SKU: 13520469297

2022-2023 Mazda CX-5 2.5L SKYACTIV AWD 2.5 S Carbon Edition Viscous Coupler KE012797X KE012797XB

$144.35 $160.39
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Description

2022-2023 Mazda CX-5 2.5L SKYACTIV AWD 2.5 S Carbon Edition Viscous Coupler KE012797X KE012797XBViscous Coupler KE012797X Fit For Mazda CX 3 CX 5 CX 9 2. 0 2. 5L 2013 2023 AWD Feature: 1: According to the original factory specifications,perfect match for the original car. 2: Own different test machines to design exact accurate parameter for our products. All items were tested for performance. 3: Made by high quality material, lightweight, anti rust, colorfast and durable. 4: Aftermarket product with premium quality. 5: Stable performance, high

Viscous Coupler KE012797X Fit For Mazda CX-3 CX-5 CX-9 2.0 2.5L 2013-2023 AWD

Feature:
1: According to the original factory specifications,perfect match for the original car.
2: Own different test machines to design exact accurate parameter for our products.All items were tested for performance.
3: Made by high quality material, lightweight, anti-rust, colorfast and durable.
4: Aftermarket product with premium quality.
5: Stable performance, high reliability,suitable for replacing your broken one.

Specifics:
Condition: 100% Brand New
Material:Metal
Manufacturer Part Number:KE01-27-97XA, KE01-27-97X, KE01-27-97XB
Interchange Part Number:KE01-27-97XA, KE01-27-97X, KE01-27-97XB
Other Part Number: KE01-27-97XA, KE01-27-97XB, KE01-27-97XC, KE01-27-97X, KE012797XA, KE012797XB, KE012797XC, KE012797X
Type: Viscous Coupler
Placement on Vehicle:Rear
Fitment Type: Direct Replacement

OE Part Numbers:
KE01-27-97XA
KE01-27-97XB
KE01-27-97XCK
E01-27-97X

Fitment:
Only for the AWD / All-Wheel Drive

Mazda CX-3 -L - cylinder AWD Grand Touring 2018
Mazda CX-3 -L - cylinder AWD Sport 2018
Mazda CX-3 -L - cylinder AWD Touring 2018
Mazda CX-3 2.0L SKYACTIV AWD Grand Touring 2018-2020
Mazda CX-3 2.0L SKYACTIV AWD Sport 2018-2021
Mazda CX-3 2.0L SKYACTIV AWD Touring 2018-2020

Mazda CX-5 2.0L SKYACTIV AWD Sport 2015-2016
Mazda CX-5 2.0L SKYACTIV M/T AWD Sport 2015-2016
Mazda CX-5 2.2L SKYACTIV-D DIESEL AWD Signature 2019
Mazda CX-5 2.5L SKYACTIV AWD 2.5 S 2022-2023
Mazda CX-5 2.5L SKYACTIV AWD 2.5 S Carbon Edition 2022-2023
Mazda CX-5 2.5L SKYACTIV AWD 2.5 Turbo 2022- 2023
Mazda CX-5 2.5L SKYACTIV AWD 2.5 Turbo Signature 2022-2023
Mazda CX-5 2.5L SKYACTIV AWD Carbon Edition 2021
Mazda CX-5 2.5L SKYACTIV AWD Carbon Edition Turbo 2021
Mazda CX-5 2.5L SKYACTIV AWD Grand Select 2017
Mazda CX-5 2.5L SKYACTIV AWD Grand Touring 2015- 2021
Mazda CX-5 2.5L SKYACTIV AWD Grand Touring Reserve 2019-2021
Mazda CX-5 2.5L SKYACTIV AWD Signature 2019-2021
Mazda CX-5 2.5L SKYACTIV AWD Sport 2015-2021
Mazda CX-5 2.5L SKYACTIV AWD Touring 2015-2021
Mazda CX-5 2.5L SKYACTIV M/T AWD Sport 2015-2016

Mazda CX-9 2.5L SKYACTIV AWD Carbon Edition 2021
Mazda CX-9 2.5L SKYACTIV AWD Grand Touring 2016-2021
Mazda CX-9 2.5L SKYACTIV AWD Signature 2016-2021
Mazda CX-9 2.5L SKYACTIV AWD Sport 2016-2021
Mazda CX-9 2.5L SKYACTIV AWD Touring 2016-2021

Package Include:
1X Viscous Coupler
High Quality, Strictly tested.
(Instruction is not inclued!)

Note:
1.Please check the description or use the year/make/model check finder and replace part numbers to confirm the compatibility before purchasing.
2.Professional installation is recommended.

Warranty:
Returns: Customers have the right to apply for a return within 60 days after the receipt of the product
24-Hour Expert Online: Solve your installation and product problems

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 13520469297

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4.6 ★★★★★
Based on 10 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
San Leandro, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Bozeman, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Phoenix, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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