SKU: 87123695281

MAXTOP Small Crossbody Bags for Women Men Cellphone Belt Bag Purse Fanny Pack with Adjustable Strap Black Sling Bag for Traveling Casual Festival Gifts

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Description

MAXTOP Small Crossbody Bags for Women Men Cellphone Belt Bag Purse Fanny Pack with Adjustable Strap Black Sling Bag for Traveling Casual Festival GiftsBrand: MAXTOP Color: Black Features: Roomy SpaceThe MAXTOP cross body purse size is about 8. 4 ''x1. 6 ''x5. 8'' with single roomy main pocket,3 small mesh pockets and 1 front pockets for all your small essentials, such as all size phones, passport, keys,ID,cosmetics and other small items. The theft proof hidden zippered Pocket on the back side is great for you to Keep Your Valuables Away From the Thieves Versatile Style Cross Body Bag, Adjustable

Brand: MAXTOP

Color: Black

Features:

  • Roomy Space—The MAXTOP cross body purse size is about 8.4 ''x1.6 ''x5.8'' with single roomy main pocket,3 small mesh pockets and 1 front pockets for all your small essentials, such as all size phones, passport, keys,ID,cosmetics and other small items. The theft-proof hidden zippered Pocket - on the back side is great for you to Keep Your Valuables Away From the Thieves
  • Versatile Style Cross Body Bag, Adjustable Strap — Since the comfortable long strap is widely adjustable for most waist size(27” - 49”).There are many ways to wear this women belt bag - You can wear it in front of your waist, as a belt bag,back on your hip, slant across your chest or over You shoulder.It is a good way to free your hands,allows for different wearing styles.It is a great replacement for your wallet
  • Durable Material — Our small crossbody purse are made of a durable water resistant tear proof to help carry you through all of life's adventures. We choose the premium materials including metal zipper, metal d ring attachments and durable straps
  • Various Occasions — If you want fashion, function or versatility, MAXTOP has an amazing collection of stylish belt bag for Music concert, Theme Parks, Party ,Shopping,Working Out,Traveling,Running,Dog Walking. Explore our fashion crossbody bag perfect for walking around town or day trips
  • Best Gift Choice — This small crossbody sling bag is available in a variety of colors,reflects the casual and simplicity, which makes the perfect gift for any occasion,such as New Year, Valentine's Day, Easter, Mother's Day, Halloween, Thanksgiving and Christmas

model number: MFF005

Part Number: MFF005

Package Dimensions: 10.7 x 7.1 x 0.7 inches

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SKU: 87123695281

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4.8 ★★★★★
Based on 24 reviews
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Product Reviews
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Verified Purchase
Trendy Chic
Phoenix, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 8, 2024
M
Verified Purchase
Matthew
Charlottesville, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2025
T
Verified Purchase
T
Lowell, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 14, 2025
A
Verified Purchase
AMD
Birmingham, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Lexington, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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