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Power Flower – Rechargeable, Discreet, Intimate Wellness Accessory – Quiet, Rechargeable, Waterproof, Couples & Solo Use, Discreet Intimate Wellness AccessoryWe all know by now and if you don't, you should that Satisfyer has the clitoris covered. Yes, we mean that literally! Charming us with their amazing, top selling, completely innovative line of pressure wave clitoral stimulators and going on to design a couple of creative toys for male owners, we've been watching Satisfyer deliver pleasure left, right and center. Now, Satisfyer is taking the concept of clit stimulation to yet another level of orgasm
We all know by now -and if you don't, you should - that Satisfyer has the clitoris covered. Yes, we mean that literally! Charming us with their amazing, top selling, completely innovative line of pressure wave clitoral stimulators and going on to design a couple of creative toys for male owners, we've been watching Satisfyer deliver pleasure left, right and center. Now, Satisfyer is taking the concept of clit stimulation to yet another level of orgasm potential with the Power Flower. Thanks Satisfyer!Surrounding sweet spots (the clitoris is an obvious target, but it's perfect for nipples, head of the male, ears, toes, anything goes) in three flickering, fluttery petals of supremely soft silicone, the Power Flower fully encompasses your lucky area of choice. Once the motor is cued up, the petals quiver and throb along with twelve modes of deep, resonating vibration, licking and tickling like magic. Side note: We adore the looped handle that helps with maneuvering and keeps the Flower close as things heat up.
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Conveniently rechargeable via USB, the Power Flower will be ready to romp any time a craving hits. Power it up by attaching an included magnetic charge cord to magnet points on that great handle. 3.5 hours of charge time will run the motor for up to 50 minutes.
In high quality body safe silicone (we'd expect nothing less!), the Power Flower vibe cleans easily using warm soapy water, but you you can also use a good novelty item care fluid/foam, if you like. This Satisfyer pleasure offering is compatible with any favourite water based lubricant, but please keep it away from silicone lubes and other silicone toys. Charge cord included.
Discover discreet, personal wellness accessories designed for comfort and relaxation. Perfect for couples or solo use.
Experience discreet, premium-quality personal wellness designed for comfort and relaxation. Perfect for couples or solo use. This quiet, rechargeable massager is waterproof and easy to clean. Enhance your intimate wellness routine with confidence and privacy.
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4.8 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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