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SunCoast Category 5 800HP+ 48RE Transmission Rebuild Kit w/ Flex Plate 03-07 Dodge/Ram 5.9L CumminsSunCoast's Category 5 48RE Transmission Rebuild Kit is the kit for supporting massive power from 2003 2007 5. 9L Cummins powered Dodges. This high performance rebuild kit is for customers seeking extreme performance well beyond the factory transmission's capabilities. With improvements made to most of the internals with billet pieces, featuring a larger 27 spline input shaft, larger 29 spline output shaft, billet intermediate shaft, 27 spline stator
SunCoast's Category 5 48RE Transmission Rebuild Kit is the kit for supporting massive power from 2003-2007 5.9L Cummins powered Dodges. This high-performance rebuild kit is for customers seeking extreme performance well beyond the factory transmission's capabilities. With improvements made to most of the internals with billet pieces, featuring a larger 27-spline input shaft, larger 29-spline output shaft, billet intermediate shaft, 27-spline stator support and billet direct drum, SunCoast maximizes their research and development to produce a kit that will hold up to pretty much anything you can throw at it.The addition of a billet intermediate servo, billet band anchor and billet band strut address the common know shortcomings of the 48RE transmission. This kit also comes with a new billet blueprinted 4.4 band lever and new thrust washer kit containing selections for setting endplay.
Category 5 rebuild kits also includes SunCoast's larger one-piece billet 27-spline input shaft. The shaft is milled from 300 maraging steel and is then heat treated and stress relieved to handle the additional demands of higher torque and stress loads. The shaft is precision ground to exact tolerances. It also features SunCoast's exclusive 27-spline stator support to accommodate the larger input shaft.
The Category 5 48RE master rebuild kit includes a band upgrade. While some of their other kits include a Raybestos Pro Series carbon fiber flex band, in this kit SunCoast uses a billet rigid band. This band is CNC machined from billet steel and then lined with carbon graphite lining to ensure unmatched performance even by other manufacturers.
For full competition builds, safety is and should always be at the forefront of SunCoast's process. One of the biggest upgrades for this kit is the addition of the Ultimate Weapon Billet Direct Drum. This billet direct drum is made from 4140 billet steel which is to ensure the utmost safety when you consider the direct drum is traveling 2.2 times the speed of the engine. If a component fails at that speed the results are catastrophic. In competition, we've all heard about severe and potentially deadly injuries associated with transmission failures. This drum maintains conformity at higher RPMs, reducing deflection when the band is applied. This combination has proven to dramatically reduce shift times. Additional safety features included in this drum are an extended snap ring groove to allow the inclusion of more clutches. This is matched perfectly with the extended height of the SunCoast 27-spline input shaft and hub, which is also included in the Category 5 kit.
The SunCoast Category 5 48RE Rebuild Kit also includes an upgraded flexplate. The factory 48RE stamped steel flexplate is replaced with the SunCoast one-piece billet 48RE flex plate. This flexplate exceeds the competition required 29.3 SFI certification. This billet one-piece design is CNC machined from a single forging, and specific reliefs are machined out between the converter mounting area and the crank flange to enable minimal designed torsional flex.
Also included are the addition of new apply pistons for both forward and direct gearing. SunCoast Category 5 48RE master rebuild kits replace the factory cast pistons with new billet apply pistons. The direct piston is also included with new custom calibrated springs. The forward piston is replaced with a new billet piece and between these two improvements, allowance for higher clamping forces without any deflection is achieved. This leads to a greater direct shift feel and eliminates potential cross leaks within the drum.
Upgraded as well, is a full billet rear clutch retaining hub, made from 4140 heat-treated, stress-relieved billet steel in place of the OE cast piece. The factory's cast retainer is known to fail in high torsional fatigue situations such as higher line pressure, commercial use and heavy-duty towing and hauling. Replacing it with a new billet piece is the performance and reliability correction you've been looking for.
The factory intermediate shaft is substituted with a billet shaft designed for high torque & heavy towing applications. Precision machined and ground from 300 Maraging steel (VASCOMAX), it has been heat treated for superior surface toughness and durability. A billet intermediate shaft is an ideal replacement part to satisfy the demands for extreme off-road service and high-performance applications. The billet intermediate shaft is spline-machined with a large-blended radius to reduce common fractures associated with the OEM design.
Lastly, a billet output shaft. Designed for high horsepower and high torque engines, this is a performance product that has been tested well above 1,400lb-ft of torque. The shaft is machined from 300M material then Heat Treated for torsional strength and precision ground on all critical diameters.
This kit fits all 4WD 48RE transmissions.
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4.5 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows.
Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring.
Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters.
In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies.
At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn.
The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do.
As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable.
In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD.
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner.
"Point Blank" is explosive, fast-paced, and still the acting is there.
Good acting that is.
Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable.
Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be.
Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties.
John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end.
The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above.
Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem.
Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean.
A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home.
This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007
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