SKU: 61200562677

2015-2018 MERCEDES-BENZ GLE (W166) GLE AMG 63 4MATIC Left Right View Side Mirror Camera A0009051003

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Description

2015-2018 MERCEDES-BENZ GLE (W166) GLE AMG 63 4MATIC Left Right View Side Mirror Camera A0009051003Left Right View Side Mirror Camera A0009051003 For Mercedes Benz A207 C207 X166 Specifics: Material: ABS Plastic Condition: 100% Brand New Type: View Side Mirror Camera Fitment Type: Direct Replacement Quantity: 1pcs Manufacturer Part Number: A0009051003,0009051003 Placement on Vehicle: Left Right Fitment For: For MERCEDES BENZ E CLASS (A207) 2010 2016 E 260 CGI 2010 2011, 2011 2012 E 260 2016 2016, E 350 CGI 2011 2012 E 350 2010 2011, E 400 2013

Left Right View Side Mirror Camera A0009051003 For Mercedes-Benz A207 C207 X166

Specifics:
Material: ABS Plastic
Condition: 100% Brand New
Type: View Side Mirror Camera
Fitment Type: Direct Replacement
Quantity: 1pcs
Manufacturer Part Number:A0009051003,0009051003
Placement on Vehicle:Left/Right

Fitment For:
For MERCEDES-BENZ E-CLASS (A207) 2010-2016
E 260 CGI 2010-2011, 2011-2012
E 260 2016-2016, E 350 CGI 2011-2012
E 350 2010-2011, E 400 2013-2015,2016-2016

For MERCEDES-BENZ E-CLASS (C207) 2009-2016
E 200 CGI Coupe 2012-2013
E 260 CGI Coupe 2009-2011, 2011-2012, 2012-2013
E 320 2013-2015, E 320 2016-2016
E 350 Coupe 2009-2011, 2012-2012

For MERCEDES-BENZ GL-CLASS (X166) 2013-2015
AMG GL 63 2013-2013, AMG GL 63 2013-2015
GL 350 BlueTEC 4MATIC 2013-2015
GL 350 CDI 4MATIC 2013-2014, 2015-2015
GL 400 4MATIC 2013-2014, 2015-2015
GL 450 4MATIC 2013-2014, 2015-2016
GL 500 4MATIC 2012-2013, 2013-2014, 2015-2015, 2013-2015

For MERCEDES-BENZ GLA-CLASS (X156) 2015-
AMG GLA 45 4MATIC 2014-2015, 2015-2016, 2016-2017, 2017-2018
GLA 200 2014-2015
GLA 260 4MATIC 2014-2015, 2015-2015

For MERCEDES-BENZ GLE (C292) 2016-
GLE 320 4MATIC 2015-2017, 2018-
GLE 400 4MATIC 2015-2016, 2016-2017, 2017-2018
GLE 43 AMG 4MATIC 2017-2018, 2018-
GLE 500 4MATIC 2016-2017,2017-2018
GLE 63 4MATIC AMG 2015-2016

For MERCEDES-BENZ GLE (W166) 2016-
GLE 300 d 4MATIC 2016-2016, 2016-2017, 2017-2018
GLE 400 4MATIC 2015-2015, 2016-2016, 2016-2018, 2018-
GLE 450 AMG 4MATIC 2016-2016
GLE AMG 63 4MATIC 2015-2018, 2015-2017

For MERCEDES-BENZ GLK-CLASS (X204) 2008-2012
GLK 300 4MATIC 2010-2012, 2009-2010, 2008-2010, 2010-2011
GLK 350 4MATIC 2008-2010, 2010-2011

For MERCEDES-BENZ GLS (X166) 2016-
GLS 400 4MATIC 2016-2016, 2016-2017, 2017-2018, 2018-
GLS 350d 4MATIC/GLS 500 4MATIC 2016-2016, 2016-2017, 2017-2018

For MERCEDES-BENZ M-CLASS (W166) 2012-2015
ML 300 4MATIC 2012-2013, 2013-2014, 2015-2015
ML 350 CDI 4MATIC 2014-2015
ML 400 4MATIC 2013-2015
ML AMG 63 4MATIC 2012-2013, 2013-2014, 2014-2015

Package Included:
1x Left Right View Side Mirror Camera

Warranty:
Returns: Customers have the right to apply for a return within 60 days after the receipt of the product
24-Hour Expert Online: Solve your installation and product problems

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 61200562677

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4.1 ★★★★★
Based on 16 reviews
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Product Reviews
B
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Bice
Carnegie, US
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head. For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending. Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog. Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States. It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days. I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen. This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin. As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place. If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others. If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 11, 2016
D
Verified Purchase
Doug S.
Louisville, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Pawtucket, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Charlottesville, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Louisville, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026

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