Description of the Prophet - 1691

Description of the Prophet - 1691An Ottoman description of the Prophet (Hilya al nabi) by Hafiz Osman. Istanbul, 1691 92 Hfiz Osman (Ottoman Turkish: Modern Turkish: Hfz Osman) (16421698) was an Ottoman calligrapher noted for improving the script and for developing a layout template for the hilye which became the classical approach to page design. The term ilya () denotes both a visual form in Ottoman art and a religious genre of Ottoman Turkish literature, each dealing with the

An Ottoman description of the Prophet (Hilya al-nabi) by Hafiz Osman. Istanbul, 1691-92

Hâfiz Osman (Ottoman Turkish: حافظ عثمان Modern Turkish: Hâfız Osman) (1642–1698) was an Ottoman calligrapher noted for improving the script and for developing a layout template for the hilye which became the classical approach to page design.

The term ḥilya (حلية) denotes both a visual form in Ottoman art and a religious genre of Ottoman Turkish literature, each dealing with the physical description of Muhammad. Hilya means "ornament". They originate with the discipline of shama'il, the study of Muhammad's appearance and character, based on hadith accounts, most notably al-Tirmidhi's Shama'il al-Muhammadiyya "The Sublime Characteristics of Muhammad". In Ottoman-era folk Islam, there was a belief that reading and possessing Muhammad's description protects the person from trouble in this world and the next, it became customary to carry such descriptions, rendered in fine calligraphy and illuminated, as amulets. In 17th-century Ottoman Turkey, ḥilān developed into an art form with a standard layout, often framed and used as a wall decoration. Later ḥilān were written for the four Rashid caliphs, the Companions of the Prophet, Muhammad's grandchildren Hasan and Husayn, and walis or saints.

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