two that would match, so I still had to buy a separate book with both.
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