SKU: 41796581520

Zaphir shanti chimes Twilight - herfst

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Description

Zaphir shanti chimes Twilight - herfstZaphir shanti chimes Twilight herfst Zaphir Twilight is een product dat de betoverende overgang van dag naar nacht vangt, wanneer de lucht zich vult met de zachte kleuren van de schemering en de rust van de avond zich aankondigt. Het roept een gevoel van kalmte, mysterie en serene schoonheid op, perfect voor wie op zoek is naar een moment van introspectie of een rustgevende sfeer in hun omgeving. Dit product is vaak een windgong of geluidsobject, dat

Zaphir shanti chimes Twilight - herfst

Zaphir Twilight is een product dat de betoverende overgang van dag naar nacht vangt, wanneer de lucht zich vult met de zachte kleuren van de schemering en de rust van de avond zich aankondigt. Het roept een gevoel van kalmte, mysterie en serene schoonheid op, perfect voor wie op zoek is naar een moment van introspectie of een rustgevende sfeer in hun omgeving.

Dit product is vaak een windgong of geluidsobject, dat subtiele, zachte klanken produceert die de serene stilte van de avond weerspiegelen. De tonen van Zaphir Twilight zijn zacht en dromerig, met een melodie die langzaam vervaagt, alsof de geluiden van de dag in de nacht verdwijnen. Het geluid heeft een kalmerend effect, ideaal voor meditatie, ontspanning of gewoon om de ruimte te vullen met een gevoel van vrede en evenwicht.

Het ontwerp van Zaphir Twilight is geïnspireerd door de kleuren en het lichtspel van de schemering: zachte paarse, blauwe en zilveren tinten die een gevoel van mystiek en rust oproepen. De elegante, vloeiende vormen weerspiegelen de overgang tussen licht en donker, een symbool van de vergankelijkheid van momenten en de schoonheid van de natuur. Het product straalt een ingetogen luxe uit, met een tijdloze uitstraling die elke ruimte verrijkt.

Zaphir Twilight is voor degenen die verlangen naar een product dat niet alleen de ruimte verrijkt, maar ook een diepere, meer contemplatieve sfeer creëert. Het is een object dat uitnodigt tot reflectie en zelfontdekking, perfect voor avonden van stilte en rust, of als subtiele achtergrondgeluid tijdens een moment van rust na een drukke dag. Het is een object dat de essentie van de schemering vastlegt – een magisch moment tussen dag en nacht, licht en duisternis.

Gebruik

De windgong wordt vaak gebruikt bij muzikale ondersteuning zoals meditatie, healing en relaxing voor klankmeditaties en voor in de yogastudio of massagepraktijk. Loop ermee door de ruimte of bespeel hem met de hand, door de amulet te bewegen. Ook kun je de gong ergens ophangen en genieten van de mooie klank elke keer als de wind het instrument beweegt. Wanneer je de Zaphir buiten wilt ophangen, is het aan te raden hem onder een afdakje te hangen ter bescherming tegen de regen.

Energie

Deze windgong zorgt voor rust. Door de nauwkeurig afgestemde klankelementen ontstaat een spel van heldere tonen. Door dit mooie geluid kom je tot jezelf. Het geluid houdt negatieve energieën op afstand en heeft een bijna magisch effect op kinderen. De Zaphir Chimes worden in vijf toonzettingen gemaakt. Elk heeft zijn eigen specifieke magische klankkleur en ze kunnen harmonisch gebruikt worden met de anderen. De stemmingen zijn gebaseerd op de vier seizoenen: winter, lente, zomer en herfst. Daarnaast brengt de Sufi de vier seizoenen samen in een harmonieuze klank.

Ontwerp

De acht koorden hebben verschillende lengtes, tot een metalen ring gelast met zilver. Om de interactie van tonen te verfijnen worden de koorden bij montage nogmaals zorgvuldig afgestemd. De materialen zijn natuurlijk en recyclebaar. De beschermende vernis- en verflagen van de resonantiebuis zijn ecologisch en de houten delen zijn met was gecoat. Dunne lagen celluloidboard creëren ideale akoestische staat voor het warme timbre en de kristallijne klanken, waar de Zaphir Chimes bekend om staan.

Eigenschappen

De klank van de Twilight is sereen, als een beukenlaan vol herfstblad
De stemming is  E G B C E G B C   -   Mi, Sol, Si, Do, Mi, Sol, Si, Do
Leverbaar in de kleur  Geel/Oranje
Hoogte: 12,5 cm

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SKU: 41796581520

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4.2 ★★★★★
Based on 20 reviews
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Product Reviews
F
Verified Purchase
Frank Gino
Birmingham, US
★★★★★ 5
Star Wars embraces fantasy
Format: Paperback
This is Star Wars at its' strangest, and that's a very good thing. Luke and co. fighting through what could easily be Dracula's castle is a truly unique experience. I don't wish to say more for fear of spoilers. As a note though you will get more out of this if you've been following the Star Wars and Dr. Aphra comics. However you can get by without that knowledge as well.
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Reviewed in the United States on October 26, 2017
D
Verified Purchase
Doc Watson
New York, US
★★★★★ 3
Gothic Star Wars
Format: Paperback
This trade paperback collects all the issues for the Screaming Citadel story spread over several titles, including the main stay Star Wars series and the Dr Aphra book. As one might expect from a story spread over different titles with different artists and writers, the presentation varies. The art is all over the place. In the Marco Checchetto-drawn initial issue, everyone’s favorite amoral artifact hunter, Dr Aphra, is a striking space vixen. But in the following issues she’s hardly recognizable as the same character--mousier, if still menacing, in her trademark Russian tanker’s hat. To a lesser degree, the same is true for the other characters, including the main SW group. It’s understandable, but a bit disconcerting. The story centers on Dr Aphra, who, in need of a Jedi for one of her typically nefarious purposes, recruits Luke into her scheme. Unfortunately for Aphra, she’s up against a more ruthless foe in the harlequin-looking vampire-like Queen of the Screaming Citadel. Before long, the rest of the group has to show up to rescue them. It’s a gothic story, set in scary castle—not the usual Star Wars fare. There are some good points. Dr Aphra’s almost sociopathic outlook is always good for a few choice lines, the “murderous machines” Bee Tee and Triple Zero are on hand for their own gruesome commentary and some of the Queens hench-people, while not given much to do, are interestingly designed. But overall, the horror movies plotline didn’t seem much like Star Wars to me. Recommended for those who enjoy that type of story, or completists.
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Reviewed in the United States on February 27, 2018
P
Verified Purchase
PWDecker
Chelsea, US
★★★★★ 4
Luke and Doctor Aphra team up!
Format: Paperback
This is the second crossover event in the Marvel Star Wars comics. It brings the ongoing Doctor Aphra and Star Wars series together. I liked the pairing of Luke with Aphra. They play well off of each other with Luke's naive goodness and Aphra's experienced gray morality. I liked when she called him a wannabe padawan. There are some well designed characters in this comic. The residents of the Screaming Citadel have a goth bdsm vibe. Luke even gets to dress up. I liked seeing him in something different. I want to know more about Sana and Aphra's past!!! Please, Marvel, make a queer love story prequel!!! The murder droids are wonderful. Having them on the same side as the "good guys" for at least the time being led to some funny situations. The last panel intrigued me. I give this graphic novel a 4/5. I am always here for more Doctor Aphra!
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Reviewed in the United States on December 29, 2017
K
Verified Purchase
Kindle Customer
Lake Worth, US
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
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Reviewed in the United States on June 23, 2019
R
Verified Purchase
Ryan of the East Coast
Grantham, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019

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