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Codiaeum Petra - Croton - Ø17cm - ↕45cmMaak kennis met Codiaeum variegatum Petra, een prachtige kamerplant die ook bekend staat als de Croton. Afkomstig uit Zuidoost Azi, weet deze betoverende plant te fascineren met zijn levendige en bontgekleurde bladeren. De Codiaeum variegatum Petra is een ware parel, met een scala aan opvallende kleuren, waaronder tinten rood, oranje, geel en groen. Zijn glanzende bladeren brengen leven in elke ruimte en voegen een vleugje tropische elegantie toe.
Maak kennis met Codiaeum variegatum Petra, een prachtige kamerplant die ook bekend staat als de Croton. Afkomstig uit Zuidoost-Azië, weet deze betoverende plant te fascineren met zijn levendige en bontgekleurde bladeren. De Codiaeum variegatum Petra is een ware parel, met een scala aan opvallende kleuren, waaronder tinten rood, oranje, geel en groen. Zijn glanzende bladeren brengen leven in elke ruimte en voegen een vleugje tropische elegantie toe. Dankzij zijn makkelijke verzorging en vermogen om binnen te gedijen, is deze door SEO-geoptimaliseerde schoonheid een perfecte toevoeging aan uw interieur, zowel thuis als op kantoor. Ervaar de aantrekkingskracht van Codiaeum variegatum Petra! Maak kennis met de Codiaeum variegatum Petra, een verbluffende toevoeging aan elke binnen- of buitenruimte. Deze levendige plant gedijt het beste op een plek met halfschaduw of halfschaduw, volle zon, wat hem veelzijdig en gemakkelijk in de verzorging maakt. Met zijn gedurfde, bontgekleurde bladeren voegt deze schoonheid een vleugje kleur en levendigheid toe aan elke omgeving. Gewoon eens per week water geven om de grond consistent vochtig maar niet doorweekt te houden. Verwen je Codiaeum variegatum Petra en zie hoe hij gedijt. Upgrade je ruimte en breng de schoonheid van de natuur naar binnen met deze onderhoudsarme plant. Bestel de jouwe vandaag nog en geniet van de schoonheid die het met zich meebrengt!Wist je dat Codiaeum variegatum Petra, ook wel bekend als Croton Petra, niet alleen mooi is? Deze fantastische kamerplant voegt een explosie van levendige kleuren toe aan elke ruimte, met zijn opvallende groene, paarse, oranje en gele bladeren. Maar wacht even! Hoewel het verleidelijk is om te knabbelen aan die heerlijk uitziende bladeren, is het belangrijk om te onthouden dat Croton Petra alleen voor decoratie is, niet om te eten. Dus, ga lekker zitten, ontspan en geniet van de schoonheid van dit niet-eetbare wonder terwijl je de heerlijke sfeer in je huis of kantoor ervaart.Codiaeum variegatum Petra is een populaire kamerplant, ook bekend als Croton, die gedijt in binnenomgevingen.Deze levendige plant heeft een potmaat van 17 cm, waardoor het een ideale keuze is voor kleine tot middelgrote ruimtes.Met een hoogte van ongeveer 45 cm voegt Codiaeum variegatum Petra visuele interesse en kleur toe aan elke kamer of kantoor.Deze plant geeft de voorkeur aan een plek in Halfschaduw (gedeeltelijke schaduw) waar hij helder, indirect licht kan ontvangen om zijn bonte bladeren te behouden.Een fascinerend feit over Codiaeum variegatum Petra is dat de kleurrijke bladeren kunnen veranderen en variëren op basis van hun blootstelling aan verschillende lichtomstandigheden, waardoor het een boeiende plant is om te observeren en voor te zorgen.Shipping Notes
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4.6 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012