SKU: 85071103136

Sea Breeze Hand Soap Concentrate in Bergamot, Geranium and Lavender

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Description

Sea Breeze Hand Soap Concentrate in Bergamot, Geranium and LavenderWHAT IT IS Vegan Cruelty Free Free from Surfacants, Triclosan and Palm Oil. With a silky, gel like consistency, Sea Breeze is a hand soap that cleans effectively without stripping the skin of its natural oils. This is thanks to the base of Organic Liquid Castile Soap, which is kind to your hard working hands, but has been shown in studies to be as efficient at fighting bacteria as harsher anti bacterial hand washes and sanitisers. Weve infused this

WHAT IT IS

Vegan

Cruelty Free

Free from Surfacants, Triclosan and Palm Oil.

With a silky, gel-like consistency, Sea Breeze is a hand soap that cleans effectively without stripping the skin of its natural oils. This is thanks to the base of Organic Liquid Castile Soap, which is kind to your hard-working hands, but has been shown in studies to be as efficient at fighting bacteria as harsher anti-bacterial hand washes and sanitisers. We’ve infused this wholesome base with Pure Essential Oils of Bergamot, Geranium and Lavender to release a delicate aroma evoking the mists of the Atlantic. Simply close your eyes and imagine yourself standing on the shore, as the green and salty-mossy aroma notes waft around you.

THE RITUAL

Pump a pea-sized amount into your palms, massage it in with a little water – and inhale deeply, taking a few mindful moments as the aroma of the essential oils drifts around you.

PACKAGING

Sea Breeze comes in a stunning amber glass apothecary-style bottle. It has a fitted lockable pump insert - perfect for travel or as a nurturing gift for a loved one in hospital. 

Standard Size: 80ml (approx. 500 measures; travel- and airport security-friendly)

Spa Size: 500ml (approx. 3,000 measures)

Refills are available in our witchy apothecary workshop in the sleepy village of Tayinloan in coastal Argyll.

INGREDIENTS

Castile Liquid Soap*, Essential Oils of Italian Bergamot, Egyptian Geranium, French Lavender.

*Certified organic.

Please note: Origin of Pure Essential Oils may vary.

Unlock your innate natural beauty and nourish your soul with me, Kirsty, of Zing Organics.

CUSTOMER REVIEWS

“NOURISHING PRODUCTS”

'Your products are gorgeous 🥰 since I switched from my usual hand wash to your Sea Breeze liquid hand soap, the skin on my hands has started to feel soft and plump. Thank you for offering a kind and nourishing alternative to the secretively harsh products out there xx' - Emily Rose Mawson - Isle of Arran

“SO UPLIFTING”

”I love the aroma of the Sea Breeze  it’s so uplifting” - Jacqueline White - Glasgow

“QUITE SPECIAL”

‘Everything about Kirsty and Zing Organics is special and we’re thrilled to have a candle and hand wash with us at our home away from home. Nothing compares to hand made in Scotland so we recommend others don’t hesitate to jump on this authentic bandwagon.' - Beth Edberg - Edinburgh and Hebridean Holiday Home

“LASTS FOR AGES”

'I love this liquid soap. Lasts for ages too as you only need a wee drop.' - Jacqui Barker - Provides a spa-sized Sea Breeze hand soap in her Airbnb in Tarbert and uses it to clean massage tools in her massage therapy treatment room.






 

 

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SKU: 85071103136

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4.8 ★★★★★
Based on 8 reviews
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Product Reviews
D
Verified Purchase
Diana D
Draper, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Massapequa, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Massapequa, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Cuba, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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