SKU: 4758825972

simagic push pull paddle shifter module

Sale price$71.10 Regular price$79.00
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Description

simagic push pull paddle shifter moduleSimagic Push Pull Paddle Shifter Module Geavanceerde schakelbediening voor de motorsport De Simagic Push Pull Paddle Shifter Module upgrade compatibele Simagic stuurwielen met professionele push pull schakelfunctionaliteit. Deze module is ontworpen voor wedstrijdsimulaties en zorgt voor snel en intutief schakelen met behulp van een magnetisch peddelsysteem dat is genspireerd op motorsport. De Push Pull module is verkrijgbaar in meerdere

Simagic Push-Pull Paddle Shifter Module - Geavanceerde schakelbediening voor de motorsport

De Simagic Push-Pull Paddle Shifter Module upgrade compatibele Simagic-stuurwielen met professionele push-pull schakelfunctionaliteit. Deze module is ontworpen voor wedstrijdsimulaties en zorgt voor snel en intuïtief schakelen met behulp van een magnetisch peddelsysteem dat is geïnspireerd op motorsport.

De Push-Pull module is verkrijgbaar in meerdere materiaalvarianten en stelt racers in staat om zowel het uiterlijk als het gevoel van hun set-up aan te passen voor maximale onderdompeling en controle.

Push-Pull schakelen voor snellere invoer

Met het push-pull-mechanisme kunnen bestuurders schakelen:

  • Aan de peddel trekken
  • De peddel duwen

Dit ontwerp houdt kritieke schakelinput direct bij je vingertoppen en is vooral nuttig tijdens:

  • Formule
  • GT-racen
  • Duurracen
  • Rally- en toerwagensimulaties

De compacte bediening verbetert de toegankelijkheid en controle tijdens intense racesituaties.

Magnetisch schakelsysteem

Het geïntegreerde magnetische mechanisme levert een heldere en duidelijk gedefinieerde tactiele respons bij elke schakelbeweging.

Voordelen zijn onder andere:

  • Scherpe en bevredigende feedback
  • Snel en nauwkeurig schakelen
  • Consistente prestaties onder druk
  • Verbeterde onderdompeling en realisme

Elke schakeling voelt direct en mechanisch aan, vergelijkbaar met echte motorsportsystemen.

Meerdere materiaalvarianten

De Push-Pull Paddle Shifter Module is verkrijgbaar in verschillende materiaalconfiguraties, zodat bestuurders de stijl en het gevoel van hun stuur kunnen aanpassen.

Gemaakt van eersteklas materialen, waaronder:

  • ABS
  • Aluminiumlegering
  • Koolstofvezel

Deze combinatie zorgt voor lichtgewicht prestaties, duurzaamheid en een eersteklas motorsportgeïnspireerde afwerking.

Naadloze integratie met Simagic

De module is speciaal ontworpen voor geselecteerde Simagic-stuurwielen en integreert netjes in compatibele stuurwielsystemen met behoud van ergonomische bediening en een professionele uitstraling.

Belangrijkste kenmerken

  • Push-pull schakelsysteem voor Simagic-wielen
  • Magnetisch schakelmechanisme met tactiele feedback
  • Trek- en duwfunctie voor schakelen
  • Meerdere materiaalvarianten beschikbaar
  • Extra wielgemonteerde invoeropties
  • Lichtgewicht en duurzame constructie
  • Compatibel met geselecteerde Simagic-stuurwielen
  • Op motorsport geïnspireerd ontwerp

Technische specificaties

  • Kleur: Zwart
  • Materialen: ABS, aluminiumlegering, koolstofvezel
  • Afmetingen: 70 x 51,63 x 36,16 mm
  • Gewicht: 95,4 g
  • Compatibiliteit platform: PC
  • RGB-verlichting: Geen

Waarom kiezen voor de Push-Pull Paddle Shifter Module van Simagic?

De Simagic Push-Pull Paddle Shifter Module is de ideale upgrade voor sim racers die op zoek zijn naar sneller, intuïtiever schakelen en een meer authentieke motorsport ervaring. Met magnetische precisie, eersteklas materialen en professionele push-pull functionaliteit biedt het verbeterde onderdompeling en controle voor veeleisende race-setups.

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SKU: 4758825972

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4.2 ★★★★★
Based on 6 reviews
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Product Reviews
D
Verified Purchase
Diana D
Lake Worth, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Carnegie, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Lake Worth, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
West Palm Beach, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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