SKU: 59574602016

Uniview OwlView 8MP ColorHunter Wise-ISP Turret Camera (IPC3628LE-ADF28K-WP)

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Description

Uniview OwlView 8MP ColorHunter Wise-ISP Turret Camera (IPC3628LE-ADF28K-WP)Productbeschrijving De IPC3628LE ADF28K WP is een 8MP IP Turret Dome Camera met baanbrekende WISE ISP technologie die kleurenbeelden levert bij extreem weinig licht! Bovendien is de camera NDAA compatibel, zodat u hem kunt gebruiken in federale faciliteiten en projecten. Deze cameraserie kan kleurenbeelden verwerken zonder IR of witlichtbelichters, dus er is geen beperking van het verlichtingsbereik. Bovendien heeft de IPC3628LE ADF28K WP Ultra Motion

Productbeschrijving

De IPC3628LE-ADF28K-WP is een 8MP IP Turret Dome Camera met baanbrekende WISE-ISP-technologie die kleurenbeelden levert bij extreem weinig licht! Bovendien is de camera NDAA-compatibel, zodat u hem kunt gebruiken in federale faciliteiten en projecten. Deze cameraserie kan kleurenbeelden verwerken zonder IR of witlichtbelichters, dus er is geen beperking van het verlichtingsbereik.

Bovendien heeft de IPC3628LE-ADF28K-WP Ultra Motion Detection die onderscheid kan maken tussen voertuigen, mensen en niet gemotoriseerde voertuigen. Dat betekent dat u uw waarschuwingen kunt instellen voor specifieke objecten. Bovendien zijn de weerbestendige beoordelingen van deze professionele camera IP67, zodat u maximaal beschermd bent tegen de elementen. Deze camera heeft ook een ingebouwde MicroSD-kaartsleuf voor on-board opname. Met On Board Recording hebt u redundantie voor uw belangrijke gegevens. Een ingebouwde microfoon maakt audiobewaking en opname op uw NVR mogelijk. Nog beter, Uniview-camera's hebben een breed spanningsbereik en zijn geschikt voor Long Range PoE-runs tot 300 meter (820 voet) bij gebruik met een Uniview NVR. Daarom is er geen extra apparatuur vereist voor lange kabeltrajecten.

Meer eigenschappen

Opslag aan boord
Deze Prime Series UNV IP Turret Dome heeft ook een MicroSD-kaartslot voor On-board Recording. On-board recording kan worden gebruikt als een redundante video-opslag met gegevens die worden opgeslagen, zelfs als de netwerkverbinding is verbroken.

Echte WDR
De IPC3628LE-ADF28K-WP Turret Dome heeft True 120dB WDR (Wide Dynamic Range). Scènes met een variabel lichtbereik zijn moeilijk voor de meeste camera's. Met True WDR-camera's worden scènes echter in volledige details weergegeven voor zowel heldere als donkere gebieden tegelijk. Dit is vooral handig in toepassingen zoals entrees waar u binnenshuis misschien weinig licht hebt, maar uw deur of ramen fel zonlicht hebben. Bekijk hieronder onze voorbeeldafbeelding!

Detectie van grensoverschrijding
Perimeter Detection-functies omvatten Line Crossing Detection, Entrying and Area en Leaving an Area-detectie. Smart-functie zorgt voor betere doelclassificatie. Daarom worden valse alarmen sterk verminderd.

UNV-camera's zitten boordevol geavanceerde functies en behoren tot de gemakkelijkst te installeren systemen die we hebben gezien. De Prime Series-camera's en NVR's van Uniview zijn Plug and Play IP! Uniview-camera's en NVR's zijn geïnstalleerd in belangrijke toepassingen over de hele wereld. We zijn verheugd om een Uniview-distributeur te zijn en professionele IP-oplossingen te kunnen bieden die boordevol functies zitten en betaalbaar zijn.

Plug & Play
Als u een nieuw systeem maakt van onze Uniview-camera's, is de installatie waanzinnig eenvoudig met onze Uniview-lijn van POE NVR's. Sluit de camera gewoon aan op de achterkant van de Uniview NVR en u hebt direct video op de HDMI-interface van de recorder. U kunt de NVR ook bekijken en beheren via gratis desktop en mobiele apps, zoals UniEase en EZStation.

ONVIF-Compatibiliteit
Wil je deze camera toevoegen aan een reeds ingesteld beveiligingssysteem, dan is dat geen probleem. Deze camera voldoet aan de protocollen die zijn opgesteld door het Open Network Video Interface Forum (ONVIF). Dit betekent dat zolang uw huidige recorder ONVIF-compatibel is, u deze camera kunt instellen met uw huidige systeem.

Toegang op afstand
De IPC3628LE-ADF28K-WP is een onderdeel van onze Uniview lijn van producten. Als zodanig zit het boordevol functies die een krachtige gebruiker zouden behagen, maar het is eenvoudig genoeg om te bedienen voor een beginner. Bekijk en beheer uw camera's en recorders eenvoudig overal ter wereld met de gratis mobiele en desktoptoepassingen. Voor de ervaren gebruiker geven deze apps u de mogelijkheid om geavanceerde instellingen direct aan te passen. Voor de beginner kunt u de apps gebruiken om eenvoudig live feeds te bekijken en opgenomen video af te spelen. Wat je ook moet bereiken, het is allemaal binnen handbereik.

Specificaties

Camera
Model IPC3628LE-ADF28K-WP
Maximale resolutie 8 MP
Sensor 1/1.8" CMOS
Minimale verlichting Kleur: 0,0003 Lux (F1.0, AGC AAN)
Shutter Automatisch/Handmatig, 1 ~ 1/100000s
Instelhoek Pannen: 0° tot 360°, Kantelen: 0° tot 90°, Roteren: 0° tot 360°
S/N >52 dB
WDR 120 dB
Lens
Brandpuntsafstand 2,8 mm
Iristype Vast
Iris F1.0
Gezichtsveld (H) 111,0°
Gezichtsveld (V) 63,0°
Gezichtsveld (D) 131,0°
Lenstype Vast
DORI
DORI-afstand (lens) 2,8 mm
DORI-afstand (detecteren) 63,0 m (206,7 ft.)
DORI-afstand (waarnemen) 25,2 m (82,7 ft.)
DORI-afstand (herkennen) 12,6 m (41,3 ft.)
DORI-afstand (identificeren) 6,3 m (20,7 ft.)
Verlichter
Aanvullende verlichting Warm licht
Verlichtingsafstand (warm licht) 30 m (98,4 ft)
Licht aan/uit-schakelaar Automatisch/Handmatig
Video
Videocompressie Ultra 265, H.265, H.264, MJPEG
H.264-codeprofiel Basisprofiel, Hoofdprofiel, Hoog profiel
Beeldverversingssnelheid Hoofdstream: 8 MP (3840 × 2160), max. 20 fps; 5 MP (3072 × 1728), max. 30 fps; 4 MP (2560 × 1440), max. 30 fps; 1080P (1920 × 1080), max. 30 fps; 720P (1280 × 720), max. 30 fps;
Substream: 1080P (1920 × 1080), max. 30 fps; 720P (1280 × 720), max. 30 fps; D1 (720 × 576), max. 30 fps; 640 × 360, max. 30 fps; 2CIF (704 × 288), max. 30 fps; CIF (352 × 288), max. 30 fps
Videobitsnelheid 128 Kbps tot 6144 Kbps
U-code Support
OSD Maximaal 4 OSD's
Privacymasker Maximaal 4 gebieden
ROI Support
Videostream Dubbele streams
Afbeelding
Witbalans Automatisch, Buiten, Fijnafstelling, Natriumlamp, Vergrendeld, Auto2
Digitale ruisonderdrukking 2D/3D DNR
Slimme verlichting Support
Omdraaien Normaal, Verticaal spiegelen, Horizontaal spiegelen, 180°, 90° met de klok mee, 90° tegen de klok in
HLC Support
BLC Support
Defog Digital defog
Evenementen
Basisdetectie Bewegingsdetectie, ultrasnelle bewegingsdetectie (gebaseerd op detectie van menselijk lichaam en voertuig), sabotagealarm, geluidsdetectie
Algemene functie Watermerk, IP-adresfiltering, toegangsbeleid, ARP-beveiliging, RTSP-authenticatie, gebruikersauthenticatie, HTTP-authenticatie
Intelligent
Slimme inbraakpreventie (Lite) Inbraakdetectie, grensoverschrijdingsdetectie (beide detectiemethoden zijn gebaseerd op detectie van het menselijk lichaam en het voertuig)
Audio
Audiocompressie G.711U, G.711A
Audio-bitrate 64 Kbps
Onderdrukking Support
Steekproeffrequentie 8 kHz
Opslag
Edge Storage MicroSD-kaart tot 512 GB
Netwerkopslag ANR, NAS (NFS)
Netwerk
Protocollen IPv4, IPv6, IGMP, ICMP, ARP, TCP, UDP, DHCP, PPPoE, RTP, RTSP, RTCP, DNS, DDNS, NTP, FTP, UPnP, HTTP, HTTPS, SMTP, 802.1x, SNMP, QoS, RTMP, SSL/TLS
Compatibele integratie ONVIF (Profiel S, Profiel G, Profiel T), API, SDK
Gebruiker/Host Maximaal 32 gebruikers, 2 gebruikersniveaus: beheerder en gewone gebruiker.
Beveiliging Wachtwoordbeveiliging, sterk wachtwoord, HTTPS-encryptie, exporteren van operationele logboeken, basis- en digest-authenticatie voor RTSP, digest-authenticatie voor HTTP, TLS 1.2, WSSE en digest-authenticatie voor ONVIF
Cliënt EZStation, app
Webbrowser Liveweergave vereist een plug-in: IE 10+, Chrome 45+, Firefox 52+, Edge 79+. Liveweergave zonder plug-in: Chrome 57+, Firefox 58+, Edge 16+.
Interface
Ingebouwde microfoon Support
Netwerk 1 × RJ45 10 M/100 M Base-TX Ethernet
Certificering
EMC CE-EMC (EN 55032, EN 61000-3-3, EN IEC 61000-3-2, EN 55035)
FCC (FCC 47 CFR deel 15 B)
Veiligheid CE LVD (EN 62368-1)
UL/CUL (UL 62368-1, CAN/CSA C22.2 nr. 62368-1)
Omgeving CE-RoHS (2011/65/EU;(EU)2015/863); AEEA (2012/19/EU)
Bescherming IP67 (IEC 60529)
Algemeen
Stroom DC 12 V±25%, PoE (IEEE 802.3af)
Stroomverbruik Max. 3,9 W
Voedingsinterface Ø5,5 mm coaxiale voedingsstekker
Afmetingen Ø118 mm × 106 mm (Ø4,6" × 4,2") (Ø × H)
Gewicht 0,48 kg (1,06 lb)
Materiaal Metaal + kunststof
Werkomgeving -30 ℃ tot 60 ℃ (-22 ℉ tot 140 ℉), Luchtvochtigheid: ≤ 95% RH (niet-condenserend)
Opslagomgeving -30 ℃ tot 60 ℃ (-22 ℉ tot 140 ℉), Luchtvochtigheid: ≤ 95% RH (niet-condenserend)
Overspanningsbeveiliging 4 kV
Resetknop Support
Webclienttaal 13 talen: Engels, Vereenvoudigd Chinees, Pools, Duits, Russisch, Frans, Koreaans, Nederlands, Tsjechisch, Portugees, Spaans, Spaans (Europa), Italiaans
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 59574602016

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4.9 ★★★★★
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cookieman108
Waukegan, US
★★★★★ 4
A stylish, intimate remake of a French Classic
William Friedkin (The French Connection) brings us exotic locations and gripping story in Sorcerer, a remake of Henri-Georges Clouzot's 1953 thriller Wages of Fear. The first hour of this movie seems to be comprised of random events involving four individuals that have absolutely nothing to do with each other. The only commonality is that they are all men of dubious character. Probably the most recognizable actor in this film is Roy Schieder, who plays a low level New York gangster participate in a robbery that goes bad, and forces him to flee the country due to the fact he managed to step on some pretty well connected toes. The second man, a French businessman, escapes from the threat of prosecution due to some shady business dealings. The third man, a Middle Eastern terrorist flees his captors after being caught participating in a bombing, and the fourth man is a shady assassin type apparently on the run from repercussion from his last hit. The key is all four men end up in a South American rat-infested stink hole of a town called Vera Cruz. After awhile, they find their sanctuary has become more of a prison and all begin a desperate search for a way out, but that involves money, a commodity that's in short supply, with the only work available in the area is provided by an oil company that runs a well and is building a pipeline for the bubbling crude. Dangerous work, and the pay is so low that it would take years to earn enough to leave. Salvation for the men comes in a catastrophic disaster, an explosion damaging the well and causing the oil to burn. The only way to close the well proper for repairs is to blow it up, and the only explosives available are 200 miles away. Turns out the explosives, sticks of nitro, haven't been tended very well, and, in turn, are highly unstable. The company decides to hire four men to drive two trucks to carry the dangerous materials through 200 miles of dangerous jungle, including prehistoric rope and wood bridges, treacherous mountain passes, deadly bandits and swampy roads laden with fallen trees. The suicide mission draws the four men, as the money would allow them to escape the oppressive town. The most intense scenes for me involved the men trying to traverse a rickety, rotting wooden rope suspension bridge over a raging river during a heavy rainstorm. There were times when the truck on the bridge was at such an angle, I thought it would flip right off. And all the actors performed most all their own stunts, adding to the realism of the movie. Do they make it? See the movie and find out. I especially liked the very end. A very nice touch that reminded me of an ending of a certain Alfred Hitchcock movie. Which one? I won't say, as it would give it away. The movie runs just under two hours, and I would highly recommend it to anyone. Friedkin and the actors do a wonderful job in developing tensions between the characters and the environment and the between the characters themselves. The pacing is a bit slow, but it's deliberate, cranking the suspense up, notch by grueling notch. There are sparse special features, including pretty thorough productions notes and a trailer. If you enjoy thrilling adventure, you will most likely like this movie. I would have happily given this movie five stars but it is only available in the full screen format. Something I didn't understand is the title for the movie. I wasn't able to figure out what it had to do with the movie.... Cookieman108
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Reviewed in the United States on December 15, 2003
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Todd7
West Palm Beach, US
★★★★★ 5
Forgotten Classic
Sorcerer (1977) is, for the most part, a forgotten classic. First the forgotten: this film got kicked around by moviegoers when first released, probably because the title is misleading (nothing to do with fantasy), and they probably weren't in the mood for this film due to the sudden stratospheric success of another film that debuted at the same time (Star Wars). With Star Wars cementing the advent of the summer blockbuster, suddenly moviegoers wanted stuff more on the surface and eye candy for good measure. As a result, Sorcerer never got its footing, and was a major box office failure. If this film had debuted just a few years earlier, it would've done well, because it would've fit in with the other films of the time. The truth is that Sorcerer is an adaptation (not a remake) of The Wages of Fear from 1953. Now the classic: Sorcerer has since generated the respect it deserves, and is one of the best films of the 1970's. This film has it all: action, suspense, breathtaking and iconic scenes (the bridge scene being one), organic acting and a sort of 'raw' feel in terms of a lot of the settings; dwellings are dilapidated, and the machinery rusty. Even the actors are dirty, sweaty, and have visible wounds throughout the film. I particularly like the restraint on the dialogue, as Friedkin chooses to tell the story more in a visual sense. I also like the uniqueness of the characters being kept at a distance from the audience; this makes them sort of mysterious and seems to work in this film. This film was a very ambitious project, one that has been rewarded with the passage of time (thankfully). The care that went into many scenes and accompanying special effects are obvious, and first rate. Overall, Sorcerer is a must-see. This blu ray has excellent picture and sound quality, so it was worth the wait in that regard. One last thing: it's extremely rare for a blu ray disc to not include any special features; in the case of Sorcerer, it's unfortunately true. Perhaps this fact tells us just how much of a beating this film took over the years. I guess we should feel grateful that it has even made it onto blu ray.
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Reviewed in the United States on March 25, 2017
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glenn
Louisville, US
★★★★★ 5
Sorcerer (1977) (BD)
This is a different version, which can happen after the initial film with different editing and ending. I don't remember the political emphasis at all, and the ending of the other version was with Roy Scheider getting through the rough parts with his eyes glowing as he drove the truck alone, a real Sorcerer, after performing the miracle. This version continues after the completion to another ending altogether. I think both are great films, but each with a separate focus. This was all done without CGI which seems impossible. The scenes are still amazing and the camera work and editing top-notch.
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Reviewed in the United States on March 10, 2026
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Dylan
Boise, US
★★★★★ 3
Good but not Wages of Fear
The much maligned Sorcerer is in fact a good well crafted thriller that if seen without refrence to the Original Wages of Fear would have faired far better at the hands of the critics. That's not to say the film is perfect. The opening scenes that fill the viewer in on the charecters back stories, are pointless and actually work against the tension that is built up later in the film. Knowing exactly why the characters are desperate makes their reasons for taking on the deadly task seem a bit lame and looses the exestential angst that creates such a hopeless atmosphere. Once in South America the oppresive nature of their stay in the village is also diminshed by knowing too much about them. Having said all that there is still an air of desperation and mounting frustration, it's just not as clausterphobic as it could have been. Once the journey begins the tension is turned on, the only problem is that by knowing the original so well there is not quite the frisson of that classic. This is an unfortunate by-product of re-making any well respected film. Friedkin however has a fair go and if this is the film you see first you will wonder why it was so slated on original release. The film moves at a well constructed pace that is aided by a cracking score from Tangerine Dream. The cast perform well and Roy Scheider is reasonably well cast but does not deliver the subtly nuanced performance he is capable of, for this you need to look towards (obviously) Jaws and to a lesser extent the minor role he playes in Naked Lunch. All in all a good film, though not great, and as the review starts by saying, not Wages Of Fear, but it deserves a better reputation than it so unfortunatly has and will be a good addition to anyones collection of interesting 70's films (the best decade for American Filmaking by a long long way).
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Reviewed in the United States on September 29, 2005
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L. Freytag
Fort Morgan, US
★★★★★ 5
Harrowing Cult Classic!
If you are considering this film, no doubt you know that it is a remake (or hommage to) the classic French thriller Wages of Fear. Chances are everyone is also familiar with the outlines of the plot--a group desparate men agree to transport cargoes of unstable dynamite through 200 miles of South American jungle to put out an oilfield fire. Of course the drivers know they have voluneered for a suicidal job and the odds are against the survival of any of the truck drivers. That alone puts Sorcerer (along with Runaway Train & Sam Peckinpaw's The Wild Bunch) into the rarest category of films: the big-budget Hollywood existential! My view, a distinct minority view, is that William Friedkin's remake surpasses the orginal as an exercise in suspense and harrowing, relentless action. Like many other fans of this movie, my introduction came during the 1980s on cable movie channels. Few people saw Sorcerer on the big screen. The film was initally panned by critics and cited as a prime example of a young director with too much ego, power and money creating yet another Hollywood box-office disaster. Gradually, the film acquired an audience and a legacy through word of mouth. Today many critics see Sorcerer as the last great product of the seventies generation of young Hollywood film-makers. It is no accident that Sorcerer and Star Wars opened the same day!In many ways, the film marks the transition from the courageous experimental Hollywood of the seventies to the family blockbusters and action franchises of today. Fans of Sorceror appreciate the director's commitment to the story of desperate men risking everything to escape a very realistic, modern version of hell on earth. The opening backstory sequences show us how a small-time New Jersey criminal, a disgraced French banker, a Mexican assassin, and an Arab terrorist find themselves driving old trucks that can (and will) explode at any moment. The film has a hypnotic, dreamlike feel and the viewer will be drawn into a dark journey that can only end one way. The score by the German band Tangerine Dream is at once seductive and chilling and contributes to the growing atmosphere of susense and dread. If you like stylish action and relentless story-telling, you should not miss this film. The DVD quality is OK but perhaps we might hope for a remastered director's cut with better special features at some point.
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Reviewed in the United States on April 16, 2010

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