SKU: 19806263738

We dont do mornings– 50 x 70 cm verf op papier

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Description

We dont do mornings– 50 x 70 cm verf op papierNiet iedereen is gemaakt voor ochtenden. We Dont Do Mornings is een ode aan langzaam opstarten, sterke koffie en een gezonde afkeer van alles wat vr tienen gebeurt. Dit werk toont twee iconische Breuker figuren: zij ontspannen, hij lichtelijk gerriteerd samen gevangen in een moment dat iedereen herkent. De brutale gezichten, grove lijnen en speelse kleuren zorgen voor humor met karakter. De tekst in de roze speech bubble zegt precies genoeg, zonder

Niet iedereen is gemaakt voor ochtenden.
We Don’t Do Mornings is een ode aan langzaam opstarten, sterke koffie en een gezonde afkeer van alles wat vóór tienen gebeurt.

Dit werk toont twee iconische Breuker-figuren: zij ontspannen, hij lichtelijk geïrriteerd — samen gevangen in een moment dat iedereen herkent. De brutale gezichten, grove lijnen en speelse kleuren zorgen voor humor met karakter. De tekst in de roze speech bubble zegt precies genoeg, zonder uitleg nodig te hebben.

Perfect voor mensen die zichzelf niet al te serieus nemen, maar wél houden van stijl, lef en een knipoog. Dit werk past net zo goed in een keuken, thuiskantoor, horeca of creatieve werkplek. Het maakt elke ruimte persoonlijker en net een tikje eigenwijzer.

Een statement voor nachtbrakers, ondernemers, creatieven en iedereen die vindt dat de dag rustig mag beginnen.

Een perfect statement piece voor een modern interieur, walk-in closet, kantoor, boutique of hotelomgeving.

Dit is kunst voor mensen die houden van esthetiek, kleur én karakter — met een duidelijke good life mentaliteit.

 

Specificaties

  • Origineel, uniek kunstwerk

  • Handgeschilderd door Hans Breuker

  • Acrylverf en mixed media op papier

  • Formaat: 50 × 70 cm

  • Gesigneerd aan de voorzijde

  • Eén exemplaar beschikbaar

Origineel artwork van Hans Breuker

Dit kunstwerk is een origineel, handgemaakt werk op papier in het formaat 50 × 70 cm. 

Door het royale papierformaat heeft het werk impact, zonder dominant te worden. Het is groot genoeg om een muur karakter te geven, maar subtiel genoeg om in verschillende interieurs te passen: van modern en minimalistisch tot warm en eclectisch.

Materiaal & uitstraling

  • Origineel kunstwerk op hoogwaardig papier

  • Rijke kleuren, krachtige lijnen en zichtbare handmatige details

  • Elk werk is uniek – geen twee zijn exact hetzelfde

  • Gesigneerd door de kunstenaar

Ophangen & presenteren

Dit kunstwerk is niet ingelijst, zodat je volledige vrijheid hebt in presentatie:

Populaire opties:

  • Inlijsten met passe-partout voor een galerie-achtige uitstraling

  • Strak ingelijst zonder passe-partout voor een moderne look

  • Ophangen met magnetische posterstrips

  • Klemmen of bulldog clips voor een meer artistieke, rauwe presentatie

Dankzij het 50 × 70 cm formaat zijn lijsten gemakkelijk verkrijgbaar, zowel online als bij speciaalzaken.

Waar past dit werk goed?

  • Woonkamer of eetkamer als visueel statement

  • Thuiswerkplek of kantoor voor dagelijkse inspiratie

  • Hal of overloop voor een sterke eerste indruk

  • Horeca, hotels of creatieve ruimtes

Over de kunstenaar

Hans Breuker is een Nederlands kunstenaar die internationaal werk verkoopt door heel Europa. Zijn stijl kenmerkt zich door expressie, lef en een sterke visuele identiteit. De werken zijn bedoeld om energie te geven, niet om te relativeren.

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SKU: 19806263738

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4.8 ★★★★★
Based on 9 reviews
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D
Verified Purchase
Don Morris
Belleville, US
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 2, 2022
E
Verified Purchase
Emma
Los Angeles, US
★★★★★ 5
Any socialist movement must centrally address racial liberation to succeed.
Format: Kindle
Robinson's masterwork powerfully demonstrates how the Black radical tradition emerged from the shared experiences of resistance to racial capitalism and colonialism. By tracing this intellectual and political lineage through figures like W.E.B. Du Bois, C.L.R. James, and Richard Wright, Robinson shows that Black liberation struggles were not simply an offshoot of European socialism, but represented their own distinctive radical tradition. A key insight is how Black resistance movements developed theoretical frameworks and modes of struggle that went beyond traditional Marxist analysis. Where European Marxism focused primarily on class conflict within industrial capitalism, Black radical thinkers recognized that racial oppression was fundamental to how capitalism developed globally through colonialism and slavery. This more comprehensive analysis helped explain why racial liberation had to be central to any meaningful socialist transformation in the United States. The book compellingly argues that Black liberation movements - from slave rebellions to civil rights to Black Power - represented some of the most significant challenges to American capitalism. These struggles exposed how racial oppression was not incidental but essential to American economic and social relations. By fighting for racial justice, these movements struck at the foundations of the capitalist order itself. Robinson's updated edition strengthens these arguments by extending the analysis into more recent decades. He examines how Black radical politics evolved in response to neoliberalism and continued racial inequalities, while maintaining connections to earlier traditions of resistance. For readers interested in both racial justice and socialist politics, this book remains invaluable for understanding how these struggles are fundamentally interconnected. It demonstrates why any socialist movement in the United States must centrally address racial liberation to succeed in transforming society.
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Reviewed in the United States on November 11, 2024
T
Verified Purchase
Tee
San Leandro, US
★★★★★ 5
A Classic That Requires Time
Format: Paperback
This book is for a particular type of reader. Robinson’s writing is beautiful, but not easy. The ideas are complex. It takes effort to get through. But, if you are interested in Black politics, and looking for fresh thinking, I recommend it highly. The funny thing is, the title is misleading. It is more about Europe and the formation of capitalism, and what Robinson defines as The Black Radical Tradition. Marx is critiqued but not rejected, and held uneasily at arm’s length. As Angela Davis wrote, this book needs to be read more than once. It’s like an album or a movie that is so unique and rich that you know you probably missed something on the first go-round. I expect to return to it many years to come.
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Reviewed in the United States on November 15, 2023
L
Verified Purchase
Laura Peters
Lake Worth, US
★★★★★ 5
Great condition
Format: Paperback
It came one day too late for Christmas, but that wasn't promised. Otherwise, it was received in great condition.
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Reviewed in the United States on January 1, 2022
L
Lionel(Bo)
Port Orchard, US
★★★★★ 5
Exceptional
Format: Paperback
Glad I purchased this book for my collection. Great information. Knowledge is power.
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Reviewed in the United States on January 3, 2026

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