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Description
Various – 100 Chefs-D'oeuvre De La Musique Classique - 5 Discs (Used) (Mint Condition) CD1 1 Richard Strauss Ainsi Parlait Zarathoustra, Op. 30 1: 57 1 2 Jean Sbastien Bach* Suite N3 Pour Orchestre Bwv 1068 5: 45 1 3 Wolfgang Amadeus Mozart Srnade "Une Petite Musique De Nuit" K. 525 3: 35 1 4 Edvard Grieg Peer Gynt 2: 52 1 5 Antonin Dvorak* Symphonie N9 "Du Nouveau Monde", Op. 95 2: 04 1 6 Robert Schumann Scnes D'enfants 2: 39 1 7 Nicolo Paganini* Concerto Pour Violon Et Orchestre N2, Op. 7 1: 29 1 8 Giuseppe Verdi Le Trouvre 2: 51 1 9
| 1-1 | Richard Strauss– | Ainsi Parlait Zarathoustra, Op.30 | 1:57 |
| 1-2 | Jean-Sébastien Bach*– | Suite N°3 Pour Orchestre Bwv 1068 | 5:45 |
| 1-3 | Wolfgang Amadeus Mozart– | Sérénade "Une Petite Musique De Nuit" K.525 | 3:35 |
| 1-4 | Edvard Grieg– | Peer Gynt | 2:52 |
| 1-5 | Antonin Dvorak*– | Symphonie N°9 "Du Nouveau Monde", Op.95 | 2:04 |
| 1-6 | Robert Schumann– | Scènes D'enfants | 2:39 |
| 1-7 | Nicolo Paganini*– | Concerto Pour Violon Et Orchestre N°2, Op.7 | 1:29 |
| 1-8 | Giuseppe Verdi– | Le Trouvère | 2:51 |
| 1-9 | Nicolas Rimski-Korsakov*– | Tsar Saltan | 1:11 |
| 1-10 | Ludwig van Beethoven– | Sonate Pour Piano N°14 "Clair De Lune", Op.27 N°2 | 6:01 |
| 1-11 | Antonio Vivaldi– | Les Quatre Saisons | 3:27 |
| 1-12 | Jacques Offenbach– | Orphée Aux Enfers, Ouverture | 2:05 |
| 1-13 | Luigi Boccherini– | Quintette A Cordes Op.11 N°5 | 3:24 |
| 1-14 | Johannes Brahms– | Danse Hongroise N°5 | 2:34 |
| 1-15 | Bedrich Smetana*– | La Moldau | 3:52 |
| 1-16 | Johannes Brahms– | Symphonie N°3 | 5:51 |
| 1-17 | Emmanuel Chabrier– | Espana | 6:01 |
| 1-18 | Frédéric Chopin– | Sonate Pour Piano N°2, Op. 35 | 8:34 |
| 1-19 | George Gershwin– | Un Américain A Paris | 5:44 |
| 1-20 | Maurice Ravel– | Boléro (Extrait) | 5:16 |
| 2-1 | Ludwig van Beethoven– | Symphonie N°5, Op.67 | 3:08 |
| 2-2 | Piotr Illitch Tchaïkovsky*– | Casse-Noisette | 7:01 |
| 2-3 | Giuseppe Verdi– | Rigoletto | 3:05 |
| 2-4 | Jules Massenet– | Thaïs | 4:50 |
| 2-5 | Serge Prokofiev*– | Roméo Et Juliette | 5:18 |
| 2-6 | Johann Strauss Sr.– | Johann Strauss | 2:21 |
| 2-7 | Joaquín Rodrigo– | Concierto De Aranjuez | 3:21 |
| 2-8 | Wolfgang Amadeus Mozart– | Requiem, K.626 | 3:17 |
| 2-9 | Gabriel Faure*– | Pavane (Extrait) | 2:34 |
| 2-10 | Johannes Brahms– | Berceuse, Op.49 N°4 | 1:49 |
| 2-11 | Jacques Offenbach– | Les Contes D'Hoffmann | 3:55 |
| 2-12 | Georges Bizet– | Carmen | 4:26 |
| 2-13 | Giacomo Puccini– | Turandot | 3:25 |
| 2-14 | Giuseppe Verdi– | Requiem | 2:38 |
| 2-15 | Hector Berlioz– | La Damnation De Faust | 4:24 |
| 2-16 | Gioacchino Rossini– | Le Barbier De Séville | 4:38 |
| 2-17 | Georg Friederich Haendel*– | Water Music | 4:28 |
| 2-18 | Jean-Sébastien Bach*– | Le Clavier Bien Tempéré | 1:25 |
| 2-19 | Gabriel Faure*– | Requiem, Op.48 | 4:01 |
| 2-20 | Claude Debussy– | Prélude A L'après-Midi D'un Faune | 9:33 |
| 3-1 | Jean-Sébastien Bach*– | Toccada Bwv 565 | 2:35 |
| 3-2 | Georg Friederich Haendel*– | Le Messie | 4:00 |
| 3-3 | Wolfgang Amadeus Mozart– | Concerto Pour Piano Et Orchestre N°21 K.467 | 7:15 |
| 3-4 | Johann Strauss Jr.– | Le Beau Danube Bleu, Valse | 3:15 |
| 3-5 | Frédéric Chopin– | Étude Op.10 N°3 "Tristesse" | 4:02 |
| 3-6 | Jean-Sébastien Bach*– | Cantate Bwv 147 | 3:31 |
| 3-7 | Félix Mendelssohn*– | Romances Sans Paroles | 2:08 |
| 3-8 | Giuseppe Verdi– | Aida | 5:08 |
| 3-9 | Manuel De Falla– | L'Amour Sorcier | 1:58 |
| 3-10 | Claude Debussy– | Suite Bergamasque | 5:14 |
| 3-11 | Jean-Sébastien Bach*– | Suite Pour Orchestre N°2 Bwv 1067 | 1:32 |
| 3-12 | Franz Liszt– | Rêve D'Amour N°3 | 4:35 |
| 3-13 | Camille Saint-Saëns– | Le Carnaval Des Animaux | 2:48 |
| 3-14 | Georg Friederich Haendel*– | Largo De Xerxes | 2:57 |
| 3-15 | Ludwig van Beethoven– | Bagatelle "Pour Élise" | 4:02 |
| 3-16 | Louis-Claude Daquin– | Le Coucou | 1:58 |
| 3-17 | Nicolo Paganini*– | Caprice Op.1 N°24 Pour Violon Seul | 4:24 |
| 3-18 | Giacomo Puccini– | Gianni Schicchi | 2:05 |
| 3-19 | Serge Rachmaninov*– | Vocalise | 5:30 |
| 3-20 | Robert Schumann– | Scènes De La Forêt | 3:23 |
| 3-21 | Camille Saint-Saens*– | Samson Et Dalila | 5:31 |
| 4-1 | Carl Orff– | Carmina Burana | 2:37 |
| 4-2 | Serge Rachmaninov*– | Concerto Piano Et Orchestre N°2 | 2:26 |
| 4-3 | Johann Pachelbel– | Canon | 3:10 |
| 4-4 | Frédéric Chopin– | Nocturne Op.9 N°2 | 3:58 |
| 4-5 | Tomaso Albinoni– | Adagio Pour Cordes Et Orgue | 4:14 |
| 4-6 | Piotr Illitch Tchaïkovsky*– | La Belle Au Bois Dormant | 4:08 |
| 4-7 | Wolfgang Amadeus Mozart– | Symphonie N° 40 K.550 | 3:27 |
| 4-8 | Anonyme*– | Romance Pour Guitare | 2:32 |
| 4-9 | Franz Schubert– | Ave Maria | 2:41 |
| 4-10 | Aram Khatchaturian– | Gayaneh | 2:13 |
| 4-11 | Jean Sibelius– | Valse Triste | 6:15 |
| 4-12 | Edvard Grieg– | Peer Gynt | 2:07 |
| 4-13 | Claude Debussy– | Prélude, Livre 1 | 2:42 |
| 4-14 | Henry Purcell– | Dindon Et Enée | 4:34 |
| 4-15 | Georg Friederich Haendel*– | Solomon | 3:07 |
| 4-16 | Johann Strauss*– | Tritsch-Tratsch Polka | 2:48 |
| 4-17 | Joseph Haydn– | Concerto Pour Trompette | 4:34 |
| 4-18 | George Gershwin– | Rapsody In Blue | 3:00 |
| 4-19 | Jean-Sébastien Bach*– | Suite Pour Violoncelle Seul Bwv 1007 | 2:50 |
| 4-20 | Maurice Ravel– | Pavane Pour Une Infante Défunte | 6:16 |
| 4-21 | Richard Wagner– | Tristan Et Isolde | 6:25 |
| 5-1 | Georges Bizet– | Carmen, Suite N°1 | 2:04 |
| 5-2 | Giuseppe Verdi– | Nabucco | 4:54 |
| 5-3 | Piotr Illitch Tchaïkovsky*– | Concerto Pour Piano N°1 | 3:40 |
| 5-4 | Gustav Mahler– | Symphonie N°5 | 2:19 |
| 5-5 | Wolfgang Amadeus Mozart– | Sonate Pour Piano K.331 | 3:35 |
| 5-6 | Edward Elgar*– | Pomp & Circumstance March N°1 | 5:52 |
| 5-7 | Wolfgang Amadeus Mozart– | La Flûte Enchantée | 2:56 |
| 5-8 | Isaac Albeniz*– | Asturias | 2:30 |
| 5-9 | Erik Satie– | Gymnopédie N°1 | 3:53 |
| 5-10 | Marc Antoine Charpentier– | te Deum | 1:21 |
| 5-11 | Frédéric Chopin– | Valse "Minute", Op.64 N°1 | 1:37 |
| 5-12 | Georges Bizet– | L'Arlésienne - Prélude | 2:53 |
| 5-13 | Richard Wagner– | La Walkyrie | 4:55 |
| 5-14 | Paul Dukas– | L'Apprenti Sorcier | 11:28 |
| 5-15 | Anonyme*– | Greensleeves | 3:34 |
| 5-16 | Giacomo Puccini– | Madame Butterfly | 5:00 |
| 5-17 | Wolfgang Amadeus Mozart– | Concerto Pour Flûte Et Harpe K.299 | 7:43 |
| 5-18 | Ludwig van Beethoven– | Symphonie N°9, Op.125 | 3:00 |
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4.8 ★★★★★
Based on 27 reviews
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Product Reviews
★★★★★ 3
Butttttt…
Color: Pink (PDRN)
I wanted to love these soooo bad cause they’re super serum-y , feel great on the skin and I can tell actually difference after wearing. BUTTTT they leave a residue and it’s a nightmare if you do it before makeup.
So I will keep but I only reccomend using if you’re not putting on makeup that day!
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Reviewed in the United States on May 21, 2026
★★★★★ 5
Repurchasing for sure
Color: Zero Pore Pads, Size: 70 Count (Pack of 1)
These toner pads have genuinely made my skin look smoother, brighter, and more refreshed. They’re super easy to use and feel really gentle while still giving noticeable results. My skin feels cleaner and softer after using them, and I’ve especially noticed improvement in texture and overall glow.
I also love that the pads are really saturated without dripping everywhere, and they don’t irritate my skin. They’ve become such an easy part of my routine, especially on days when I want my skin to look extra fresh and glowy. Definitely one of the better skincare purchases I’ve made lately.
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Reviewed in the United States on May 18, 2026
★★★★★ 5
medicube Dual-Textured Facial Pads for Exfoliation and Pore Care
Color: Zero Pore Pads, Size: 70 Count (Pack of 1)
If you’ve spent any time on skincare social media, you’ve likely seen these white tubs with bright blue lids. The Medicube Zero Pore Pad 2.0 is a cult-favorite K-Beauty staple designed for those who struggle with "strawberry nose," excess sebum, and texture. It isn't just a toner; it’s a mechanical and chemical exfoliant hybrid.
The Dual-Action Design
The "2.0" version features a pre-soaked, double-sided pad that serves two distinct purposes:
1. Embossed Side: Provides gentle physical exfoliation to lift away dead skin cells and debris.
2. Silky Side: Polishes the skin and hydrates, prepping the face for the rest of your routine.
The Pros: Why It’s a Bestseller
• Noticeable Texture Improvement: Within a week of consistent use, most users notice a significant reduction in "bumps" and a smoother surface for makeup application.
• Effective Sebum Control: It contains a "Pore Tightening Complex" (including lemongrass and mint peel) that helps keep midday oiliness at bay without stripping the skin bone-dry.
• Clean and Convenient: The tub comes with a secondary lid and tweezers, keeping the pads saturated and hygienic.
• The "Glow" Factor: Because it uses AHAs and BHAs (Salicylic Acid and Betaine Salicylate), it clears out the "gunk" inside pores, making them appear smaller and the skin look brighter.
The Cons: What to Watch For
• Fragrance: These pads have a distinct, slightly medicinal/citrus scent. While refreshing to some, it may be irritating if you have a high sensitivity to added fragrance.
• Tingling Sensation: If your skin barrier is compromised or you are very sensitive, you might feel a slight sting. It’s a potent exfoliant, not a soothing toner.
• Price Point: Compared to basic drugstore toners, Medicube sits at a premium. You are paying for the convenience of the pre-soaked formulation and the specific patented ingredients.
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Reviewed in the United States on May 12, 2026
★★★★★ 5
Great product, great price!
Color: Zero Pore Pads, Size: 70 Count (Pack of 1)
These toner pads have been amazing for my skin! They leave my face feeling incredibly smooth, refreshed, and clean, and I’ve definitely noticed an improvement in texture and overall glow. I especially love using them while removing my makeup because they make my skin feel extra fresh and clean afterward. I do notice they leave a slight semi-dry/tight feeling on my skin at first, but once I rinse and apply moisturizer, my skin feels absolutely amazing — soft, balanced, and hydrated. The pads are well soaked, easy to use, and make my skincare routine feel so much more effective. I’ll definitely continue using them! I also feel they work just as great and are not as over priced as so many others out there.
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Reviewed in the United States on May 19, 2026
★★★★★ 5
They really do work!
Color: Zero Pore Pads, Size: 70 Count (Pack of 1)
I rarely give reviews that aren’t motivated by disappointment, but this is one of them. Medicube makes several products that I use alongside $170 serums and creams, and the Zero Pore Pad is one of them. I love the dual texture, and even after using a pre-cleanser and a “microfolient” face wash (both expensive washes from by Dermologica), the Zero Pore Pad is my ONLY choice for a toner. Compared to the products that go on after using the pads, the pads are incredibly affordable for the results I’ve seen. On the rougher side of the pad, this toner still somehow finds pockets of sebum that are visible on the pad after using as directed. It’s like magic.
I’m on my third container of Zero Pore Pads and I can say, without a doubt, they have had noticeable results on my skin, mostly on my nose and the cheek area around my nose. The size of my pores are now smaller, almost invisible. This is despite the fact that I layer a bunch of serums, creams and a moisturizer at night that I lock in with the peel-off Medicube collagen mask. Despite the weight of it all on my pores, the pads still have worked, and they aren’t harsh like some toners-but if you have very sensitive skin or are on acne medication, go with their milder sister product). I wash my face three times a day due to the ick of polluted air and layers of moisturizer and sunscreen, so I’ve been using these three times a day, but occasionally I use the Koji and Tumeric Pads, which have had no noticeable effect aside from serving as a basic toner.
The application is lovely on all Medicube’s pads with their dual texture, but like the collagen mask these Zero Pore Pads really do work (for me). Because skin varies with age and melanin content, I am a pale white woman (female at birth) of Scandinavian descent so I don’t know if these would have had the same impact on me at age 17, but now they work, really well. I literally have the glass skin K-beauty prizes—I just used the pads and thought I had something on my face because my skin was shining. I love these, try them!
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Reviewed in the United States on March 29, 2026