SKU: 3557531936

Allegrini Valpolicella Classico D.O.C. 2022

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Description

Allegrini Valpolicella Classico D.O.C. 2022Allegrini Valpolicella Classico D. O. C. Al sinds de 16e eeuw behoort Allegrini tot de absolute top van de Valpolicella. Hun Valpolicella Classico is een springlevend bewijs van hoe levendig, sappig en karaktervol deze klassieke appellatie kan zijn. Geen zware stijl, maar een frisse rode wijn die perfect het unieke terroir van de heuvels rondom Fumane tot uitdrukking brengt. Wijngaarden en regio De druiven komen van wijngaarden in de Valpolicella

Allegrini Valpolicella Classico D.O.C.

Al sinds de 16e eeuw behoort Allegrini tot de absolute top van de Valpolicella. Hun Valpolicella Classico is een springlevend bewijs van hoe levendig, sappig en karaktervol deze klassieke appellatie kan zijn. Geen zware stijl, maar een frisse rode wijn die perfect het unieke terroir van de heuvels rondom Fumane tot uitdrukking brengt.

Wijngaarden en regio

De druiven komen van wijngaarden in de Valpolicella Classico-zone, waaronder de Monte dei Galli-heuvel. Deze wijngaard ligt op 200 meter hoogte, met een zuidoostelijke expositie en bodems rijk aan klei en kalksteen. Dat levert druiven op met een mooie balans tussen frisheid en structuur. Dankzij het heuvelachtige terrein en continue monitoring van het microklimaat weet Allegrini keer op keer een uitzonderlijk gezonde oogst binnen te halen, ondanks een warm en onregelmatig groeiseizoen.

Vinificatie en rijping

Na de handmatige oogst eind september ondergaan de druiven een fermentatie van 9 dagen in roestvrijstalen tanks, bij temperaturen van 25 tot 31 °C. De malolactische omzetting vindt ook plaats in RVS, waarna de wijn blijft rusten tot februari. Vervolgens rijpt de wijn nog minimaal twee maanden op fles. Er wordt bewust geen hout gebruikt, zodat het pure fruitkarakter van Corvina en Rondinella volledig behouden blijft.

Druivensamenstelling

Corvina Veronese – Monte dei Galli
70% van de blend. Geeft florale tonen, elegantie en sappige kers.

Rondinella – Monte dei Galli
30%. Rondinella zorgt voor extra fruit, zachtheid en structuur.

Proefnotities en serveertips

In het glas fonkelt robijnrood met geuren van kersen, wilde aardbeien en een hint van viooltjes. De smaak is fris en soepel, met zachte tannines, levendige zuren en een lichte kruidigheid. Perfect bij kalfsvlees, pasta met tomatensaus of antipasti. Serveer rond 14–16 °C.

Bekroningen

  • 6 keer 90+ punten (James Suckling)

  • 93 punten (Doctor Wine)

  • Rosso (Merano Wine Hunter Award)

  • 92 punten (Falstaff)

Wat maakt deze wijn speciaal?

Allegrini bewijst met deze Valpolicella Classico dat grootse wijn niet altijd zwaar hoeft te zijn. Hier komt puurheid samen met finesse, met een frisse stijl die perfect de kracht van het terroir weerspiegelt. Alleen roestvrijstaal, pure druiven en een historische herkomst maken van deze fles een schoolvoorbeeld van de stijl die Allegrini wereldfaam heeft gebracht.

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SKU: 3557531936

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4.7 ★★★★★
Based on 13 reviews
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Product Reviews
M
Max
Bozeman, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Pawtucket, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Phoenix, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 1, 2003
H
"hirofantv"
Birmingham, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Louisville, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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