SKU: 16528901860

Vibes Earplugs

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Description

Vibes EarplugsVibes Hi Fi Earplugs VIBES PROVIDES APPROXIMATELY 22 DB SOUND REDUCTION ACROSS FREQUENCIES (15 NRR) Each purchase includes: 1 pair of earplugs 3 interchangeable fit sizes (small, medium, large) Pocket sized hard case for easy storage Contribution to Hear The World Foundation String Connectors are also available separately. HOW THEY WORK Vibes are reusable earplugs designed for sound quality. Traditional foam earplugs are only decreasing the volume of

 

Vibes Hi-Fi Earplugs

VIBES PROVIDES APPROXIMATELY 22 DB SOUND REDUCTION ACROSS FREQUENCIES (15 NRR)

Each purchase includes:
– 1 pair of earplugs
– 3 interchangeable fit sizes (small, medium, large)
– Pocket sized hard case for easy storage
– Contribution to Hear The World Foundation

 

String Connectors are also available separately.

HOW THEY WORK

Vibes are reusable earplugs designed for sound quality. Traditional foam earplugs are only decreasing the volume of high frequency (treble) sounds, but not low frequency (bass) sounds, which is what causes the sound that you hear to be distorted when you wear them. On the other hand, Vibes lower the volume of all sounds equally, from bass to treble, which allows you to hear sound clearly, just at a quieter volume.

Unlike traditional foam earplugs that block and muffle sound, Vibes filter sound. Using specially designed sound tubes that balance sound waves, and sound-enhancing acoustic filters that reduce decibel levels, Vibes allow you to protect your hearing health and stay comfortable in loud environments that would otherwise cause discomfort and hearing damage.

WHY THE WORLD NEEDS VIBES

Our modern world is loud. Until relatively recently, the loudest sounds in the world were things like a lion’s roar and claps of thunder, so we never had a need to be able to process sounds louder than that. Now, when we encounter sounds like giant speakers at concerts or race car engines, our ears become strained and our ability to hear is damaged, because they aren’t designed to be able to handle sounds that loud. Vibes allow you to experience the loud world we find ourselves in safely and comfortably, without inhibiting your ability to hear or communicate.

HOW DO I USE VIBES?

Step 1: Choose your ear tip size (Small, Medium, Large)
Step 2: Insert the earplugs (ear tip first) into your ear, just like you would insert earbud headphones.
Step 3: Listen to one or two full songs at a live concert and slightly adjust the depth that the earplugs are inserted into the ear until the clarity is optimal. Do not insert into the inner ear canal. Enjoy live music as it’s meant to be enjoyed: clear sound quality and no hearing damage!

ARE THERE DIFFERENT SIZED EAR TIPS?

Because Vibes knows that one size does not fit all, each pair of Vibes comes with small, medium, and large ear tips to provide the best fit possible.

WHAT’S THE BEST WAY TO CLEAN VIBES HI-FIDELITY EARPLUGS?

Step 1: Remove the white eartips from the plastic body of the earplug.

Step 2: Massage the eartips in a mixture of warm water and rubbing alcohol.

Step 3: Be sure the eartips are completely dry, then reattach them to plastic body of the earplug.

WHAT PROTECTION LEVEL DOES VIBES OFFER?

Vibes provides approximately 22dB reduction across frequencies (15dB NRR).

WHAT IS THE DIFFERENCE BETWEEN 22dB IN DECIBEL REDUCTION AND 15 dB IN NOISE REDUCTION RATING (NRR)?

In short, both numbers are representing the same level of protection, but they are two different calculations.

The calculation of 22dB is the average reduction of decibels across 0hz-8000hz frequencies. This means that Vibes reduce the decibel levels of your environment by an average of 22dB across frequencies. Noise Reduction Rating (NRR) is a unit of measurement used to determine the effectiveness of hearing protection and takes into account multiple factors, including hedging for human error. The NRR for hearing protection is lower than the average decibel reduction because NRR takes into account outside factors like improper insertion of the earplugs into the ear.

 

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 16528901860

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4.9 ★★★★★
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Doug S.
Waukegan, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Port Orchard, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Los Angeles, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Phoenix, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
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***moviemaker***
Charlottesville, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011

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