SKU: 6376875264

GLEAN (EN) 5, Autumn 2024

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GLEAN (EN) 5, Autumn 2024GLEAN 5 is out now! With Orla Barry as Guest Editor and a Brussels City Report. Artist Edition by Kendell Geers Each issue of GLEAN features a cover based on a unique artist edition. For this issue weve invited the Brussels based artist Kendell Geers. His print edition draws on decades of research into Marcel Duchamps brief but pivotal visit to Munich in 1912. Geers intricate Le Vrai Faucon is printed in an edition of 20 (plus 2 APs). Now available at

GLEAN 5 is out now! With Orla Barry as Guest Editor and a Brussels City Report.

Artist Edition by Kendell Geers
Each issue of GLEAN features a cover based on a unique artist edition. For this issue we’ve invited the Brussels-based artist Kendell Geers. His print edition draws on decades of research into Marcel Duchamp’s brief but pivotal visit to Munich in 1912. Geers’ intricate Le Vrai Faucon is printed in an edition of 20 (plus 2 APs). Now available at editions.glean.art

Guest Editor: Orla Barry
Our Guest Editor for this issue is artist and shepherd Orla Barry, whose contribution is both grounded and compelling. At Barry’s request, this section is set in a font (Atkinson Hyperlegible) that is accessible to readers with dyslexia. She invited Sebastian Cichocki to write a text about her practice and Kathleen Weyts had an in-depth interview with Barry. In close collaboration with the designers, Barry also compiled a visual essay consisting of text fragments, film stills and quotes, and image contributions from Irish artists Gary Coyle, Mairead O’hEocha, Maria McKinney, Alice Maher and Dorothy Cross. A truly joint effort!

City Report: Brussels
We’re delighted to introduce GLEAN’s City Report. Each issue will bring an art lover’s perspective on a different city. Kicking off the season in our home city was a no-brainer. Check out the artistic responses to the city by the Brussels-born artist and photographer Maxime Fauconnier and the group of artists Natural Contract Lab (NCL), whose contribution focuses on mapping the ‘SZenne’ river that runs so elusively (yet significantly) through the city.

Nástio Mosquito
Angolan-born artist Nástio Mosquito has been living and working in Ghent for a number of years. His country of residence is now providing the venue for a retrospective exhibition. From 10 October, M HKA in Antwerp will host ‘King of Klowns’, a solo exhibition highlighting Mosquito’s varied oeuvre. Read about the many layers, themes and personas in the artist’s work in the thoughtful feature by Maluza Vindes.

Studio Visits
We’re back with two local studio visits in this issue. Artist and writer Michaela Schweighofer dropped by Lisa Vlaemminck’s studio in Molenbeek (and found ‘a lot’ of painting). Curator Laila Melchior had an enriching conversation with her compatriot, the Brazilian artist Paloma Bosquê (after being greeted with a typical Brazilian cafézinho). Complementing the writers’ contributions, both artists’ studios were wonderfully caught on camera by Tom Van Hee and Dries Segers.

Lucy McKenzie
Lucy McKenzie’s solo exhibition ‘Super Palace’ at Z33 in Hasselt will open on 29 September. McKenzie, a Scottish artist based in Brussels, is primarily known as a painter, but she also works with many other media and incorporates a wide range of artistic techniques; in fact, her new show promises to be anything but two-dimensional. There will be a shopfront, street lamps, statues, even a subway station. Read Febe Lamiroy’s interview with the artist.

… and more!
As usual, GLEAN 5 is bursting with content. Other artists featured include Kasper Bosmans, Joar Nango, Wu Tsang, and KANAL-Centre Pompidou’s new Curator-at-large Sandrine Colard. WIELS director Dirk Snauwaert has written an obituary for Kasper König, the self-styled ‘Ausstellungsmacher’ (‘exhibition-maker’) who passed away on 9 August 2024. We review shows from Busan to Basel. And alongside his cover for this issue, Kendell Geers will be unpacking his research on Marcel Duchamp over the next four issues, starting at the very beginning of the story: Duchamp’s Endgame. Happy reading!

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SKU: 6376875264

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Best sub paper!
Size: 8.5"x11"
This is actually my second box of this paper I purchased. I use it that much! I like it that much! It works easily through my Epson 2850. The sub ink transfers to this paper with vibrant colors before pressing. I like the ASub print on the back to help me load the paper correctly in my printer. The ink does not bleed through the paper. I like that this paper comes in a plastic bag and in a box. This is helpful to keep the moisture out of the paper. The paper is durable as I try to manipulate on my substrate.
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Crisp transfer and doesn't jam my printer, win, win.
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funnygirl
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Good choice in sublimation paper!
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Good printer compatibility with my Epson printer. Very smooth. No jamming in my printer. I use a lot of of sublimation paper lots of projects going on. Need to def to stock up
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Glenda Breland
Battle Creek, US
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Size: 13"*19", Color: 150 sheets
HTVRONT Sublimation Paper 13x19 inches – 150 Sheets Review I recently purchased the HTVRONT Sublimation Paper (13x19 inches, 150 sheets, 120g) and I’m genuinely impressed with the results! As someone who does a lot of sublimation printing for both personal and small business projects, I found this paper to be a fantastic choice. Pros: Excellent Print Quality: The colors transfer beautifully and vibrantly onto my blanks. Images come out crisp and true to the original design. Generous Size: The 13x19 inch sheets are perfect for larger projects like T-shirts, tote bags, and even custom pillowcases. It’s great not having to piece together smaller sheets. Easy to Use: The paper feeds smoothly through my inkjet printer with no jams or smudging. Instructions were clear, making the process straightforward even for beginners. Consistent Results: Every sheet in the pack performed consistently, with no noticeable defects or wasted paper. Value for Money: With 150 sheets in the pack, it’s a great deal for the price, especially for anyone who does frequent sublimation work. Cons: Requires Sublimation Ink: Just a reminder that you’ll need sublimation ink for best results (not regular inkjet ink). Storage: The large size means you’ll need a bit of space to store the pack, but that’s a minor issue. Overall: I highly recommend the HTVRONT Sublimation Paper for anyone looking for reliable, high-quality results. It’s perfect for both hobbyists and small business owners. I’ll definitely be purchasing again!
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Reviewed in the United States on August 25, 2025

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