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Description
Fenland Influences - Pathway (#FEN_11)About: A contemporary collection of abstract mixed media original paintings by Cambridge based artist Terry Beard. All pieces in this collection were made in response to the landscape, in particular the fens and the wooded fenland near where the artist lives in Cambridgeshire. Medium: Original mixed media painting on deep edge canvas Size: 60cm (W) by 120cm (H) Rental: Available to rent, under Rental Price Category THREE Artist Info: Terry lived
About: A contemporary collection of abstract mixed media original paintings by Cambridge based artist Terry Beard. All pieces in this collection were made in response to the landscape, in particular the fens and the wooded fenland near where the artist lives in Cambridgeshire.
Medium: Original mixed media painting on deep edge canvas
Size: 60cm (W) by 120cm (H)
Rental: Available to rent, under Rental Price Category THREE
Size: 60cm (W) by 120cm (H)
Rental: Available to rent, under Rental Price Category THREE
Artist Info: Terry lived abroad during her childhood, in Canada, Ireland and Uganda, and these experiences have had a subliminal impact on her work and use of colour. Terry studied textile design and worked for many years as a freelance textile designer and illustrator. She now works from a new studio in the heart of the Cambridgeshire Fens.
Terry has developed a screen print monotype technique which she uses to build up transparent layers of colour and texture. Newsprint paper is often used, sometimes as a temporary stencil, and at other times printed on directly and collaged onto the canvas. Other materials used include acrylics and household paints.
‘My work is informed and inspired by elements within the natural and built environment, particularly the landscape which surrounds my studio in the Fens. This is a varied landscape, with areas of flat farmland, punctuated with woodland and connected by ditches and drains. I live close to an area of preserved fenland which offers endless possibilities for visual interpretation. My work explores ways of conveying a sense of depth and form using abstract marks and gestures such as blocks of colour and lines, and intuitive decisions are made during the making process. Although the environment is the root of all my work, the interpretation is personal to each observer.’
Terry has developed a screen print monotype technique which she uses to build up transparent layers of colour and texture. Newsprint paper is often used, sometimes as a temporary stencil, and at other times printed on directly and collaged onto the canvas. Other materials used include acrylics and household paints.
‘My work is informed and inspired by elements within the natural and built environment, particularly the landscape which surrounds my studio in the Fens. This is a varied landscape, with areas of flat farmland, punctuated with woodland and connected by ditches and drains. I live close to an area of preserved fenland which offers endless possibilities for visual interpretation. My work explores ways of conveying a sense of depth and form using abstract marks and gestures such as blocks of colour and lines, and intuitive decisions are made during the making process. Although the environment is the root of all my work, the interpretation is personal to each observer.’
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4.2 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 4
This is the ONLY paper that works well with SP-1
Style: 100ct
This is the only paper that works well with the Brother SP-1 sublimation printer. The instructions on using the paper are a little weird, but as long as the cut corner remains in the lower right of the printer tray, you'll be okay. I can't say that there's a lot of consistency in printing with this paper. Sometimes photos I've printed for items look really great, other times the photos are quite muted. This is a CMYK printer, which means you won't see the vibrant colors you see on your computer monitor. Often a red-boost in saturation in PS will help with some of that problem. The other issue is there's no real color management profile defined if you're printing directly from Adobe Photoshop and/or Illustrator. Even if you use matching CMYK colors in your artwork, don't expect those colors to work in sublimation. For simple artwork, with few color gradations, this seems to work pretty well. So, if you have an SP-1, this is the only paper you should use.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 11, 2024
★★★★★ 5
My favorite sub paper
Style: 100ct
It works great with my new Brother sublimation printer. I am super happy with the quality of this sub paper.
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Reviewed in the United States on April 9, 2024
★★★★★ 5
sublimation paper
Style: 100ct
Good quality. Not sure if the print is the printer or not
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Reviewed in the United States on April 27, 2024
★★★★★ 5
Great paper
Style: 100ct
This paper did a great job
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 21, 2024
★★★★★ 5
Amazing product!
Set name: Sublimation Printer, Set name: Sublimation Printer
All I can say is "WOW". I was skeptical about changing over from my Sawgrass to another brand of sublimation printers. But now I wish I started here from the start! Not only does this machine cost a good amount less with the same paper sizes and options as my SG500 but the ink is cheaper per cartridge and 11ml larger than the standard 30ml I am use to. Set up was super easy, as well as the connection. My prints are bold, bright, and beautiful. I am amazed! I am thankful that the details in the prints show through no matter what material I am pressing on. As a business owner, I need a good, efficient printer that doesn't cost more than the product I am selling. I can't wait to continue using my machine. I have not run into any maintenance issue and can not speak on anything of that as of now. Attached photos; however, my camera did not do it justice.
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Reviewed in the United States on January 15, 2026
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