SKU: 94526392766

EM 360 Player Series AB de Villiers English Willow Cricket Bat

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Description

EM 360 Player Series AB de Villiers English Willow Cricket BatEM 360 Player Series AB de Villiers English Willow Cricket Bat The Playburst bat celebrates ABs joyful, fearless style a vibrant tribute to cricket played with heart, creativity, and freedom. Beyond Runs: For AB, cricket was about joy, flair, and pure play. Playburst Design: Bursting with colors that reflect passion and creativity. Energy & Expression: Symbolizing rhythm, freedom, and fearless imagination. Tribute Bat: Celebrates cricket played with

EM 360 Player Series AB de Villiers English Willow Cricket Bat

The Playburst bat celebrates AB’s joyful, fearless style — a vibrant tribute to cricket played with heart, creativity, and freedom.

  • Beyond Runs: For AB, cricket was about joy, flair, and pure play.
  • Playburst Design: Bursting with colors that reflect passion and creativity.
  • Energy & Expression: Symbolizing rhythm, freedom, and fearless imagination.
  • Tribute Bat: Celebrates cricket played with heart, artistry, and emotion.
  • Hand-selected Grade 1 for elite performance.
  • Powerful Profile: Full spine and big edges for maximum punch.
  • Balanced Pickup: Lightweight feel with excellent control.
  • Modern Shape: Slightly concave for superior balance and bat speed.
  • Pro Handle: Semi-oval handle for comfortable, stable grip.
  • Ready to Play: Pre-knocked and finished to match pro standards.

Channel the "Mr. 360" mindset with the EM 360 Player Series, a vibrant tribute to AB de Villiers' fearless and creative style. This isn't just a bat; it’s a professional-grade tool crafted for players who demand elite performance and artistic flair on the pitch.

Why the 360 Player Series Stands Out:

  • Elite Grade 1 Willow: Hand-selected for impeccable grain structure and explosive "ping," ensuring you get the same quality used at the international level.

  • The "Playburst" Profile: Designed with a full spine and massive edges, providing a huge sweet spot that supports creative shot-making across the entire 360-degree radius of the field.

  • Pro-Level Handling: Features a semi-oval handle for a stable, comfortable grip, combined with a slightly concave shape to optimize bat speed and balance.

  • Fearless Design: The colorful "Playburst" aesthetics reflect a passion for the game, symbolizing rhythm, freedom, and aggressive imagination.

Q: What is the difference between the EM 360 Player Series and standard bats? The Player Series uses Grade 1 English Willow, the highest quality available. It is specifically profiled to match the balance and weight distribution favored by professional players like AB de Villiers, offering a superior "ping" and larger sweet spot than lower-grade models.

Q: Is the EM 360 bat pre-knocked? Yes, the EM 360 comes factory-knocked and finished to professional standards. However, we still recommend a further 2–3 hours of light mallet work and net practice with an old ball to fully "open up" the willow fibers for peak performance.

Q: What player style is this bat best for? This bat is designed for the versatile stroke maker. The balanced pickup and modern shape allow for the high bat speed needed for T20 ramps and scoops, while the full profile provides the power required for traditional long-format drives.

Check out Bat Accessories here!

Size Guide: https://topcricketstore.com/blogs/blog-posts/how-to-choose-the-perfect-sized-bat-for-you

*All photos shown are ACTUAL LIVE REAL IMAGES of bats currently in stock.*

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 94526392766

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4.4 ★★★★★
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DoubtfulReader
New York, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Massapequa, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
Fort Morgan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Houston, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Belleville, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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