SKU: 55344343569

Cecilio Sanchez - Suenos

Sale price$585.00 Regular price$650.00
Save 10%

Pay in installments of $162.50 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Sep 19 - Sep 24

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Cecilio Sanchez - SuenosThis print measures 20" x 28" (50cm. x 70cm.), and is in very good condition. Signed and numbered 88 100. Sanchez is one of the most talented up and coming artists in Metepec. He is most well known for his barro pigmentado in miniature. The clay is colored using natural minerals. He specializes in small trees of life, Noah's Ark, Nativities, Angels, etc. In 2014, Cecilio was one of 2 artists invited to represent the State of Mexico by presenting one

This print measures 20" x 28" (50cm. x 70cm.), and is in very good condition. Signed and numbered 88/100.

 

Sanchez is one of the most talented up and coming artists in Metepec.  He is most well known for his barro pigmentado in miniature. The clay is colored using natural minerals.  He specializes in small trees of life, Noah's Ark, Nativities, Angels, etc.  In 2014, Cecilio was one of 2 artists invited to represent the State of Mexico by presenting one of his works to the Vatican.

 


 

Mexico has the oldest printmaking tradition in Latin America. The first presses were established there in the 16th mainly to print devotional images for religious institutions. Because of their ephemeral nature, few of these early impressions survive. A rare early exception is a 1756 thesis proclamation printed on silk presented by a candidate for a degree in medicine. With the introduction of lithography to Mexico in the nineteenth century, printmaking and publishing greatly expanded, and artists became recognized for the character of their work. José Guadalupe Posada (1851–1913) is often regarded as the father of Mexican printmaking. His best-known prints are of skeletons (calaveras) published on brightly colored paper as broadsides that address topical issues and current events, love and romance, stories, popular songs, and other themes. Posada demonstrated how effective prints were for creating a visual language that everyone could understand and enjoy. In the early twentieth century, their example had a profound impact on artists who, in response to the turbulent political climate and social unrest, were similarly eager to reach broad audiences.

 

The best-known artists in Mexico from the early decades of the twentieth century are Diego Rivera, José Clemente Orozco (1883–1949), and David Alfaro Siqueiros (1896–1974)—“Los tres grandes” (The Three Greats). They were all committed to politics but expressed their views through their art in very different ways. Of the three, Rivera—who returned to Mexico from Europe at the invitation of the government in 1921 to work on a mural project—rose to greatest prominence. Rivera’s 1932 lithograph Emiliano Zapata and His Horse, based on a detail from one of his murals at the Palace of Cortés Cuernavaca to the south of Mexico City, has become an iconic twentieth-century print. Zapata was a landowner-turned-revolutionary who formed and led the Liberation Army of the South. He embodied the aims of agrarian struggle that aspired to improve conditions for those who worked on the land. Zapata was assassinated in April 1919. Rivera’s print conflates different moments of oppression with optimistic emancipation. It was commissioned and published by the Weyhe Gallery in New York for sale to American collectors. Orozco and Siqueiros also made prints for the U.S. market, a number of which are devoid of political content.

 

The establishment of the print collective known as the Taller de Gráfica Popular (Workshop of Popular Graphic Art, TGP) in Mexico City in 1937 best expresses the symbiosis between prints and politics that had developed in Mexico. Its founders, Leopoldo Méndez (1902–1969), Luis Arenal (1908/9–1985) and Pablo (Paul) O’Higgins (1904–1983), were committed communists who abandoned mural painting to concentrate on printmaking, demonstrating how important prints had become as a vehicle for artistic, social, and political expression. Some of its members had belonged to the League of Writers and Revolutionary Artists (LEAR), which had been launched in 1934. The TGP has a fascinating history steeped in astonishing artistic production and political intrigue. The Bolshevik revolutionary and Marxist theorist Leon Trotsky arrived in Mexico in 1937, much to the horror of the communists represented by Siqueiros, who regarded him as a pro-fascist provocateur. Rivera was a supporter of Trotsky and established a Mexican branch of the Fourth International, a socialist organization that had its own journal, Clave, and ran articles attacking the USSR and the Mexican Communist Party. Siqueiros, then a guest member of the TGP, with fellow printmakers Antonio Pujol (1913–1995) and Luis Arenal, led an attempt to assassinate Trotsky in May 1940. The TGP workshop was their rendezvous point. After the failed attempt, Pujol ended up in prison and Siqueiros fled the country. Their action caused terrible ruptures in the TGP, with some remaining committed to the communist cause and others pressing for a more moderate line.

 

By 1947, the year that the Society of Mexican Printmakers was founded, printmaking had broadened its horizons far beyond its proletarian roots. In fact, printmaking was now considered to be the most intimate of media. Post World War II artist felt a need to reassert private values in opposition to highly politicized work. They opened the way to more subjective investigations of personal identity and myth.

 

Jose Luis Cuevas, Rufino Tamayo, and Francisco Toledo are fine examples of the new sensibility. These later artists have kept alive Mexico’s reputation for excellence in the graphic arts. A common Mexican trait on either side of the U.S.–Mexico border is the passionate interest in Mexicanidad (Mexicanness) and what comprises Mexican identity. Perhaps this obsession to understand the concept of Mexicanidad comes from nearly five centuries of mestizaje – the interracial and cultural mixing that first occurred in Mesoamerica among Native Indigenous groups, European Spanish and enslaved Africans during the 1520s. By the 18th century, Mexican identity had developed. Mestizaje was the process that constructed it. The museum’s permanent collection showcases the dynamic and distinct Mexican stories in North America, and sheds light on why Mexican identity cannot be regarded as singular; its vast diversity defies any notion of one linear history. -

 

Nuestras Historias destaca la colección permanente del museo, la cual expone las historias dinámicas y diversas de la identidad mexicana en Norteamérica. La exhibición muestra la identidad cultural como algo que evoluciona continuamente a través del tiempo, de regiones y de comunidades,  en vez de señalarla como una entidad estática e inmutable, exhibiendo para esto, artefactos mesoamericanos y coloniales, arte moderno mexicano, arte popular, y arte contemporáneo de los dos lados de la frontera EE.UU-México.  La gran diversidad de identidades mexicanas mostradas en estas obras desafía la noción de una sola historia lineal e identidad única. 

 



 
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 55344343569

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 30 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
X
Verified Purchase
Xenophobe Fedison
San Leandro, US
★★★★★ 5
I needed this so bad!
Format: Kindle
As i began my journey to revisiting all dreams wrote down this book is one of the best da to interpreting your dreams biblically with Holy Spirit having his way!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 25, 2021
R
Verified Purchase
Richard T. Karnosh
New York, US
★★★★★ 5
Warning: You will want to read the classics after you read this book!
Format: Hardcover
This book beautifully captures what I didn’t realize was possible until I got to college: That the Lord can speak through great literature. When I was younger I largely avoided reading any fiction books because I felt guilty for not reading my Bible (but for some reason my apologetic books were ok? Lol). However, this book seeks to show (and I think accomplishes quite well) that great literature isn’t a hinderance to the Christian life but actually serves to cultivate a deep and thoroughly Christian imagination. Great literature has the capacity to convict you of your sins, to invoke worship and prayer, and to cultivate our desire to live lives of virtue. Great literature is a mirror through which you can examine your own way of life, but it also acts as a lens through which you can see with fresh eyes the world around you. The author presents a lot of helpful practical advice in here too. Like how to know if a book is worth reading, different ways to approach reading books, as well as a thoughtful critique of the bad logic often used in Christian circles to avoid reading great literature. “In a world that tries to convince us that we are computers or animals, that treats us like automatons or worker bees, what better protest than the reading life? If we are to be fully human, we must practice human acts— civility, creativity, contemplation, charity.” All four of these acts are intertwined with reading great books! So let’s get to it!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 4, 2023
J
Verified Purchase
Joseph McBee
Alexandria, US
★★★★★ 5
A Book to Read and Read Again
Format: Hardcover
I finished this book a few days ago and have been obsessing over it in my mind ever since. Hooten Wilson (which is a delightfully fun name) is a brilliant scholar, excellent guide/teacher, and lover of Christ and the written word and all of that shows on every page. This book is a call to look up from our screens and dive deep into the written word, both Scripture and literature. It is equal parts inspiring and practical. The robust and rich writing of the author is still easily accessible. As one who grew up in love with books and reading, I moved to almost exclusively non-fiction in my adult years. This book inspired me to return to the beauty of fiction once again and to see the value of the written word as a way to love God, not just to gather and process information. I will definitely be reading this one again.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 8, 2023
P
Panda Incognito
Boise, US
★★★★★ 4
Rich Academic Insight
Format: Hardcover
Near the beginning of "Reading for the Love of God," Jessica Hooten Wilson addresses why we should read fiction, responding to arguments in some Christian circles that we should only read the Bible. Other topics that she covers include the difference between using and enjoying books, how reading can help us develop greater virtue, and how we can rightly interpret books through the "trinity" of rightly balancing the text, the author's intent, and our own takeaways, instead of forcing the text to mean whatever we want. She also shares "bookmarks" between chapters about the reading lives of Augustine of Hippo, Julian of Norwich, Frederick Douglass, and Dorothy L. Sayers. These sections are thoughtful and encouraging, and the latter two are my favorite parts of the book. There is a recommended reading list at the end that offers many wonderful selections, but I want to offer one quick warning. She includes the graphic novel adaptation of Octavia Butler's "Kindred" in her list for school-age readers, and although she mentions that it's more for the 10-12 age range, it is an adult book. The main character is an adult, and the graphic novel includes vivid on-page depictions of racial violence, attempted rape scenes, and a lot of talk about rape. Some older kids can handle that, but it would terrify others and was never intended for that age group. Reading and the Bible Hooten Wilson emphasizes that enhancing our reading skills through literature will help us better read, understand, and appreciate the Bible. She makes excellent points about how learning to read different literary genres will help with biblical interpretation, and she makes a convincing case for how practicing our interpretive skills and becoming more fluent with metaphor and other literary devices will enhance our experience with the Bible. However, I felt that she sometimes went too far, making it sound like Bible-reading is an activity for the well-educated and well-practiced. God intended the Bible for everyone regardless of their socioeconomic class, abilities, or educational level, and even though reading the Bible badly can have negative consequences, this book focuses more on our own literary skills than the power of the Holy Spirit to reveal truth to us, convict us, and comfort us through Scripture. Hooten Wilson provides excellent next steps for people who want to deepen their relationship with the Bible, but I wished that she had articulated additional vital context around this. Audience This book is highly academic in content and tone, and even though I enjoyed this book and found it very enriching, it is only for serious readers. Hooten Wilson writes about highly abstract concepts in complex ways, and she often uses specialized vocabulary without explaining what she means. She also makes lots of references to monastic practices and obscure literary works that even highly bookish Christians are unlikely to be familiar with. This book shares rich scholarly perspectives, but it is not for reluctant or casual readers, especially since Hooten Wilson only acknowledges the worth of popular-level books in the special section on Dorothy L. Sayers. It disappoints me that Christian books about reading are almost always written at such a lofty level that they are inaccessible to the people who need them most. I read hundreds of books every year, including dozens of academic ones, but I still felt that parts of the book were beyond me. If someone wants to begin getting more serious about reading, I would recommend Karen Swallow Prior's "On Reading Well" as a more accessible alternative with similar themes. My other concern is that Hooten Wilson was always the expert in the anecdotes she shared, never the person learning something new. Only one anecdote bothered me in and of itself, and that is the chapter-opening illustration about a time when she set up an undergrad student for embarrassment to make a point during class. The other anecdotes don't involve power differentials and were perfectly fine, but taken together, they give the impression that the author needs to feel superior. I am sure this was unintentional, but I wish she had given examples of times that she lost an argument and learned something new. Conclusion Overall, I enjoyed "Reading for the Love of God," appreciating Hooten Wilson's unique insights and her scholarly perspective on the spiritual importance of reading. This book is deep and thoughtful, and there are a lot of important messages about reading great books to expand your mind, enhance your understanding of Scripture, and become closer to God. However, this book is so dense and academic that it is only for scholarly readers. I wish that this book could be an on-ramp for people who want to get more serious about reading, but it will probably just make them feel judged, lectured at, and so overwhelmed that they give up. This book has great value for people who inhabit the author's literary world or are so well-read that they can make the leap, but I hope that the she will consider ways to effectively reach popular audiences in the future.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 15, 2023
K
Verified Purchase
Karissa Lynn
Battle Creek, US
★★★★★ 5
Inspiration and affirmation of the richness of a reading life
Format: Hardcover
I listened to Hooten Wilson give a talk about the book and immediately pre-ordered it. It did not disappoint. I haven’t binge read a book like I did this one since last year with Abolition of Man. It was a delight to learn more about some extraordinary and diverse readers such as Julian of Norwich, Frederick Douglas, Dorothy Sayers and others. Hooten Wilson does an excellent job make a case for the ways reading both the Word and literature expands our capacity for living rightly and for reflecting God.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 15, 2023

recommand products