SKU: 31855935734

Caviar Restructuring Bond Repair Overnight Serum - 100ml

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Description

Caviar Restructuring Bond Repair Overnight Serum - 100mlHeb je haar dat breekt, pluist of er na het wassen gewoon moe uitziet? De Alterna Caviar Restructuring Bond Repair Overnight Serum is een nachtbehandeling die terwijl jij slaapt het zware werk doet. Je brengt het 's avonds aan en waakt op met haar dat zachter, gladder en sterker aanvoelt. Voor iedereen met droog, beschadigd of chemisch behandeld haar is dit een van de slimste investeringen in je haarverzorgingsroutine. Wat maakt de Alterna Caviar Bond

Heb je haar dat breekt, pluist of er na het wassen gewoon moe uitziet? De Alterna Caviar Restructuring Bond Repair Overnight Serum is een nachtbehandeling die terwijl jij slaapt het zware werk doet. Je brengt het 's avonds aan en waakt op met haar dat zachter, gladder en sterker aanvoelt. Voor iedereen met droog, beschadigd of chemisch behandeld haar is dit een van de slimste investeringen in je haarverzorgingsroutine.

Wat maakt de Alterna Caviar Bond Repair Overnight Serum bijzonder?

Dit haarserum van Alterna combineert een proteïnecomplex, voedende oliën en antioxidanten in één lichte formule die je comfortabel de hele nacht kunt dragen. Geen vette vlekken op je kussen, wel merkbaar resultaat de volgende ochtend.

  • Haar voelt 's ochtends direct zachter aan
  • Minder haarbreuk en gespleten punten
  • Gladder haaroppervlak en meer glans
  • Makkelijker te kammen na het slapen
  • Vrij van sulfaten en parabenen
  • Geschikt voor steil, golvend en krullend haar
  • Trekt snel in, plakt niet en laat geen waas achter

Hoe gebruik je de Alterna Caviar Restructuring Bond Repair Overnight Serum?

  1. Was je haar zoals gewoonlijk en dep het droog met een handdoek.
  2. Breng een kleine hoeveelheid van de Alterna Caviar Restructuring Bond Repair Overnight Serum aan op je haar, van midden tot punt.
  3. Verdeel het product goed met je vingers of een brede kam.
  4. Laat het serum de hele nacht inwerken zonder uit te spoelen.
  5. Spoel de volgende ochtend uit of style je haar zoals je dat gewend bent.
  6. Gebruik dit 2 tot 3 keer per week voor het beste resultaat.

Wil je het herstelproces overdag doortrekken? Combineer dit serum dan met de Caviar Restructuring Bond Repair Leave-in Heat Protection Spray. Die beschermt je haar tijdens het föhnen en stylen, zodat je overdag niet tenietdoet wat je 's nachts hebt opgebouwd.

Waarom werkt deze nachtbehandeling voor beschadigd haar zo goed?

Je haar voelt sterker aan en de punten zien er minder rafelig uit. Dat komt onder andere door gehydrolyseerd keratine, dat zich hecht aan beschadigde plekken in de buitenste haarlaag en die tijdelijk opvult. Je haar voelt daarna voller en gladder aan. Shea butter en zonnebloemolie zorgen tegelijkertijd dat vocht niet verloren gaat, zodat je haar soepel blijft.

Als herstellende haarserum en anti-aging haarverzorging in één past dit product goed bij haar dat door kleuren, föhnen of de tijd zijn veerkracht heeft verloren. De lichte textuur zorgt dat het serum snel intrekt en comfortabel blijft zitten tijdens het slapen. Heb je dit een paar weken gebruikt, dan merk je dat je haar makkelijker beweegt en er gezonder uitziet. Dat is precies waarom de Restructuring Bond Repair-lijn zo populair is.

Is dit serum geschikt voor blond haar?

De vraag of Alterna Caviar Restructuring Bond Repair goed voor blond haar is, stellen veel mensen die blonderen of highlights laten zetten. Het antwoord is ja. Geblondeerd haar is vaak extra poreus en breekt sneller, en precies daar helpt dit serum bij. Het vult de haarstructuur aan en maakt de buitenste laag gladder, wat ook de kleurglans ten goede komt.

Heb je heel fijn haar? Gebruik dan een kleine hoeveelheid en breng het alleen op de midden- en punten aan, niet op de aangroei. Bij te veel product kan fijn haar de volgende ochtend iets zwaarder aanvoelen. Normaal tot dik, beschadigd haar profiteert het meest van dit serum.

Wil je het herstel al bij de wasbeurt starten? De Caviar Restructuring Bond Repair Shampoo en Caviar Restructuring Bond Repair Conditioner bereiden je haar voor, zodat het serum 's nachts dieper kan werken.

Hoe gebruik je Alterna Caviar Bond Repair Overnight Serum het beste?

Breng het aan op handdoekdroog haar, vlak voor het slapen. Zo heeft het serum de meeste tijd om in te werken. Spoel de volgende ochtend uit of kam je haar gewoon door als je het lichte gevoel prettig vindt. Gebruik het 2 tot 3 keer per week, niet elke dag. Zo voorkom je ophoping en blijft je haar licht aanvoelen.

Voor welk haartype is de Alterna Repair Overnight Serum het meest geschikt?

Dit serum werkt het beste bij normaal tot dik haar dat droog, beschadigd of chemisch behandeld is. Denk aan haar dat regelmatig gekleurd, geblondeerd of met warmte gestyled wordt.

Heb je extreem fijn haar dat snel vet wordt? Dan kan de combinatie van oliën en siliconen iets te rijk zijn. Gebruik in dat geval een kleinere hoeveelheid en breng het alleen op de punten aan. De Alterna Repair Overnight Serum is ook geschikt voor krullend haar dat neiging heeft tot uitdroging en pluizen.

Bevat dit product sulfaten of parabenen?

Nee. De Alterna Caviar Restructuring Bond Repair Overnight Serum bevat geen sulfaten en geen parabenen. Het product bevat wel parfum en een aantal geurstoffen. Heb je een gevoelige hoofdhuid of reageer je op geurstoffen? Doe dan eerst een kleine test op je pols voordat je het door je haar werkt.

Ingrediënten & overige informatie

Water/Aqua/Eau, Cyclopentasiloxane, Glycerin, Dimethicone, Fragrance (Parfum), Hydrogenated Castor Oil/Sebacic Acid Copolymer, Benzyl Alcohol, Polyquaternium-37, Propylene Glycol Dicaprylate/Dicaprate, Dimethiconol, Ppg-1 Trideceth-6, Hydrolyzed Vegetable Protein Pg‑Propyl Silanetriol, Dehydroacetic Acid, Hydrolyzed Keratin, Butyrospermum Parkii (Shea) Butter, Helianthus Annuus (Sunflower) Seed Oil, Polysilicone‑15, Superoxide Dismutase, Caviar Extract, Potassium Benzoate, Propylene Glycol, Sodium Sorbate, Leuconostoc/Radish Root Ferment Filtrate, Saccharomyces/Copper Ferment, Saccharomyces/Iron Ferment, Saccharomyces/Magnesium Ferment, Saccharomyces/Silicon Ferment, Saccharomyces/Zinc Ferment, Phospholipids, Hexyl Cinnamal, Linalool, Limonene, Geraniol, Coumarin, Citral, Amyl Cinnamal, Benzyl Benzoate, Benzyl Alcohol, Citronellol

We raden je aan om voor gebruik altijd de ingrediëntenlijst op de verpakking te raadplegen voor de meest accurate informatie. Vanwege productvernieuwing en optimalisatie kan het voorkomen dat de hier vermelde ingrediënten afwijken van die op de verpakking.

Fabrikant Contact:

Henkel AG & Co. KGaA
Henkelstr. 67
40589 Düsseldorf
Deutschland
[email protected]

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SKU: 31855935734

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4.9 ★★★★★
Based on 24 reviews
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AMD
Lake Worth, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Natrona Heights, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Matt M
Waukegan, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
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arch_reviews
Charlottesville, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
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Reviewed in the United States on December 5, 2014
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Martijn13Maart1970
Draper, US
★★★★★ 5
Unfortunately yet another one to add on the pile of writing books!
Format: Paperback
I say 'unfortunately another good book on writing' since I have been reading many books on the topic and each time I think I have read it all by now, pfff, but then another one like this comes along. But hey, it is fun to read about writing and especially if you get something useful and new out of it. Always worth the money. Why the accolades for this book? All the information on characters, plot, details etc, how they work and why they are important, is not new. You find them in many reading books, especially from Reader's and Writer's Digest series. I would especially recommend the books on plot and structure by James Scott Bell. Yet this book Wired For Story is not redundant, since it is unique in both the focus on the familiar subjects like what story is, the importance of details, details versus generics, how events affect a character etc. The approach of using brain science shows in a compelling way why all the stuff in the book (and for that matter, the classic theory on writing) is there for a reason, since it has evolved out of how we humans seem to perceive a story. Interesting though, a lot of rules like 'write about what you know' are shown to be myths. Of course, in the end it is you as a reader that has to decide what works for you, but you will find new things here and that is always good. If you are thinking about writing a story, this book can give you a very sharp focus on what to think about before you start. Or, like me, when you have a draft, and you want to get to the 'real story' behind it to come forward, this work gives you a very transparent way to get better clues as to what stays and what has to go. It is also entertaining and easy to read, so, all I can say is, yet again a book on writing you cannot afford to miss! I just added some extra information: I loved the humor and wisdom of the writer. She has worked for years reading manuscripts and she does know her stuff, and I liked her tone, which was both realistic but also fun! How many times have you read a reference work and actually had to laugh? But this book was also profound on many story issues. Many common writing rules are, as I said before, shown to be myths and more importantly, why this is so. I have read for instance so often that you should have some sensory info on every page, but, as I thought myself and I am not the only one: although this makes things more lively, it should only be there if the story would dictate it! The book has many more things like these. I have compiled a collection of notes I took from all the many many books on writing so I measure new books on writing in how much text I copied and pasted to look at again and this book has given me lots, so 5 stars and I hope we will see more of this author again! I also recommend the book by James Scott Bell on plot and structure which you can find here
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Reviewed in the United States on October 28, 2012

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