SKU: 36238145673

Cosy Club Sheet Set Cotton Sheets Double Dark Blue Grey

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Description

Cosy Club Sheet Set Cotton Sheets Double Dark Blue GreyLooking for a soft and comfortable sheet set that is perfect for all year round? Without any second thought, count on Cosy Club's sheet set. Crafted from 100% washed cotton, our sheet set feels extremely soft and ensures you sleep in utmost comfort. It will keep you cool in summer and warm in winter. It is made from breathable fabric and is lightweight. It features an attractive design, incredible soft texture feel and is available in various

Looking for a soft and comfortable sheet set that is perfect for all year round? Without any second thought, count on Cosy Club's sheet set.

Crafted from 100% washed cotton, our sheet set feels extremely soft and ensures you sleep in utmost comfort. It will keep you cool in summer and warm in winter. It is made from breathable fabric and is lightweight. It features an attractive design, incredible soft texture feel and is available in various beautiful colours. Now, achieve the kind of look you want for your bedroom with ease. Additionally, our sheet set is easy to care for and maintain. So no more extra efforts are needed to keep your sheet set in good shape. Not least, this sheet set is a perfect choice for those suffering from allergies as it is made from excellent quality hypoallergenic fabric. You can sleep in peace without worrying about developing any allergies.

Sleep comfortably and feel lovely on the skin with our timeless sheet set. Ultimate comfort and cosy night's sleep guaranteed! Purchase now!

Note: Actual product colours may vary due to lighting, studio photography, room conditions, or different screens on various devices.

Features
100% washed cotton
Different colour options available
Machine washable
Hypoallergenic
Sustainable packaging
Lightweight
Breathable
Easy to care and maintain
Two-tone colour

Specifications:
Brand: Cosy Club
Double fitted sheet: 137cm 90cm x 40cm
Double flat sheet: 230cm x 260cm
Pillow case: 50cm x 75cm
Colour: Navy Grey
Material: 100% Cotton

Package Content
1 x Flat Sheet
1 x Fitted Sheet
2 x Pillow Case

Delivery excludes the following postcodes:
885, 2222, 2449, 2818, 2827, 2829, 2836, 2839, 2874, 2898, 3724, 4477
4490, 4626, 4822, 4871, 4875, 6044, 6209, 6224, 6290, 6442, 6536, 6562
6707, 6713, 6725, 6728, 6743, 6751, 6753, 6754, 7255, 7256, 7258, 7260

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SKU: 36238145673

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4.4 ★★★★★
Based on 28 reviews
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Product Reviews
M
Max
Belleville, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Whiting, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Natrona Heights, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Massapequa, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Lowell, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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