SKU: 70136727489

SAFETY CAGE 2.0

Sale price$445.50 Regular price$495.00
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Description

SAFETY CAGE 2.0Its not a ladder, its the Little Giant Safety Cage. With the Cage, you can access workspaces that would typically require tying off, scaffolding or lifts, all with less time and labour than other climbing solutions. The Cage has a comfortable standing surface with a fully enclosed toe kick and wraparound enclosure, making it faster, safer and less expensive than many scaffolding or lift options. Plus, because you can work hands free, the Safety Cage

It’s not a ladder, it’s the Little Giant® Safety Cage®. With the Cage, you can access workspaces that would typically require tying-off, scaffolding or lifts, all with less time and labour than other climbing solutions. The Cage has a comfortable standing surface with a fully enclosed toe kick and wraparound enclosure, making it faster, safer and less expensive than many scaffolding or lift options. Plus, because you can work hands-free, the Safety Cage is perfect for jobs like maintaining large HVAC equipment or installing stage lighting.

Stable, Fully Enclosed Climbing Solution

Many industries require professionals to tie off at an anchor point when working at certain heights. This standard helps keep people safe, but it can be a difficult standard to maintain. The EN131-7/OSHA-compliant Safety Cage eliminates the need to tie-off, helping you get your work done quickly. With adjustable outriggers fitted to all sizes, the Cage has increased side-tip stability, making it the ideal climbing alternative for the job site.

Easy to Use, Store and Carry

The Safety Cage can be set up and taken down with just one person, and with its compact folding capabilities, storage is easy. The Cage features Tip & Glide™ Wheels, which lighten the load as you transport the Cage. With the Cage’s caster wheel lift, you can roll the ladder from place to place, even while the Cage is fully deployed.

Non-Conductive, Hi-Viz Green Fibreglass

You need climbing equipment you can count on. Little Giant’s fibreglass is lightweight and durable, allowing you to work around electricity without fear of conductivity. The Cage is made with Little Giant’s iconic Hi-Viz green fibreglass, which promotes increased visibility and serves to decrease accidental bumping.

Ground Cue®

With Ground Cue®, you can descend the ladder with confidence. Ground Cue is Little Giant’s integrated bottom rung alert system. Upon stepping on the bottom rung, Ground Cue makes an audible “click” that you can hear and feel, letting you know that you have safely reached the bottom of the Cage.

Product Features

  • Enclosed Safety Cage® eliminates tie-off requirement.
  • Compliant with industry rules for three points of contact.
  • Ground Cue® bottom rung alert lets you know when you’ve reached the bottom rung.
  • Tip & Glide™ wheels increase portability during transportation.
  • Wheel lift castors allow you to roll the ladder while fully deployed, and lock in place for secure climbing.
  • Light enough to work on weight-limited stages and upper floors.
  • Non-conductive fibreglass rails are ideal when working around electricity.
  • Hi-Viz green fibreglass increases the Cage’s visibility, preventing accidental bumping.
  • The Safety Cage meets or exceeds all safety standards
  • Max Load 150kg
  • EN131-7:2013

For more information about this product range, please download the following PDF(s): Datasheet

 

SKU Treads Platform
Height (m)
Approx. Working
Height1 (m)
Closed
Height (m)
Width
(m)
Open Depth
(m)
Weight
(kg)
1304-092 2 0.6 2.6 2.0 0.8 0.9 23.3
1304-094 4 1.2 3.2 2.5 0.9 1.2 27.0
1304-096 6 1.7 3.7 3.2 1.0 1.6 31.8
1304-098 8 2.3 4.3 3.8 1.1 1.9 35.1
1304-100 10 2.8 4.8 4.4 1.1 2.3 42.8
Where applicable, Approx. Working Height1 is an approximate calculation of 1.95m (6'4") plus platform height or last climbing tread, whichever is appropriate. Ladders set at an angle of ~75o degrees.
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SKU: 70136727489

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4.4 ★★★★★
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Product Reviews
D
Verified Purchase
David R. Papke
Waukegan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Boise, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lexington, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lexington, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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