SKU: 66666650586

Spellbinders BetterPress, Press Plate, Night & Day (BP-197)

Sale price$40.50 Regular price$45.00
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Ships within 48 hours · Estimated delivery Jul 21 - Jul 26

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Description

Spellbinders BetterPress, Press Plate, Night & Day (BP-197)Night & Day Pines Press Plates are from the Home for the Holidays Collection. This set of two press plates gives you the option of playing with light against a stunning pine needle backdrop. One plate creates a daytime look, with colored branches against a white backdrop. The second plate highlights a dark background to give it a nighttime look, with white pine boughs. Ink the plates with the BetterPress Ink to be pressed against the BetterPress

Night & Day Pines Press Plates are from the Home for the Holidays Collection. This set of two press plates gives you the option of playing with light against a stunning pine needle backdrop. One plate creates a daytime look, with colored branches against a white backdrop. The second plate highlights a dark background to give it a nighttime look, with white pine boughs. Ink the plates with the BetterPress Ink to be pressed against the BetterPress Cotton Card Panel and Sheets for a crisp letterpress design.

Only four easy steps for professional results! Place the BetterPress Press Plate onto the Chase (magnetic platform to hold the press plate). Next, tape Card Panel on the Platen (clear top plate with registration marks). Apply Ink onto Press Plate. Make Letterpress Sandwich and run through the manual die-cutting machine.

Change the way you create with BetterPress, an innovative way to achieve the elegant look of letterpress without all the mess. It’s an easy-to-use system that produces professional stationery style with detailed impressions that can be felt to the touch. Combine BetterPress with the Glimmer Hot Foil System, the Sealed with Spellbinders wax seal program, and the extensive library of Spellbinders products to create one-of-a-kind cards, stationery, projects and more. The BetterPress System works with your manual die-cutting machine to create beautiful, effortless, and detailed letterpress effects.

Approximate Size:

  • Day Pines: 4.50 x 5.75 in./11.40 x 14.60 cm
  • Night Pines: 4.50 x 5.75 in./11.40 x 14.60 cm
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 66666650586

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Stephanie Kelly
Battle Creek, US
★★★★★ 5
Silly little book
Format: Hardcover
My daughter love this book. We read it over and over again until I had to make her choose something different t. The story is so cute and the illustrations are really fun.
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Reviewed in the United States on March 29, 2026
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Keri
San Leandro, US
★★★★★ 5
Great book
Format: Hardcover
Love this book. I bought two of the other books in this series. My niece loved it.
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Reviewed in the United States on April 3, 2026
S
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Samantha Laubenstine
Belleville, US
★★★★★ 5
Perfect for spring time!
Format: Hardcover
Such a great book series I love reading it to my boys!
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Reviewed in the United States on March 31, 2026
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Ashley Mandrell
Port Orchard, US
★★★★★ 5
Good buy
Format: Hardcover
This is a super cute book! It teaches about spring and we enjoy reading it!
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Reviewed in the United States on February 19, 2026
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Don Morris
Phoenix, US
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022

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