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Vladimir Cora - Bodegon con sandiaVladimir Cora Bodegon con sandia This outstanding mixograph by Cora measures 30. 5" x 42". It is in excellent condition. Mixografias of this size sell for $5,000 to $8,000 in his other galleries. This one is very rare, and nearly impossible to find. It came from the LACMA collection, which was a bequest from Bernard Lewin. This work was published by B. Lewin Gallery, Palm Springs, CA. It is unframed, and appears to have never been framed. It was
Vladimir Cora - Bodegon con sandia
This outstanding mixograph by Cora measures 30.5" x 42". It is in excellent condition. Mixografias of this size sell for $5,000 to $8,000 in his other galleries. This one is very rare, and nearly impossible to find. It came from the LACMA collection, which was a bequest from Bernard Lewin. This work was published by B. Lewin Gallery, Palm Springs, CA. It is unframed, and appears to have never been framed. It was likely kept in the vault of Lewin, then the vaults of LACMA. It is pristine. It is available for pickup, or we will ship this work internationally at our cost. This work will be shipped flat, within the US, for $250. For international shipping, we will pack and ship at our cost, which we estimate will be $750, due to the size.
His career is on the ascendancy, and it appears as if the art community, critics, museums, and collectors are beginning to acknowledge his significance. After all, it was Tamayo who asked Bernard Lewin to represent this young man, when few knew of his existence. He was a student of Tamayo at the time, and he was very fond of Cora's work. Lewin did very well with his work, and now, the same applies to several other galleries in the US, and in Mexico. He has enjoyed over 150 shows worldwide, and is in the permanent collection of many significant museums. Very few works from this period by Cora are presently available anywhere in the world.
We offer a life-time trade in policy. Please inquire. For more info please contact us at (323) 744-7550, or (626) 664-2060. We have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. MLA Gallery has many other paintings by Cora, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.
Cora's work is included in the permanent collections of the following museums:
Museo de Arte Contemporáneo Internacional Rufino Tamayo, Mexico, D.F.
Museo de Arte Moderno; INBA, Mexico, D.F.
Museo de Arte de Queretaro; Queretaro, Mexico.
Everson Museum of Art; Syracuse, NY.
Knoxville Museum of Art; Knoxville, TN.
Samuel P. Harn Museum of Art; University of Florida.
Vincent Price College; Los Angeles, CA.
Palm Springs Museum of Art; Palm Springs, California.
Los Angeles County Museum of Art, Los Angeles, CA.
Museum of Latin American Art in Long Beach, CA.
San Antonio Museum of Art, San Antonio, TX
Just a few of the artist's galleries include : Noche de Arte, Tamayo Restaurant, Los Angeles, CA Marion Meyer Contemporary Art, Laguna Beach, CA Coda Gallery, Soho, New York Bill Anderson Art Gallery, Sunset Beach, CA Galeria HB, Mexico, D.F. Instituto Sonorense de Cultura, Hermosillo, Mexico Galeria Chac Mool, Los Angeles, CA Jorge Mendez Gallery, Palm Springs, CA NUUN Espacio de Arte, Oaxaca, Mexico Cora’s has had over 150 solo shows throughout the world, including a portion shown here: 1974 - Primer Festival Cultural, Ex-Convento Franciscano, Acaponeta, Nayarit. 1976 - Museo Regional, Tepic, Nayarit. 1977 - Museo Regional de Antropologia e Historia, Tepic, Nayarit. Museo de Cuale, Puerto Vallarta, Jalisco. 1978 - Instituto Regional de Bellas Artes, Mazatlán, Sinaloa. 1983 - Museo Goitia, Zacatecas, Zacatecas. 1988 - Museo de Arte Moderno, INBA, Mèxico, D.F. 1989 - Museo de Arte de Querétaro, Qro.; Casa de la Cultura, Aguascalientes, Aguascalientes. Museo Goitia de Zacatecas; Museo de Arte Moderno, Morelia, Michoacán Museo Diego Rivera, Guanajuato, Gto. 1990 - "Las Señoritas de Tecuala". Instituto Allende, San Miguel de Allende, Gto. "Nuevas Obras" / "New Works". B. Lewin Gallery, Palm Springs, Californìa. "Las Bañistas" / "The Bathers". Museo Arqueológico, Mazatlán, Sinaloa." 1992 - "Obra Reciente" / "Recent Works" B: Lewin Gallery, Palm Springs, California. 1993 - "Obra Reciente" / "Recent Works". B. Lewin Gallery, Palm Springs California. 1994 - B. Lewin Gallery, Palm Springs California. 1995 - "Revelaciones" / "Revelations." Museo del Palacio de Bellas Artes, Mèxico, D.F. Museo Costumbrista de Sonora, Álamos, Sonora. "Obra Reciente" / "Recent Works". B. Lewin Gallery. Palm Springs California. 1996 - "Revelaciones" / "Revelations". Juàrez Fine Art, Laguna Beach, California. "Revelaciones" / "Revelations". Exposición Itinerante INBA, Museo de Arte de Sinaloa, (MASIN) Culiacán Sinaloa. "Las Mujeres de Vladimir Cora" / "Vladimir Cora: Women". Museo Arqueológico de Mazatlán, Sinaloa 1997 - "Las Mujeres de Vladimir Cora" / "Vladimir Cora: Women". Museo Costumbrista, Álamos, Sonora. "Las Mujeres de Vladimir Cora" / "Vladimir Cora: Women". Museo de Arte Moderno, (MASIN) Culiacán, Sonora. "Las Mujeres de Vladimir Cora" / "Vladimir Cora: Women". Museo Emilia Ortiz, Tepic, Nayarit. 2000 - San Carlos, Sonora. Museo Costumbrista de Álamos, Sonora, Mexico 2001 - Coda Gallery, Palm Desert, California. Instituto de Cultura Baja Californiano, La Paz, Baja, California. "Figuras" / "Figures". Marion Meyer, Laguna Beach, California. 2003 - "Figuras y Cabezas" Pintura, Dibujo y Escultura" / "Faces and Heads". Drawings, Paintings and Sculpture". Casa Museo Vladimir Cora. "Natura: Flores Para Mary" / "Nature: Flowers For Mary". Marion Meyer Contemporary Art, Laguna Beach, CA. 2004- "Natura: Flores Para Mary" / "Nature: Flowers For Mary". Eleonor Austeres Gallery, San Francisco, Californìa "Figuras y Cabezas" / "Faces and Heads". Latín American Contemporary Galleries, Santa Mónica, CA. "Natura: Flores Para Mary" / "Nature: Flowers For Mary. Los Pasillos del Arte, Televisa, Tijuana, Tijuana, Baja Californìa. "Natura: Flores Para Mary" / "Nature: Flowers For Mary". 32 Festival Cervantino, Leòn, Guanajuato. "Natura: Flores Para Mary" / "Nature: Flowers For Mary", Marion Meyer Contemporary Art, Laguna Beach, CA 2005 - "Obra Reciente" / "Recent Works". The Consulate General de Mèxico in San Francisco, California. "Pintura, Dibujo y Escultura" / "Drawings, Paintings and Sculpture". Irma Valerio Galerías, Zacatecas, Zacatecas. 2006 - "Natura: Flores para Mary" / "Nature: Flowers For Mary". Museo de Arte Contemporáneo José Luís Cuevas, Mèxico, D.F. "Natura: Flores para Mary" / " Natura: Flowers For Mary". Galerìa Oscar Román "Figuras y Cabezas" Faces and Heads". Salón de la Plástica Mexicana, Mèxico, D.F. "Obra Reciente" / " Recent Works". Galerìa Corsica, Puerto Vallarta, Jal. 2007 - “Figuras y cabezas” “Faces and Heads” Museo de Arte, Mazatlán, Sinaloa. 2008 - “IV Festival internacional de las aves migratorias” Casa de la cultura, San Blas Nayarit. 2009 - Los Apóstoles, Festival Internacional de las Artes, San Luis Potosí, México 2010 Loa Apóstoles, Explanada del Palacio de Bellas Artes, Ciudad de México. 2011 “Danza de pájaros” Festival Internacional Cervantino. “Los Apóstoles” Galería de Arte Contemporáneo, San Miguel de Allende. 2012 “Obra Nueva” Galería 303, de Valle de Bravo, Estado de México. “Obra Nueva”, Galería Uno de Puerto Vallarta, Jalisco. “Líneas del Tiempo” Centro de Arte Contemporánea del bicentenario Emilia Ortiz, Tepic Nayarit “Líneas del tiempo” Museo Olga Costa- José Chávez Morado, Guanajuato, Gto. “Feria de Nayarit en California” Jacob Center San Diego California. “Variantes, Pintura y Escultura Instituto de Arte y Cultura, Tijuana Baja, California. 2014- NUUN Espacio de Arte, Oaxaca, Mexico 2015 – Palm Springs Fine Art Fair, Palm Springs, California Jorge Mendez Gallery and the Art of Vladimir Cora, Palm Springs, CA. Awards: 1974 - Segundo Premio de Pintura. INJUVE. Casa de la cultura, Tepic, Nayarit. 1975 - Primer Premio de Cartel. Ataneo Nayarit Amado Nervo. Tepic, Nayarit. Mención Honorífica. Primer Concurso de Mural Estatal. Casa de la Cultura. Tepic, Nayarit. 1982 - Premio Adquisición. Salón de Octubre. Casa de la Cultura. Guadalajara, Jalisco. Mención Honorífica. I Bienal de Pintura Rufino Tamayo. Oaxaca, Oaxaca. Gran Premio. Confraternidad de Cuatro Culturas. I Bienal de Pintura Iberoamericana. Instituto Andino de artes populares, Miami, Florida 1988 - Premio Nayarita. Colegio de Abogados, Tepic, Nayarit. Premio de Artes Plásticas. Cuitzmala `88, Guadalajara, Jalisco. 1989.- Premio de Nacional de Artes Plásticas. (Pintura). Gobierno del Estado de Nayarit. 1990.- Mención Honorífica. 3a Bienal de Artes Plásticas del Noroeste. Culiacán, Sinaloa. 1999.- Premio Único de Dibujo. 7a Bienal de Artes Plásticas del Noroeste. Difocur, Culiacán, Sinaloa.
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4.2 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 5
Practical AI Engineering Beyond Prompts — One of the Better Books on Agentic Coding
Format: Paperback
This book is not another “AI coding hype” book.
A lot of books talk about agents at a very high level. This one actually explains how things work when you try to use them inside real development workflows. That was the biggest difference for me.
What I liked most was the focus on context engineering, memory, MCP, hooks, subagents, and workflow orchestration instead of just “prompt better.” The author spends time explaining why long-running agent systems fail, how context grows over time, and why most AI coding setups become messy without structure.
The examples also feel practical — The HookHub project, Next.js setup, GitHub workflows, Claude memory files, and MCP integrations make it easier to connect theory with actual implementation.
From my retail domain experience perspective, I could immediately connect this to forecasting and pricing workflows.
For example:
* agents helping analysts generate specs before model development
* automated code review for promo forecasting pipelines
* isolated subagents for pricing, promotions, assortment
* persistent memory for business rules across teams
* MCP integrations to pull context from internal systems safely
The section around context isolation and subagents especially stood out because that is very similar to how enterprise forecasting teams already operate in reality. Different teams own different decision spaces.
One thing I appreciated: the author does not oversell AI.
There is a strong focus on constraints, context pollution, hallucinations, performance degradation, and workflow reliability. That makes the book feel grounded instead of marketing-heavy.
This is not for complete beginners though.
If someone has never worked with Git, APIs, coding agents, or LLM workflows, parts of the book may feel overwhelming early on. The author clearly says this is not beginner-level content.
Overall, probably one of the more practical books I have read recently on agentic coding systems.
Good for:
* software engineers
* AI engineers
* enterprise architecture teams
* technical product teams
* analytics leaders trying to operationalize AI development workflows
Especially useful if your organization is trying to move from “AI demos” into actual production workflows.
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Reviewed in the United States on May 20, 2026
★★★★★ 5
A Good Reality Check on How AI Agents Actually Work in Enterprise Systems
Format: Paperback
Most AI books stop at prompts.
This one goes deeper into how agent systems actually behave once you try to use them inside large workflows with memory, tools, permissions, automation, and multiple agents working together.
That part felt very relevant for healthcare and enterprise environments.
The book does a good job explaining why context engineering matters and how poor context handling creates hallucinations, inconsistent outputs, and degraded performance over time.
Honestly, that is one of the biggest problems organizations underestimate right now.
In healthcare workflows, context matters a lot:
* prior interactions
* business rules
* auditability
* escalation logic
* safety constraints
* tool permissions
* workflow boundaries
The sections on persistent memory, scoped context, subagents, and structured workflows connected strongly to that reality.
I work in enterprise analytics, and while reading this book I kept thinking about use cases like:
* pharmacy workflow automation
* prior authorization support systems
* coding assistants for healthcare engineering teams
* AI copilots for operational analytics
* agent-based escalation systems
* claims and workflow orchestration
The MCP chapters were also useful because they explain integration challenges clearly instead of treating tooling as magic.
What made this book stand out for me was the balance between implementation and architecture.
The author explains:
* why long contexts fail
* how context poisoning happens
* why isolation matters
* when parallel agents help
* when they actually create more complexity
That level of honesty is missing in many AI books right now.
Another thing: the examples are not overly academic — The Next.js project setup, GitHub automation, Claude desktop workflows, memory systems, hooks, and subagents make the learning process feel practical and hands-on.
One limitation: this book assumes technical background.
Someone completely new to coding agents, LLMs, Git, or development workflows may struggle in the first few chapters.
But for engineers, AI teams, enterprise architects, and technical leaders trying to understand where agentic coding is actually going, this book is worth reading.
Especially for organizations trying to operationalize AI safely instead of just experimenting with chatbots.
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Reviewed in the United States on May 20, 2026
★★★★★ 5
Great book! Practical and for developers that already use AI!
Format: Paperback
I purchased "Agentic Coding" by Claude Code due to my desire for an alternative to generic "Prompt Template" type resources related to AI-based development. This book accomplishes just that.
As opposed to merely viewing Claude Code as a "magic box", the author has explained how to utilize it in conjunction with other actual development processes. The authors' emphasis on "context engineering" (i.e., structuring data/information; managing knowledge in a project; guiding an AI agent to produce consistent results vs. producing random/unknown results) represents the strongest component of the book.
It should be noted that the book appears to be intended primarily for experienced developers with prior experience in software development and/or familiarity with AI-based development tools. Should you be familiar with Git, the command-line interface, and/or modern development processes, you may find this resource very helpful. Conversely, I did appreciate the fact that there were no novice-oriented descriptions provided throughout the book.
The aspect of the book that I found most valuable, however, is the extremely pragmatic nature of the material contained within. The examples illustrated through developing/maintaining CLAUDE.md files; utilizing Claude Code in combination with GitHub Workflows; employing MCP Servers; and creating multi-agent or sub-agent workflows all seemed to reflect a clear focus on "real world usage" rather than theoretical constructs. In addition, each chapter builds upon previous chapters in such a manner as to provide a logical progression through which the reader can easily understand and ultimately implement the concepts learned.
I also appreciated that the author included guidance on responsible utilization of the tool(s), as well as maintaining control over what changes are made by the agent. While numerous books regarding AI focus solely on what AI tools can accomplish, this book addresses both how to utilize these tools effectively in a real codebase, as well as responsibility and safety considerations.
In summary, this is not a book for individuals completely inexperienced in either programming or generative AI. However, if you are currently experimenting with tools such as Claude, Cursor, GitHub Actions, or MCP, this is likely one of the more useful and practical books available on the subject.
Recommended for software engineers seeking to transition from simply "prompting an AI" into establishing a repeatable/professional workflow process surrounding agentic coding.
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Reviewed in the United States on April 11, 2026
★★★★★ 4
⭐⭐⭐⭐ (so far)
Format: Paperback
I'm maybe a third of the way through this and already rethinking how I talk to coding agents. The reframe from "prompt engineering" to "context engineering" sounds like semantics until Marco walks you through why context poisoning, context clash, the Goldilocks zone for system prompts. That chapter alone reorganized something in my head. I keep going back to the line about garbage in, garbage out being the real reason agentic systems underperform.
The hands-on stuff lands well too. Building the HookHub project from scratch, wiring up Playwright MCP, watching Claude generate a CLAUDE.md file and then not automatically loading a memory file you just created — that moment where you expect magic and get silence instead? That's the kind of honest teaching I appreciate. It made the "why" behind memory hierarchies click.
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Reviewed in the United States on May 12, 2026
★★★★★ 5
Essential Reading for Developers Serious About Agentic AI Workflows with Claude Code
Format: Paperback
Agentic Coding with Claude Code is easily one of the most practical and forward-thinking AI development books I’ve read. Instead of treating Claude Code like a simple chatbot, this book shows how to turn it into a true agentic development platform capable of handling real-world engineering workflows.
What I appreciated most was how actionable the content is. The explanations around slash commands, hooks, persistent memory files, and MCP servers are incredibly clear and immediately useful. The author does an excellent job balancing foundational concepts with hands-on implementation, making advanced topics like multi-agent orchestration and hierarchical delegation approachable for experienced developers.
The chapters on MCP and context engineering were especially valuable. Most AI books stay at the surface level, but this one dives deep into structured context sharing, workflow automation, and scalable AI-assisted development practices that actually matter in production environments.
I also liked that the book focuses heavily on maintainability and control. It doesn’t just show flashy demos—it teaches how to safely integrate AI agents into existing terminal and IDE workflows while enforcing coding standards and keeping projects organized.
The examples using Claude Code with Next.js projects were practical and helped connect the concepts to real software engineering scenarios. The sections on subagents, planning workflows, and reusable automation patterns opened my eyes to entirely new ways of approaching AI pair programming and development productivity.
If you are a developer, AI engineer, or technical lead looking to move beyond basic prompt engineering and build reliable, scalable AI-assisted workflows, this book is absolutely worth reading. Highly recommended for anyone serious about modern agentic coding and AI-powered software development.
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Reviewed in the United States on May 9, 2026